The Project Gutenberg EBook of Single Life, by John Baldwin Buckstone

This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever.  You may copy it, give it away or re-use it under the terms of
the Project Gutenberg License included with this eBook or online at
www.gutenberg.org.  If you are not located in the United States, you'll have
to check the laws of the country where you are located before using this ebook.

Title: Single Life
       A Comedy, in Three Acts

Author: John Baldwin Buckstone

Release Date: September 21, 2014 [EBook #46918]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK SINGLE LIFE ***




Produced by Paul Haxo from page images graciously made
available by the Internet Archive and the University of
California.





SINGLE LIFE;

A COMEDY,

In Three Acts,

BY

JOHN BALDWIN BUCKSTONE, ESQ.,

(MEMBER OF THE DRAMATIC AUTHORS' SOCIETY,)

AS PERFORMED AT THE

THEATRE ROYAL, HAY-MARKET.

CORRECTLY PRINTED FROM THE PROMPTER'S COPY, WITH THE
CAST OF CHARACTERS, COSTUME, SCENIC ARRANGEMENT,
SIDES OF ENTRANCE AND EXIT, AND RELATIVE
POSITIONS OF THE DRAMATIS PERSONAE.

SPLENDIDLY ILLUSTRATED WITH AN ETCHING,
BY PIERCE EGAN, THE YOUNGER, FROM A DRAWING TAKEN
DURING THE REPRESENTATION.

LONDON:
CHAPMAN AND HALL, 186, STRAND.



"NASSAU STEAM PRESS,"
W. S. JOHNSON, 6, NASSAU STREET, SOHO.



Dramatis Personae and Costume.

_First produced, Tuesday, July 23rd, 1839._



BACHELORS.

MR. JOHN NIGGLE _(A fluctuating bachelor.)_   }
Light drab coat, white waistcoat, nankeen     } MR. WEBSTER.
pantaloons, white stockings, shoes, white wig }
tied in a tail, white hat                     }

MR. DAVID DAMPER _(A woman-hating bachelor.)_ }
Brown coat with black horn buttons, old       }
fashioned dark figured silk waistcoat, black  } MR. STRICKLAND.
pantaloons, hessian boots, iron-grey wig,     }
broad-brimmed hat                             }

MR. PETER PINKEY _(A bashful bachelor.)_      }
Lavender coloured coat, white waistcoat,      }
white trowsers, pink socks, pumps, pink silk  } MR. BUCKSTONE.
neckerchief, pink gloves, pink watch ribbon,  }
low crowned hat and cane, flaxen fashionably  }
dressed wig                                   }

MR. NARCISSUS BOSS _(A self-loving            }
bachelor.)_ Fashionable chocolate-coloured    }
Newmarket coat with roses in the buttonhole,  }
elegantly flowered waistcoat, light drab      } MR. W. LACY.
French trowsers with boots, light blue cravat }
exquisitely tied, frilled shirt, hat, and     }
wristbands a la D'Orsay, and the hair dressed }
in the first style of elegance                }


MR. CHARLES CHESTER _(A mysterious            }
bachelor.)_ Dark frock coat, silk waistcoat,  } MR. HEMMING.
light trowsers, French gaiters and shoes,     }
round hat                                     }



SPINSTERS.

MISS CAROLINE COY _(A vilified spinster.)_    }
Grey silk dress, laced shawl and white        } MRS. W. CLIFFORD.
ribbons, white satin bonnet, flowers, long    }
yellow gloves, white reticule                 }

MISS MARIA MACAW _(A man-hating spinster.)_   }
Green silk open dress, white petticoat,       }
figured satin large apron, lace handkerchief, } MRS. GLOVER.
close lace cap and white ribbons, fan, and    }
black rimmed spectacles                       }

MISS KITTY SKYLARK _(A singing spinster.)_    }
White muslin pelisse over blue, chip hat and  } MRS. FITZWILLIAM.
flowers. _(2nd dress.)_ Pink satin and blond  }
flounces                                      }

MISS SARAH SNARE _(An insinuating             }
spinster.)_, _1st dress._ White muslin        }
petticoat, black velvet spencer, pink satin   } MRS. DANSON.
high-crowned bonnet and green feathers. _(2nd }
dress.)_ Green satin and pink ribbons, black  }
wig dressed in high French bows               }

MISS JESSY MEADOWS _(A romantic spinster.)_   }
White muslin dress mittens. _(2nd dress in    } MISS TRAVERS.
the last scene.)_ White lace over white satin }
with roses                                    }


Time of representation, 2 hours.

EXPLANATION OF THE STAGE DIRECTIONS.

L. means first entrance, left. R. first entrance, right. S.E.L. second
entrance, left. S.E.R. second entrance, right. U.E.L. upper entrance,
left. U.E.R. upper entrance, right. C. centre, L.C. left centre. R.C.
right centre. T.E.L. third entrance, left. T.E.R. third entrance,
right. Observing you are supposed to face the audience.



ADVERTISEMENT.

"SINGLE LIFE" is intended as a companion picture to the same author's
Comedy of "MARRIED LIFE;" and as that attempted to illustrate a few of
the humours of the state matrimonial, and interest an audience without
the introduction of any lovers whatever, in going to the opposite
extreme in "SINGLE LIFE," and making his characters "_Lovers all,_" he
has been equally successful in pourtraying some of the vagaries of
courtship, and showing that the democratic region of celibacy has its
bickerings, as well as the most loyal one of "The United States."



SINGLE LIFE.

ACT I.

SCENE I.--_An apartment at MR. NIGGLE'S. A sideboard, with cupboard,
on the U.E.R. Window, with curtains, on the F.E.L. A round table, L.,
chairs, &c._

_MISS SNARE discovered seated at table, L., looking over the books,
&c._

MISS SNA. _(Reading.)_ "The Young Man's best Companion"--a very
excellent book for youth; but at Mr. Niggle's age, he ought to possess
_his_ best companion in a devoted and amiable wife; heigho! What a
treasure _I_ should be to any man that could properly understand me.
_(Takes up another book.)_ "The Epistles of Abelard and Heloise." I am
pleased to see this book on his table, it proves that he possesses a
taste for sentiment of the highest order, and can admire devotedness
and passion under the most trying circumstances. "The Newgate
Calender." Bless the man, what can induce him to have such a book as
this in his house; surely he can have no sympathy with housebreakers
and assassins? I must look to this: should I ever be the mistress
here, some of these volumes must be removed--this furniture too--very
well for a bachelor; but when he is married, a change must be made.
And those curtains, how slovenly they are put up. Ah, any one can
discover the want of a presiding female hand in a bachelor's
house--where is the neatness, the order, and the good taste that
prevails in all the arrangements, where the master of the house is a
married man. If ever I am Mrs. Niggle, down shall come those curtains,
away shall go that sideboard, off shall go those chairs, and as for
this table--let me look at its legs----_(Lifts up the cover and
examines the legs of it.)_

[_DAMPER peeps in, F.E.L._

DAM. Hollo! hollo!

MISS SNA. Oh! how you frightened me.

DAM. It's a very suspicious thing when an old maid examines a
bachelor's furniture.

MISS SNA. Good morning, Mr. Damper, I was merely observing Mr.
Niggle's table legs.

DAM. (L.) Ah! when an old maid finds herself on her own last legs,
'tis time she should observe those of other people.

MISS SNA. (L.) What a censorious man you are, Mr. Damper, you rail at
our sex as if you considered it man's natural enemy, instead of his
best friend. Is it possible that you have never loved a woman in all
your life?

DAM. I love a woman! Ugh! I look upon you all as the first great cause
of every evil.

MISS SNA. For, like most first great causes, you don't understand us.

DAM. If I don't, I have no wish to acquire any such useless knowledge.
May I ask what you want at my friend Niggle's, so early in the
morning: some conspiracy, I'll be bound. I wont allow it, Miss Snare;
if you think to inveigle him into matrimony, you'll find yourself
mistaken; he shall never marry, if I can prevent him making such a
ninny of himself.

MISS SNA. It is entirely through your interference, I have been told,
that he is in a state of celibacy; and, though the poor gentleman is
now fifty-five, yet ever since he arrived at years of discretion, he
has been sighing and pining for a wife.

DAM. He would have been a ruined man long ago, but for me; five times
have I saved him from the matrimonial precipice.

MISS SNA. How did you save him?

DAM. How? I have discovered his intention to marry, and knowing how
nervous he is upon the subject, I have always interfered in time, told
him in strong language the evils he was bringing upon his head,
brought instances of married misery so plainly before his eyes, that I
have frightened him out of his wits; and one morning, eight years ago,
he was actually dressed and on his way to church to unite himself to
some designing woman, when I luckily met him, and dragged him back
again by the collar.

MISS SNA. And he had to pay five hundred pounds damages, in an action
for breach of promise.

DAM. But he purchased independence and happiness with the money. I
have been his best friend through life; didn't I go out with him when
he was challenged by a young lady's brother, twenty years ago, because
I made him relinquish his attentions to her? And though he has been
shot at and caned, and has paid damages in two actions for breach of
promise, yet by meeting those small evils, he has escaped that far
greater one--_a wife;_ and every morning when he rises a free man, I
know he invokes a blessing on my head. _(Sits at table, L.)_

MISS SNA. _(Aside.)_ Oh, you monster, you ought to be poisoned. _(Sits
R.)_

[_NIGGLE opens folding doors at back, and looks at them._

NIG. Why the deuce don't they go away? What do they want here?
Confound them!

[_Disappears._

DAM. Where is Niggle? I wish most particularly to see him. Has he
shown himself yet?

MISS SNA. I have been waiting for him this half hour, to solicit his
vote for a beadle.

DAM. A beadle! To persuade him to call on the parish clerk, more
likely. It wont do, Miss Snare, you don't catch him in _your_ net.
_(Aside.)_ Surely it can't be this dangerous woman that he is going to
make a fool of himself with. She sha'n't have him--nobody shall have
him.

[_NIGGLE peeps from doors, again._

NIG. I wish they'd go.

DAM. _(Seeing him.)_ Hollo! there you are; come here, sir, and let me
examine you.

NIG. _(Advancing, C.)_ David, I will no longer allow this continued
intrusion on my privacy; and, Miss Snare, I do not wish to offend, but
really your continued calls upon _me_, at all hours, are somewhat
indecorous. The neighbours begin to talk, and I must check them. What
may you want this morning?

MISS SNA. I am sure, sir, I was not aware that my friendly visits
could cause anybody to talk, or at least be annoying to you; however,
I shall not intrude again--you know why I called yesterday.

NIG. To give me a pincushion, made by yourself, in the form of a
heart.

DAM. A dead set at you, John, clear as daylight--a dead set at you.
Oh! miss, I'm ashamed of you.

MISS SNA. For what, sir? He complained, a few days since, that he was
without a pincushion, and could never recollect to purchase one; and
where was the harm, sir, in my supplying such a trifling want: I shall
not be so attentive _again_, be assured. As for my call this morning,
it was on parish business--a motive of charity; but since my little
acts of friendship are so sternly checked, of course those of charity
must suffer at the same time. And I did hope to have your company to
tea, to-morrow.

NIG. Well, well, I know and appreciate your motives; but you always
contrive to call when I'm occupied, when I don't want to be
disturbed--and _this_ morning, I particularly wish to be quite alone.
_(Double knock without.)_ Another call! Dear, dear, that is the worst
of being a bachelor; everybody walks into his house whenever they
please--no announcement, no ceremony, in they bounce with--"How are
you? how do? only _me_." And sit themselves down, and take up this,
and throw down that. Oh, I wish I had the courage to take a wife.
_(Looking at his watch.)_ How the time is getting on--quarter past
nine--we were to have been at church at ten, the latest. _(MISS KITTY
SKYLARK heard without, running a cadence.)_ Oh, dear! it's that
abominable singing lady; what the deuce brings her here? Her
conversation is so interspersed with singing, that she's a complete
human burletta--I shall never get rid of her. How shall I escape out
of the house.

_MISS KITTY SKYLARK enters, F.E.L., with a roll of music in her hand._

MISS SKY. Oh, good morning, good people--didn't expect to find any one
here so early. I've got it for you, Mr. Niggle.

NIG. Got what?

MISS SKY. The song that you were trying to sing the other evening,
"The Bay of Biscay," you know you first got out of tune, then you
broke down altogether. I have bought the correct copy for you, and, if
you'll allow me, I'll teach it you. _(Sings.)_ "As we lay, all that
day, in the bay--" that's where you went astray, in the high note--"In
the bay--" You must practice it twenty times a day--"Of Biscay, O!"

NIG. You're very kind, indeed, miss; but this morning, I've no time to
practice high notes. _(Aside.)_ I must turn them all out by force.

MISS SKY. Well, well, any other day then. I've a charming song for
_you_, Mr. Damper, just suited to your deep bass. _(Sings.)_ "While
the wolf with nightly prowl"----An excellent song for you--you hate us
women, you know; and, as the savage wolf howls at the sweet and
silvery moon, so do you rail at us radiant creatures. Ah! good
morning, Miss Snare, I've not forgotten _you_ either; I've picked up
an old ditty that will be the very thing for you. _(Sings.)_ "Nobody
coming to marry me, nobody coming to woo--wo--o--o--o--woo--o----"

MISS SNA. Insulting creature! _(Regards her with every expression of
contempt.)_

[_MISS SKYLARK_ points out the notes on paper to NIGGLE, who is
fidgetting to get away._

DAM. _(Aside.)_ Poor Niggle's in a hopeful way; one woman wants to
teach him to sing "The Bay of Biscay," and another is continually
calling on him with pincushions. I must keep my eye upon him.

NIG. _(Aside.)_ Another ten minutes gone. What shall I do? _(Looks at
his watch.)_

MISS SKY. Oh, what do you think, while I was in the music-shop this
morning, I heard such scandal; it seems to be all over the town. I
never was so shocked in all my life--and of a lady, too, that we
always considered so very correct in her conduct.

MISS SNA. Do you allude to Miss Coy?

MISS SKY. I do.

DAM. What, have _you_ heard? so have I.

NIG. _(Looking anxiously from one to another.)_ What? what?

MISS SKY. I cant repeat it, especially as she's an acquaintance; were
it a stranger, I should not hesitate; but to retail anything against
one's _friends_, is so ungenerous.

DAM. Come here. Was it that she----_(Whispers.)_

MISS SKY. Yes. Could you have believed it?

DAM. Oh, woman, woman, just like you.

MISS SNA. I think I can guess the nature of the report--quite a
full-grown young man, I hear.

DAM. Quite full-grown--five-and-twenty.

MISS SNA. Shocking! shocking!

MISS SKY. Dreadful!

DAM. Horrible!

NIG. What is it? Am I to be the only person in ignorance of anything
derogatory to the reputation of Miss Coy?

MISS SKY. The fact is, Mr. Niggle, we don't wish to wound your
feelings. Oh, you sly man, do you think your attentions to Miss Coy,
have passed unnoticed. Gallanting her home from parties, running of
errands for her, sitting on a post opposite to her window of an
evening, when the weather has been mild enough, taking walks, and
taking tea, and playing at double dummy by moonlight. Oh, shocking!
shocking! _(Sings.)_ "Can love be controlled by advice? Will Cupid his
mother obey."

NIG. Pray don't be musical at such a moment, miss, pray, don't. _One_
shakes her head and cries "shocking," another ejaculates "dreadful,"
while Damper sums up all by a growl of "horrible," and giving a
violent hint of Miss Coy and some full grown young man. Now, what is
it? Not that I particularly wish to know; because curiosity is a
foible that I detest. Not that it at all concerns me, the least in the
world--the least in the world. What is it?

MISS SKY. Don't tell him.

DAM. You're not going to make a fool of yourself in that quarter, are
you? Think how many times I have saved you from perdition! Tell me if
you are: I am your friend you know, and I'll never forsake you.

MISS SKY. Nay, Mr. Damper, if his fancy _is_ fixed there, why should
he not gratify it? Miss Coy is still a handsome woman, past the summer
of her existence, certainly; but what I call a fine autumnal maiden.

NIG. So she is; and if I _do_ possess a preference for any female, I
certainly admire one at that season of life: when her charms are in
the richest state of perfection. None of your just budding April
misses for me; who, after all, may turn out to be very indifferent
blossoms.

DAM. Ah! your autumnal maiden is so near a neighbour of your wintery
one, that when you have folded the full blown blossom to your heart,
you will find to your dismay, that all its leaves are falling at your
feet; but I understand your rhapsody--you have betrayed yourself, and
now I ask you a plain question--are you going to be married?

NIG. To make a plain reply, what is it to you? _(Knocking without.)_
Another call, what shall I do? How the time is getting on--my only
chance is to drop out of the window into the road.

_MR. NARCISSUS BOSS, without, F.E.L._

BOSS. Mr. Niggle at home? Oh, very well. [_Enters._] Good morning to
you, Niggle. Ah! Damper, _you_ here. _(Crosses to C.)_ Ladies, your
most obedient, I dropped in to see my friend. Mr. Niggle, the
strangest bit of gossip you ever heard--while I was at my tailor's,
suggesting an alteration in my arm-holes--clumsy fellow has made me
thirty coats and can't fit me yet.

DAM. Never mind your tailor--what of the gossip?

BOSS. I don't think I'm justified in publicly retailing it; but my
operative assured me on his honor as a man, that he had heard it, and
as I know our friend Niggle is interested in the party scandalized, I
thought it but friendly to call and drop him a _hint_ of what I have
heard.

MISS SKY. _(Crossing to him and whispering.)_ Of _Miss_ Coy?

BOSS. Yes, what have _you_ heard?

MISS SKY. I have indeed.

MISS SNA. Relating to the party you alluded to, Miss Skylark?

MISS SKY. The very same!

DAM. Come, come, speak out; what is the use of mystery? You allude to
Miss Coy?

BOSS. I do.

NIG. Well, well, what is it? If it is so very horrible, what is it?
Eh? eh? eh? _(To each of them; they all shake their heads and sigh.)_
Oh, well, well, if you don't choose to tell me, keep the matter to
yourself; why call here dropping your hints? Why should I concern
_myself_ about that lady, or what may be said of her? hey? eh? Ah,
indeed, why? As for you, Mr. David, listen to me: it was all very well
and very kind of you to concern yourself about me when I was young and
thoughtless; but now I am at an age to judge for myself, your
interference in my affairs is very officious; and, in future, sir, I
shall do as I like, marry if I like, drown myself if I like, and if I
_do_ the latter thing, sir, I shall consider it an act of impertinence
if you jump into _any_ pond, in _any_ place, and _under_ any
circumstances, after me. There, sir.

[_Exit at the back, in a violent passion._

MISS SKY. His indignation is very suspicious.

MISS SNA. Very indeed!

DAM. He certainly is about to marry that woman.

BOSS. I should regret it exceedingly if he were.

MISS SNA. We ought really to tell him what we have heard, and break
off the match.

MISS SKY. Let us first be assured that one is about to be made. Search
the room, perhaps we may discover something that may confirm our
suspicions. Miss Snare, you examine his books, and the drawers of his
table; Boss peep about in the corners; Damper, go up stairs and
cross-examine him; I'll rummage the sideboard. _(Opens sideboard
cupboard.)_ Oh! what's here?

ALL. What?

MISS SKY. Oho! a wedding-cake and cards. _(Takes out cake and cards.)_

DAM. A wedding-cake!

MISS SNA. And cards too!

MISS SKY. _(Holding them out and singing.)_

     "A bridal wreath we weave for thee,
      Of every flower the fairest."

DAM. _(Taking them from her.)_ Connubial cards linked together by
little bits of silver cord. _(Reading.)_ "Mr. John Niggle, Mrs. John
Niggle."

MISS SKY. _(Placing cake on sideboard and taking a packet of cards
from the cupboard.)_ Here they are, dozens upon dozens of them; the
lady's card the largest, as a broad hint that she means to be
paramount.

MISS SNA. Can it be? Is it a fact? _(Taking a pair of cards.)_ It is,
indeed, true; and if he is not already married, he will be so very
soon. I couldn't have thought it, after--after----_(Bursts into
tears.)_

MISS SKY. Miss Snare, what's the matter?

BOSS. It seems as if she had set her heart upon the gentleman herself.

DAM. Hum! I am very happy to know that you, at least, are not the
woman to whom he intends sacrificing himself; but I'll discover the
party, and if it should be Miss Coy, I'll shoot him out of hand,
rather than see him so duped. He sha'n't marry I'm resolved. _(Going
out at the back and calling.)_ Niggle, Niggle, you fool, where are
you?

[_Exit._

MISS SKY. Miss Snare, Miss Snare, pray don't take the matter so much
to heart.

MISS SNA. Well, I hope he'll be happy--I'm sure he will--such an
excellent temper--such taste in all matters.

[_BOSS comes down C._

BOSS. Except in dress. His coats seem to have been cut out with a
knife and fork.

MISS SNA. In elegance of costume, Mr. Boss, you completely bear away
the palm.

BOSS. My taste in the matter, is, I flatter myself, perfect--indeed
with me it is a _furor._

MISS SKY. Oh, sir, I am afraid you admire yourself too much, to bestow
a thought of regard on one of us poor women.

BOSS. I shall never marry till I discover perfection.

MISS SKY. You will find grey hairs hanging over your temples, before
you obtain that object of your search.

BOSS. (C.) Then I'll die a bachelor!

MISS SKY. (C.) And, like the swan, sing your own elegy.

MISS SNA. (L.) A young man of Mr. Boss's figure, must in time strike
those who would think it little trouble to conquer the faults of habit
and nature, and make herself as near, what _he_ may consider to be
perfection, as possible.

BOSS. Why, yes, my figure I think is perfect--breadth of shoulders,
smallness of waist, curve of back, flow of hip, and tolerable height,
are the _materiel_ that go _towards_ forming a _good_ figure, and
which _materiel_, I flatter myself, I possess. _(Crosses to L.)_

MISS SNA. _(Ogling him.)_ In an eminent degree.

MISS SKY. Oho! The old maid having been defeated in one matrimonial
attack, is about to commence another.

BOSS. _(Aside.)_ I'll be hanged, but Miss Snare is a woman of taste.

[_DAMPER and NIGGLE heard without, C.D._

NIG. I will not allow such a liberty: let me go, sir, let me go.

DAM. Not without me.

_Enter NIGGLE and DAMPER, C.D._

DAM. It's all true, he is going to be married; the lady is now waiting
for him in a bye lane, in a post-chaise. One comfort, 'tis now ten
minutes past his appointed time.

NIG. I shall lose my temper. I will not be interfered with any
longer--lies and slander I defy. I have lived fifty-five years in the
world, longing since boyhood for the delights of matrimony; never
before has my resolution been so fixed as it is now, and married I
will be, in spite of the world. I will not be shut out from the
cordialities of life.

DAM. You shall not make a fool of yourself.

NIG. I will. I will not trifle any longer with happiness now it is
within my grasp. Let me go, sir, or I'll knock you down. Let me go.

[_Breaks from him and runs off, F.E.L.; DAMPER buttoning up his coat._

DAM. He sha'n't escape, I'll follow him if it's to Africa.

[_Exit F.E.L._

MISS SKY. Ha! ha! ha! the hunt is up--there they run--there _(Looks
from window.)_ they run. Now Niggle, now Damper. Look at the heart
stirring-chase, _(Singing.)_

     "With a heigho! chevy;
      Hark! forward, hark! forward, tantivy.
      With a heigho! chevy;
      Hark! forward, hark! forward, tantivy.
           Hark! forward, hark! forward,
           Hark! forward, &c.
               Yoicks!
      Arise the burthen of my song;
      This day a stag must die!"

[_Exit, F.E.L._

MISS SNA. What a strange turn in affairs, and what a singular lady is
that Miss Skylark.

BOSS. How does she get on with her bashful beau, Pinkey?

MISS SNA. Nothing decided yet, she tells me. He still continues
writing the most glowing letters that ever were penned. I am to see a
few of them shortly; but when the poor fellow is in her presence, he
can scarcely utter a word, and though he has written nearly fifty most
passionate billets, he has never once verbally alluded to the state of
his feelings.

BOSS. (L.) And whenever they meet, of course the lady looks for a
declaration.

MISS SNA. And of course he can't find courage to utter a word.

BOSS. How distressing! I am passing your door, Miss Snare, will you
take my arm?

MISS SNA. You are very kind!

BOSS. (L.) Beautiful color this cloth, is it not? _(Shewing the sleeve
of his coat.)_

MISS SNA. Beautiful!

BOSS. And the pattern of my waistcoat.

MISS SNA. Exquisite!

BOSS. May I ask you if you admire me collectively.

MISS SNA. Oh, that I do, from the extreme point of your boot, to the
loftiest summit of your hair.

BOSS. 'Pon my life she's a desirable woman!

[_They are going off L.; they meet MISS SKYLARK, who is re-entering._

MISS SKY. Stop, stop; as I was going out at the door, who should I
meet but Mr. Pinkey; on seeing me he stammered, blushed, and said that
he was going to call on you, Miss Snare. I informed him that you were
here, and now he is stumbling up stairs to speak to you. Come in, Mr.
Pinkey, the lady that you wish to see is here.

_MR. PETER PINKEY enters, F.E.L._

MISS SNA. Good morning, Mr. Pinkey.

PIN. Good morning, ma'am.

MISS SNA. You wish to see me?

PIN. I have merely called to say that I have received your note, and I
shall do myself the pleasure of taking tea with you to-morrow, at
eight o'clock precisely.

MISS SKY. Alone, with Miss Skylark.

PIN. Oh, Lord, no; I hope not.

MISS SNA. 'Tis a general invitation to all our friends. You will find
a card at your house, Miss Skylark. Perhaps Mr. P. will escort you.

PIN. I'll do anything to make myself agreeable. I'll call for you.
Shall I? _(To MISS SKYLARK.)_

MISS SNA. If you please.

PIN. I will.

MISS SNA. Do!

PIN. I will!

MISS SNA. _(To BOSS.)_ We'll leave them together; he may overcome his
bashfulness when he gets used to being alone with his object. He is
fond of her, no doubt--true love is never very loquacious.

BOSS. Can't say, never having known the passion!

MISS SNA. Ah, you will know it some day.

BOSS. What are the symptoms? Explain as we go along, that I may be
aware of my malady when I am attacked. _(Crosses to L.)_

MISS SNA. For me to attempt to explain, would be to confess that I
have experienced the emotion myself.

BOSS. You have.

MISS SNA. No!

BOSS. You Circe, you have.

MISS SNA. No, I declare.

BOSS. Well then, you may----

MISS SNA. If I am much in your society, there is no knowing what I may
experience.

[_Exeunt F.E.L._

_MISS SKYLARK seated, R., looking after them; sings._

     "Is there a heart that never loved,
      Or felt soft woman's sigh!"

PIN. Beautiful!

MISS SKY. Eh?

PIN. Oh, nothing. Dear me, I am quite alone with her--I wish I could
say something confounded clever. I'll be hanged if I don't try. Hem!
_(Quickly.)_ How are you to-day, miss?

MISS SKY. _(Imitating him.)_ Very well! how are you?

PIN. Very well, all but a slight pain in my side.

MISS SKY. Indeed!

PIN. Yes. I'll be hanged if I can say another word. What _can_ I talk
about? What _do_ people talk about? I have worn out the weather, and
she has no particular relations to ask about. There is her
grandmother, to be sure--I see no harm in asking after _her._ One must
_say_ something, _miss?_

MISS SKY. (R.) Yes.

PIN. How's your grandmother?

MISS SKY. Very well indeed for her age!

PIN. How old is she?

MISS SKY. Seventy-two--I've told you so twenty times.

PIN. Dear me, then I must have asked that question twenty times. _Now_
what more can I say, I wonder? Is there anything in the room I can
talk about? _(Looks about.)_ Nice place this, isn't it?

MISS SKY. Very!

PIN. So airy?

MISS SKY. Very!

PIN. I've soon finished _that_ subject. I wish she'd say something--I
can't find conversation for _one_, much more two!

MISS SKY. _(Singing.)_ "Oh, bear me to some distant shore or solitary
cell."

PIN. You are partial to singing, ar'n't you?

MISS SKY. Very. Do _you_ sing?

PIN. I never tried but once.

MISS SKY. Indeed!

PIN. It was at a party.

MISS SKY. Indeed!

PIN. Yes, I could hardly get through the first verse of my song. In
fact, I didn't get through it.

MISS SKY. What prevented you?

PIN. When I begun, everybody looked at me so hard, that I felt so
confused that I jumped up, rushed out of the house, and ran all the
way home. And--and when I looked in the glass there, I found I had
come away with the footman's laced hat on my head!

MISS SKY. Singular!

PIN. Yes. _(Aside.)_ Well I think I have talked more to her this
morning than ever I did before--I know I only want encouragement. Oh!
when shall I be able to touch upon the tender topic--I never shall get
heart to venture--it's odd she never alludes to my letters. I suppose
she receives them. I've written another to her, asking for the state
of her feelings--I'll be my own postman, then I shall be sure she has
it. _(Slowly takes a letter from waistcoat pocket.)_ I'll throw it in
her lap, and run out of the house!

[_Throws it in her lap, jumps up, and is running off, when DAMPER'S
voice is heard without._ Huzza! Victory! victory!

_Enter with NIGGLE._

DAM. Ha! ha! I've saved you, you villain! Miss Kitty, once more I've
saved him.

NIG. Who could have thought it?

DAM. That designing woman, Miss Coy, was at the appointed place
waiting for her victim sure enough. There was the chaise too; but what
do you think? there was also the full-grown young man in earnest
conversation with her. When we appeared, he tried to avoid us. We
demanded who he was--she refused to explain. One word led to
another--I told her all I had heard of her. She flew into a rage,
showered her abuse upon me, whilst I dragged away my friend.

[_Loud knocking; NIGGLE runs to window._

NIG. She's at the door, chaise and all. What's to be done?

DAM. She sha'n't come in--let her knock. There is no doubt of the
truth of the report. That young man is her son; and this infatuated
old fellow was going to join his fate with such a character! Hav'n't I
saved you from perdition?

NIG. You have, indeed! My lot in life is clearly developed--I never am
to be married. What am I to do with the cards?

DAM. Burn them.

NIG. What with the cake?

DAM. Eat it--we'll all eat it.

NIG. So we will--so we will.

DAM. Sit down all of you, and be comfortable. _(Hands the cake.)_ Take
a bit, Miss Kitty--Pinkey, bless your bashfulness; 'tis _your_ best
friend--it will prevent you ever making a fool of _yourself._ Niggle,
eat in peace and thankfulness; for I have once more saved you from the
abyss of matrimony. _(Loud knocking, without.)_ Ha! ha! you can't come
in. Go away, woman! go away! Finish the cake, and let the artful
creature knock till she's tired! Go away!

[_Loud knocking continued. They sit eating the cake--NIGGLE throws all
the wedding cards into the air, as the act drop descends._

END OF ACT I.



ACT II.

SCENE I.--_Interior of a neat cottage, door and window in flat; table
on the R., a china flower-stand on it. MISS MARIA MACAW discovered,
hemming a handkerchief; she takes a note from the table and reads._

MISS MAC. _(Reading.)_ "Miss Snare will be happy to have the pleasure
of Miss Macaw's company to tea this evening; of course Miss Macaw's
niece is included in the invitation." I am sure I have no inclination
to go, but Jessy insists upon it, she is so anxious to make an
acquaintance with any one, that I'm sure if the gardener were to ask
her to dine with him, she would accept the invite. I hope there will
no men there, the brutes. One of the chief things that has reconciled
me to this country life, is the very few male creatures that I have
met with here. Ah, if I had my will, the sex should be exterminated!
Well, niece?

_Enter MISS JESSY MEADOWS, F.E.L., with a bouquet in her hand._

MISS MEA. Ah, my dear aunt, at your needle as usual. I have been
gathering flowers in our little garden--there. _(She places the
bouquet in the flower-glass on the table.)_ Are they not beautiful? I
love flowers--I have a passion for them.

MISS MAC. You should not use such ardent expressions. It is very
unseemly in a young lady to talk of having a passion for anything,
whether animate or inanimate. If you begin with flowers, you may end
with the same enthusiasm in behalf of a human object; and if that
object were to be a man, I should tremble for the result!

MISS MEA. The most natural result might be matrimony; and is there
anything so very terrible in that, my dear aunt?

MISS MAC. Terrible! I look upon matrimony as the general prologue to
all the tragedies of life.

MISS MEA. To _all_, aunt?

MISS MAC. _All_. From the singular instance of the siege of Troy, to
the connubial pluralities of Henry the Eighth!

MISS MEA. Is it possible, aunt, that you never had an offer in all
your life?

MISS MAC. Never! I always expressed my antipathy to the male sex so
openly, that no man ever ventured a _tete-a-tete_ with _me_; if one
dared to whisper nonsense in _my_ ear, I used to turn and petrify him
at once with a look----

MISS MEA. Like the Gorgon's head on the shield of Minerva--your face
turned every approaching lover to stone!

MISS MAC. Though I have often wished that a man _would_ have the
temerity to make me a sincere proposal.

MISS MEA. What would you do, aunt?

MISS MAC. Accept it at once!

MISS MEA. You would?

MISS MAC. Because, in being a wife, I should have it in my power to
make one of the sex utterly miserable! Oh, if I had a husband, how I
would torment the creature!

MISS MEA. Surely there must be some male person that you do not
entirely dislike--Mr. Chester, for instance?

MISS MAC. I am grateful to Mr. Chester for saving me from the attack
of a ferocious bull when we were walking in the meadows six months
ago; but beyond that simple feeling of gratitude, there is nothing in
common between us.

MISS MEA. He is again passing a few days here. I had the pleasure of
speaking to him last night--he promised to call this morning to pay
his respects to you!

MISS MAC. To _me!_ No, no, miss, I can see through his shallow
artifice! Under pretence of paying his respects to _me_, that he may
have an interview with _you_--there you see. Even a generous young man
that rescued me from the fury of a savage bull, is not exempt from
double dealing.

[_A knock, F.D._

MISS MEA. Here he is. _(Going to the door.)_

MISS MAC. _I_ shall retire.

MISS MEA. Nay, not immediately.

MISS MAC. If I remain, I can only be moderately civil.

MISS MEA. 'Tis all that is required from you, aunt.

[_MISS MEADOWS opens the door._

_Enter MR. CHARLES CHESTER, L._

CHE. Good morning, Miss Macaw. Miss Meadows, I hope you are well; and
you, Miss ---- _(To MISS MACAW.)_

MISS MAC. _(Courtesying profoundly.)_ Quite well, sir.

CHE. Entirely recovered from your alarm six months ago, when I first
met you running from the infuriated animal?

MISS MAC. Entirely--though for some weeks I was excessively nervous. I
assure you I have not been able to dine off beef since!

CHE. You are looking exceedingly well.

MISS MAC. I don't believe you.

CHE. Nay, I assure you----

MISS MAC. Don't utter falsehoods, young man. You know in your heart
that I am not looking well--you merely say so, because you think
flattery is agreeable to our sex. You know that I'm a perfect fright,
but you have not the moral courage to tell me so to my face. You know
you wish me at Jericho at this very moment, only you think it would be
rude to order me out of the room; but I'll spare you any further
duplicity by leaving you. Good morning, sir.

[_She courtesys and goes off, F.E.R._

MISS MEA. My aunt is a singular creature, is she not? though her heart
is good, and, indeed, she is my very best friend. But for her care, I
know not what would become of me.

CHE. I wish I could persuade you to accept of a protection, stronger
and more lasting than any aunt can offer you!

MISS MEA. I understand you--you wish to marry me.

CHE. I do.

MISS MEA. But you are poor.

CHE. Very.

MISS MEA. A painter in water colors.

CHE. And one of very moderate talents.

MISS MEA. You were sketching a landscape when we first met you six
months ago?

CHE. I was, and immediately turned portrait painter; for I drew your
features upon my heart the first moment I gazed upon them.

MISS MEA. And since that moment you have visited this place once every
fortnight?

CHE. Being all the leisure I can afford--otherwise my whole life
should be passed here, could I but command your sweet society.

MISS MEA. During your absence we have been imprudent enough to
correspond, and the result is, that we have written and talked
ourselves into love.

CHE. And when a young gentleman and lady set about mutually confessing
all their thoughts and feelings, their likes and dislikes, their hopes
and fears, what other result could be expected?

MISS MEA. And yet a strange fancy continually haunts me, that in all
our candid confessions you conceal _something_ from me. I cannot bring
myself to believe that I am in possession of every thought, feeling,
or circumstance belonging to you.

CHE. Even there a sympathy exists between us--_I_ am troubled with
precisely the same fancy.

MISS MEA. You think that I practice some little concealment respecting
myself?

CHE. I confess that I do.

MISS MEA. What can it be?

CHE. Ah! what can it be? Perhaps immediate matrimony will remove the
mistrust.

MISS MEA. If you _will_ marry me, you know what you are to expect. I
have no friend but my aunt--you see me as you first knew me, a
half-educated country miss. I think I have a good heart. I know I have
an indifferent temper--right management may certainly do much to
correct that fault--I am very whimsical, very lazy, want a deal of
attention, and can go into something like a passion when offended!

CHE. You don't flatter yourself.

MISS MEA. I wish you to anticipate the worst, so that if you should
find me not so bad as expected, the surprise may be the more agreeable
to you. If you _do_ marry me, it must be entirely for myself. Now if
you persist in your intention, all that I can say is, that you are
indeed a bold man!

CHE. I will be equally as candid with you. You do not reject my
offered hand?

MISS MEA. No.

CHE. Then if you accept me, you will marry a poor artist, who is
entirely dependent on his own exertions--who likes retirement, has no
care for company--who wants to be petted when he complains--his every
whim indulged--who cannot endure contradiction--and, with very
inferior capabilities, wishes ever to be thought most superior in all
things--but one who, amidst this chaos of fault, can still create a
little world of love for you!

MISS MEA. After such a confession, I must be quite as bold a woman as
you are a man, to take you--though when two people set about mutually
confessing their faults, there may be some hope that they intend to
correct them.

CHE. Corrected or not, are you content?

MISS MEA. I am; and there is my hand to the bargain.

CHE. And this kiss upon its white fingers, ratifies the contract!

[_CHESTER kisses her hand--she in return presses his hand to her
lips._

_MISS MACAW enters._

MISS MEA. Signed, sealed, and duly delivered!

MISS MAC. Jessy! I must be deceived--pressing the hand of a man to
your lips! I'm horrified!

MISS MEA. He first pressed mine, aunt; and surely the gallantry should
not always be on one side. We love one another; the passion brings us
to an equality, and I have made up my mind where _I_ love, never to be
less tender, less grateful, or less enthusiastic than he that honors
me with his affection!

MISS MAC. Oh! what revolutionary sentiments! Now miss, I have done
with you for ever. You are henceforth the mistress of your own
actions. Do as you please: but never approach me with your matrimonial
complaints and miseries, for I shall be totally deaf to them!

CHE. It shall be my care, dear madam, to prevent that, by never giving
her cause to complain.

[_A knock at the door._

MISS MAC. Who can this be? Another man, no doubt!

_DAMPER opens the door, and peeps in._

DAM. I beg your pardon, will you allow me to enter?

MISS MAC. I don't know that I shall, sir--one of your sex has
committed sufficient mischief here already!

DAM. _(To MISS MACAW.)_ Don't be afraid of me--you are perfectly out
of harm's way. _(To CHESTER.)_ As my business is with you, sir,
perhaps you will step out to me.

MISS MEA. Oh, sir--pray come in, sir.

DAM. _(Advancing.)_ Mr. Niggle, the gentleman with whom you saw me
yesterday, is my friend.

CHE. Well, sir?

DAM. There are strange tales about, respecting you, sir; and that
female with whom you were discovered in close conversation
yesterday--and, in behalf of my friend, sir, I am here to ask you in
plain language, who you are?

CHE. It can be of little consequence to you sir, who, or what I am.

MISS MEA. A lady! Were you in conversation with a lady yesterday? What
lady?

DAM. Ah, you may well ask. If that person is a stranger here, madam,
whatever may be his intentions, look to him! My friend shall not fall
a victim to the arts of a designing woman! You understand me--_I_ can
see the likeness between you--precisely the same circumventing
countenance!

MISS MEA. A designing woman!--and a likeness between you! Pray
explain.

DAM. Well, sir, I have nothing more to say than this--your refusal to
explain who you are, fully justifies my friend's conduct towards that
female; and any action that she may bring against him, he is quite
prepared to defend. He has had experience in such matters, and snaps
his fingers at you!

MISS MEA. _(To CHESTER.)_ I am afraid there is too much truth in the
fancy that, I confess, troubled me. You are practising concealment
with me, and till you remove every doubt from my mind, you must not
expect further candour from me.

CHE. Nay, hear me.

MISS MEA. Not till you are prepared to explain all. You see what a
temper I have--I do not hide the slightest foible from you, and I
expect equal sincerity at your hands.

[_Exit F.E.L._

CHE. In good time I will explain all; but now I cannot, will not.

[_Exit, following her._

MISS MAC. Well I'm sure. Upon my word, the fellows give themselves
fine airs--coming in here uninvited, and creating
disturbances--fancying themselves authorized by nature to sport with
our feelings, and trample us under foot! And what do _you_ want here,
sir? _(To DAMPER.)_ What right, sir, have you under this roof? Who
sent for you? Why are you standing there making grimaces at me, sir?

DAM. Ha! ha! you are annoyed--I see you are, and it gratifies me; and
my countenance always shows the gratification of my heart! When I see
a woman vexed, I revel in the sight! Go into a rage, do--I should like
to see you furious!

MISS MAC. Oh, dear no, sir; you shall be disappointed. If my anger is
a source of pleasure to you, it shall be subdued immediately. _(Places
him a chair in C.)_ Pray, sir, sit down--make yourself happy! Will you
take a glass of wine? or shall I get my guitar and sing you a love
song?

DAM. _(Sitting down, R.)_ I should like to taste the one and listen to
the other, amazingly; but for once I'll save you your wine and spare
your vocal acquirements, and merely ask you a question, which I am
sure you will answer, as I can perceive I have already made a
favorable impression on your heart.

MISS MAC. Well, sir, I will for once make an effort to be civil. What
do you wish to know?

DAM. Who is that young man?

MISS MAC. I really cannot inform you--I know no more of him than I do
of you; and I need not tell you that I wish to know nothing of either!

DAM. Then, madam, allow me to say that I am astonished.

MISS MAC. At what, sir?

DAM. At a woman of your palpable experience opening your door to a
stranger. How do you know what he may be? An assassin, a sharper, a
seducer, perhaps.

MISS MAC. For the matter of that, sir, this door has been opened to
you, and, for aught I know, _you_ may be one of those characters! Oh,
sir, look indignant if you please, but whatever you may be, in my eyes
your whole sex is hateful. You are all brimful of deceit, design,
villainy, selfishness, and brutality! Had I my will, my door should be
barred and double-locked against your entire gender!

DAM. Ah, you abusive woman! If we _are_ villains, 'tis your abominable
sex that makes us such. If you were not weak, we should not be wicked?
Who lost Mark Antony the world? a woman. Who betrayed the strong man
into the hands of his enemies?--a woman. Who was the origin of all
evil?--a woman, a woman!

MISS MAC. Who leads armies to battle and slaughter?--man. Who
tyrannizes over and enslaves our poor weak sex?--man. Who always plays
the violin while Rome is burning?--man. And if woman _was_ the origin
of all evil, who has cherished and supported evil, heart and soul,
since its first introduction?--man, man!

DAM. And who has helped him?--woman! Good morning!

[_Exit D.F._

MISS MAC. That is the most complete savage I have yet encountered!

_Re-enter CHESTER, L._

CHE. Your niece, madam, desires to see you. If my visit here has at
all annoyed you, believe me I am sorry for it, and can assure you that
the annoyance will not be repeated; for Miss Meadows and I are now as
strangers!

MISS MAC. I am rejoiced to hear it.

CHE. I should have been proud and happy to have made her my wife
without asking one question as to _her_ origin or connexions, so great
was the confidence I reposed in her. She has proved that her faith
cannot equal mine; and on that point we have parted, and for ever!
Good morning.

[_Exit F.D._

MISS MAC. The most pleasant piece of intelligence I have heard to-day.

_Re-enter MISS MEADOWS, F.E.L._

MISS MEA. Has he gone?

MISS MAC. To my great delight he has.

MISS MEA. Will he return?

MISS MAC. I have great hopes that he will not.

MISS MEA. Why does he refuse to explain all to me?

MISS MAC. As he has not asked you any questions, and appears quite
willing to take a blind bargain in marrying you, I think it is but
fair that you should be equally as ridiculous as the gentleman.

MISS MEA. You make no allowance for a woman's natural curiosity--her
proneness to jealousy, weaknesses that do not beset the minds of men
so cruelly as they do ours. He knows _that_, and ought to have
yielded!

MISS MAC. Come, come, my dear, come to your room. _(Crosses to L.)_ I
am very happy that this sad flirtation is at an end--I suspected you
were both exceeding the bounds of discretion; and when you have gained
my experience, you will regard all men with the same stern antipathy
that _I_ do! Come, come, don't cry, dear. We are going out to tea, and
you mustn't cry. Weep for the loss of your kitten--the death of your
bird--the spoiling of a new dress--but scorn to shed one tear for the
loss of a man! It is quite useless; for the monster always carries
such a large umbrella of selfishness, that the most pelting shower of
tears can never, never penetrate him! Come, come.

[_Exit, leading off MISS MEADOWS._


SCENE II.--_A room at MISS SNARE'S--two chairs._

_Enter PINKEY and NIGGLE, F.E.R._

PIN. Before the company comes, I really _do_ want your advice on the
matter. You have had experience with the ladies, Mr. Niggle--you have
often popped in your time, I'll be bound. Pray tell me how do you
begin? Give me a lesson in the art.

NIG. First get a favourable opportunity.

PIN. All in the dark, eh? While you are talking, snuff out the
candles, and _then_, eh?

NIG. No, no, there may seem too much of jest in that. Contrive some
moonlight walk with your lady; or manage to be sitting alone with her
on some lovely autumn evening, in the light of the sinking sun, when
all nature seems going to repose. I popped to my first love on just
such an evening, and had to fight her brother on a wet foggy morning a
month afterwards!

PIN. I'd rather not fight any brothers--I only want to pop to the
sister; I don't want any brothers to be popping at me in return! Oh,
no.

NIG. Get your charmer near the window, looking over a garden if
possible.

PIN. Well.

NIG. Admire the beauty and quiet of the hour.

PIN. Say "What a nice night." I know.

NIG. Then breathe a gentle sigh. Ah! _(Sighing.)_

PIN. Ah! _(Sighing in imitation.)_

NIG. While you affect to be playing with her pocket handkerchief,
gently take her hand.

PIN. Oh my gracious!

NIG. Press it with a delicate ardour.

PIN. Ah! Squeeze it as if I was half afraid.

NIG. Then whisper these words: "Does not a moment like this inspire
you with feelings indescribable?"

PIN. Rather a long speech. Can't I shorten it a little?

NIG. No, no--every word is of value. She will reply "Indeed it
does"--then in the most pathetic tones you can command, you must add:
"For my own part, I feel its influence so strongly here"--placing the
hand you have at liberty on your heart--"that I could live for ever
thus."

PIN. Meaning in that attitude?

NIG. No, no, with your heart full of the passionate feelings you are
to experience at that moment.

PIN. Ah, that's speaking allegorically! Well?

NIG. Of course she will make no reply. Then you must be affected--seem
to dry away a tear--and add with fervour, "till this moment I have
been a miserable man." Let your voice falter on the word miserable.

PIN. _(In a tremulous tone.)_ Miserable!

NIG. That's it; then continue: "'Tis in your power to make me the
happiest being on earth! Will you be mine? dearest angel, will you be
mine? Say yes, and I am blessed indeed; but reject me, and instant
death shall be my portion!" Then fall at her feet, sob audibly, and
hide your face in her lap!

PIN. Lord! I could never do all that--I might get as far as "Will you
be mine?" but even then I think I should rush out of the house without
waiting for the answer. And am I to sob and fall on my knees? _I_
could never do it, bless you--without I first took a few bumpers of
spirits and water. Pray oblige me by writing the speech down for me.
I'll learn it by heart, and I wont wait for an autumn evening, but
take the first favorable opportunity, eh? even if it's to-night, eh?

NIG. Your favorable opportunity is half the battle; and as for the
form of the declaration and proposal, I warrant it--I've tried it five
times myself, and it never failed yet!

PIN. Hush! I hear her voice. Now step into the next room and write it
all down for me, then I'll take her unawares, and pop like fury!

NIG. Take her by storm--take her by storm!

PIN. I will, I will.

NIG. Faint heart, you know----

PIN. Never won fair lady!

NIG. Hush! they're coming--follow me.

[_Exit F.E.L._

PIN. Now or never, I'm resolved!

[_Exit, following._

_Enter MISS SKYLARK, carrying a small basket full of letters, followed
by MISS SNARE, F.E.R._

MISS SNA. And is that basket full of Mr. Pinkey's letters?

MISS SKY. Full.

MISS SNA. How very strange that he can never get courage to express
the feelings, that you say he so beautifully describes in his
epistles. What can be done to make him speak out?

MISS SKY. I suppose I must take his silence as the greatest proof of
his sincerity; for all philosophers have declared that strong
feelings, like great griefs, are generally dumb.

MISS SNA. Then where is the language of love?

MISS SKY. In that case the language of love is no language at all.

MISS SNA. And yet you tell me he writes so beautifully.

MISS SKY. You shall hear. _(They sit; MISS SKYLARK produces a letter
from her basket.)_ Will you have a despairing or an enthusiastic
letter?

MISS SNA. Try me first with a little despair, then the enthusiasm will
relish all the better afterwards.

MISS SKY. Here is one that will suit you then. _(Reading a letter.)_
"Dearest object of my soul--pardon the intrusion of your despairing
admirer--but my passion for you is so intense, that neither night nor
day can I close my eyes!"

MISS SNA. Poor fellow, how badly he must want a night's rest.

MISS SKY. _(Reading.)_ "For ever haunted by your charms, I have no
other relief than in continually describing the feelings of my seared
and desolate heart!" Isn't that beautiful? He must have an
affectionate disposition, or he couldn't express himself so sweetly!
"Seared and desolate!" What beautiful language! It seems only fit to
be sung--never to be merely spoken. _(Singing.)_ "Seared and----"

MISS SNA. Pray don't begin singing your love letters--we shall never
get to the end of one of them.

MISS SKY. I beg your pardon, I was carried away by my feelings. I'll
go on: _(Reading.)_ "If it should be my wretched fate to meet with
your scorn, pray destroy this letter, as you have already destroyed
the happiness of your devoted slave----"

MISS SNA. Eh! Bless me, those words are very familiar to me!

MISS SKY. Familiar to you! Surely he has not been writing to _you?_

MISS SNA. I have that letter in my pocket at this very moment!

MISS SKY. You have. Oh, the little monster!--I'll box his ears!

MISS SNA. Nay, nay, the case is not so bad as you suppose it to be,
though I have a similar letter in my possession, it is not from Mr.
Pinkey.

MISS SKY. I don't understand you--pray explain.

MISS SNA. _(Taking a small book from her pocket.)_ You see this
book--look at its title.

MISS SKY. _(Reading.)_ "The Complete Letter Writer."

MISS SNA. Mr. Pinkey's despairing epistle is copied word for word,
from that book.

MISS SKY. Copied from this book. Oh! the little amatory plagiarist!

MISS SNA. Look and be convinced--turn to page 20.

MISS SKY. _(Reading.)_ "Dear object!"--here it is--even "seared and
desolate" isn't his own. Was there ever such impertinence--Oh! I'm in
such a rage, if he were here I'd fling all his paltry letters in his
face. _(Turning over the leaves of the book.)_ Here they all
are--"Loveliest of women"--"fly on the wings of love"--"meet my
charmer"--"happy in her embraces for ever." Here they all are word for
word. How much did the book cost?

MISS SNA. Eighteen-pence.

MISS SKY. His despairing letters! his ardent letters! his reasonable
letters! his polite letters! all, all copied from this book. And is it
possible that so much despair, so much ardour, so much reason, so much
politeness could have cost him but eighteen-pence; when I had fondly
imagined they had cost him tears, and lonely hours of agony, and sighs
and groans.--Oh! the little monster, if I could meet him now, I'd make
him stand in the middle of the room, surrounded by his letters; I'd
then set fire to them, and see him perish a martyr to his cool
duplicity.

[_A knock._

MISS SNA. Hush! he's here.

MISS SKY. Is he? I'll let him know that my affections are not to be
obtained under false pretences.

[_A knock at the door, F.E.L._

MISS SNA. Come in.

_Re-enter PINKEY with a paper in his hand, F.E.L._

PIN. It's only me. I've got the speech. _(Aside.)_ There's the old
lady come, Miss Snare, and her neice that lives with her; you asked
them here you know to find out who they are. And the strange young
man, that nobody can learn what he can be, is here, too. The ladies
were asking for you, and I said I'd find you for them.

MISS SNA. You're very kind, I'll go to them directly. What do you
think?--the young man that I have watched walking in the fields, every
now and then, with the neice of the old maid at the cottage, and that
we suspect is related to Miss Coy, is actually come here to tea this
evening.

MISS SKY. Have you invited him?

MISS SNA. I caught him making a sketch of my little house here, and I
told him as he seemed so taken with the beauty of its exterior that he
was welcome to step in and survey the interior. Then I told him that
two friends of his were coming here this evening, and that I should be
happy to see him meet them. And he is actually come? _(To PINKEY.)_

PIN. Yes, down stairs walking about by himself.

MISS SNA. Excellent! I long to understand the mystery that not only
seems to surround him, but Miss Coy, and the other two ladies. So what
with them, and Niggle and Damper, who are both coming----

MISS SKY. And of course Mr. Boss?

MISS SNA. Oh, yes; Mr. Boss of course.

MISS SKY. Hem?

MISS SNA. Now don't look so sly at me--I confess the soft impeachment;
but it is purely platonic, it is indeed. Well, when we are altogether,
I expect my tea party will go off with eclat. Come to us as soon as
you can.

PIN. _(Offering his arm to MISS SNARE.)_ Allow me to escort you?
_(Crosses to L.)_

MISS SNA. Oh, no sir; offer your arm to the lady that has the greatest
right to it.

[_Exit MISS SNARE, F.E.L._

PIN. Here's the favourable opportunity come sooner than I expected.
I've got the speech, but have not had time enough to learn it; perhaps
I can recollect a few words and get a sly peep at the others.

MISS SKY. A little piratical object, how I should like to box his
ears; but I'll controul my temper for a moment. _(Crosses to L.)_

PIN. Hem! We are quite alone.

MISS SKY. Yes, I perceive we are.

PIN. Shall we sit down a bit, or how?

MISS SKY. As you please.

[_They sit._

PIN. Hem! Oh, dear! what a twitter I am in. I shall never begin.

MISS SKY. _(Singing without regarding him.)_

     "Why so pale and wan, fond lover,
      Pr'ythee why so pale?

PIN. I dare say I _am_ pale; but I have made up my mind, and I _will_
begin. Does not a moment like this inspire you with feelings--with
feelings---- _(Looking at his paper aside.)_

MISS SKY. What feelings?

PIN. Indescribable. I've got that out--what a long word, for a man in
a fright. _(Aside.)_

MISS SKY. _(Singing.)_

     "Will, when looking well can't win her,
      Looking ill prevail?

PIN. Now she ought to say, "indeed it does." Never mind, as I have
ventured so far, on I'll go. For my own part I feel it's influence so
strongly here, that I could live for ever thus. There--that was well
said.

MISS SKY. _(Singing.)_

     "Why so dull and mute, young sinner,
      Pr'ythee, why so mute?"

PIN. But I'm not mute, Miss Skylark; till this moment I have been a
miserable man--till this moment I have been--Zounds, what comes next?
A miserable man--oh, my stars, I'm fixed for want of a word--a
miserable man----

MISS SKY. Have you indeed. Ah! _(Sighing.)_

PIN. She sighs. If half the speech has such an effect, what will all
of it do? _(Looking at his paper.)_ Oh, here's the next word.
_(Continuing.)_ 'Tis in your power----

MISS SKY. Ah! _(Sighing again.)_

PIN. Another sigh. I'm getting on.

MISS SKY. Dear object of my soul.

PIN. Oh, good heavens! I didn't expect such language. Oh! I'm all of a
tremble.

MISS SKY. My passion for you is so intense.

PIN. Oh, she's popping to me and saving me all the bother.

MISS SKY. That neither night nor day can I close my eyes.

PIN. Eh? Oh, my! that's the beginning of one of my letters.

MISS SKY. How beautifully you do express yourself.

PIN. Do I?

MISS SKY. You see this bundle. _(Producing her bundle of letters.)_
Here are all your cherished letters; I need not tell you how I prize
them.

PIN. I ought to sob and fall in her lap now. _(Takes out his
pocket-handkerchief and tries to sob.)_ I cant. I dont feel at all
inclined to cry. Perhaps I shall, presently.

MISS SKY. If the contents of these billets----

PIN. Billys! Oh, ah--I understand.

MISS SKY. Were not copied from the complete letter-writer----

PIN. Oh, I'm found out. Well did I ever. Oh, there's no falling at her
feet, now.

MISS SKY. I need not confess they would be doubly dear to me----

PIN. Oh, there's no harm done. _(He draws his chair closer to her.)_

MISS SKY. But, as they are mere second-hand declarations, permit me to
return them. There--there--there and there.

[_She throws all the letters and basket at him and runs off; he
remains covered with them. PINKEY regards them bewildered; gathers
them together and puts them into his handkerchief._

PIN. This comes of trying a warranted speech. And are these all my
letters? What trouble I have taken, and in vain too. I'll seal them up
again--they'll come in for somebody else! There's some one at the
door.

[_He has placed all the letters in the basket, and conceals it behind
him._

_Enter BOSS, F.E.L._

BOSS. Pinkey, my man, they are waiting tea for you up stairs. Miss
Snare wants you to assist me in handing the toast. What's the matter
with you man? you look bewildered--a tiff with your lady I suppose.

[_PINKEY utters a deep groan and goes off F.E.L._

Poor fellow, I'm afraid he's unfortunate in his choice; though I
suppose one must marry, it seems a necessary duty to society. I can't
confess that I'm in love, yet there seems to be a something about Miss
Snare that is very agreeable. She admires me that's clear; and, as I
admire myself, there is certainly some sympathy between us. The
Spartan laws considered bachelors as infamous: I think I have a little
of the Spartan in me, and am half inclined to be of their opinion.
I'll turn the matter over in my mind.

[_Exit F.E.L._


SCENE III.--_A large room at MISS SNARE'S--In the S.E.R. is a
fire-place, mantle-piece, looking-glass, &c., complete; a fender
before it bearing toast, crumpets, &c.; a table on the L., on which is
a complete tea-service, urn, &c.--MISS SNARE is presiding at the
tea-table--PINKEY and BOSS are handing the tea and toast--PINKEY is
very nervous and confused--BOSS takes every opportunity of surveying
himself in the glass--PINKEY'S chair is on the L. of the fire-place,
that of BOSS on the R.--NIGGLE is next to PINKEY--DAMPER to
NIGGLE--CHESTER to DAMPER--MISS SKYLARK near CHESTER--MISS MEADOWS
behind the tea-table, facing the audience--MISS MACAW in front of it
on the L.--All laughing as the scene is discovered._

DAM. _(Drinking tea.)_ Ah, you may laugh, it was a miraculous escape,
he was within a hairs breadth of the noose; but I saved his neck for
him.

MISS MAC. I wish you had tied yourself up in it instead. How I should
rejoice to see you caught in the toils.

DAM. If you could be tied up with me, I should not care for my own
torments, while I could behold yours.

PIN. _(Handing toast to NIGGLE, and speaking aside to him.)_ Oh! Such
a climax to my attempt at a pop.

NIG. Did you try the speech?

PIN. Only half of it, I was cut short--tell you by and bye.

MISS SNA. Hand Miss Skylark some toast Mr. P. Put some coals on the
fire, and bring me Mr. Damper's cup.

PIN. Yes, ma'am.

DAM. _(To CHESTER.)_ I did not expect the pleasure of meeting _you_
here, sir.

CHE. I am sure, to find you in the presence of ladies, is an event
quite as unexpected by me.

MISS MAC. I dare say it is, sir.

MISS SNA. _(To CHESTER.)_ Do you intend permanently residing in this
town?

CHE. I am undecided at present.

DAM. Intend to live with your _relation_, perhaps?

CHE. Sir!

DAM. _(To NIGGLE.)_ That was a home thrust. Observe how he avoids it.

MISS SNA. _(Loudly.)_ Coals, Mr. Pinkey, and you don't attend to Miss
Skylark.

PIN. _(Jumping up.)_ Oh, I'd forgot.

[_PINKEY seizes the coal-scuttle, and, in his confusion, is about to
empty its contents into MISS SKYLARK'S lap._

MISS SKY. _(Rising.)_ What are you doing, sir?

ALL. Mr. Pinkey!

PIN. _(Running to his chair.)_ I--I--don't know what I'm doing.
I--want to go home. I'm a little out of sorts--and----

[_A loud knocking heard._

NIG. _(Starts.)_ That's very like her knock. Do you expect another
visitor, Miss Snare?

MISS SNA. _(Rising, and going to F.E.L.)_ No I do not. _(Looking
off.)_ It's a friend of your's, Mr. Niggle. Pray walk in, Miss Coy;
pray walk in.

NIG. It is she.

DAM. Don't be alarmed, I am with you--don't be alarmed.

_Enter MISS CAROLINE COY, dressed in bridal white, F.E.L.; she enters
in a dignified manner._

MISS COY. _(Courtesying round her.)_ Good afternoon. I am sorry to
disturb you. So, all assembled, the entire force of my traducers in
full array before me. I am delighted to meet you all.

NIG. I think she carries the calm dignity of innocence in her manner.

DAM. All artifice.

MISS COY. _(Seeing CHARLES.)_ _You_ here too?

CHE. _(Advancing to her, R.)_ Let them say what they will of you, my
secret must be kept. If your intended possesses a real regard for you,
it is not a mere tale of scandal that can turn him from you.

MISS COY. I am in such a fury--feel so insulted.

CHE. Then shower your wrath on their heads.

MISS COY. I shall not spare them, be assured. _(Sits.)_

DAM. _(To NIGGLE.)_ Whispering, you see--agreeing both to tell the
same story.

MISS SNA. Tea, Miss Coy?

MISS COY. Presently, miss. Hem!

DAM. _(To NIGGLE.)_ Clearing her throat to begin.

NIG. If she plays upon my feelings I'm done for.

DAM. She is sure to try to do that--they _all_ try to do that.

MISS COY. You must be all well aware by this time, that I was about to
be married to that fluctuating bachelor, Mr. Niggle, and, that the
match is broken off, as much through the interference of his friend,
as his want of the moral courage, necessary for so important an act as
matrimony.

ALL. _(But DAMPER and NIGGLE.)_ Ha! ha! Moral courage for matrimony.

DAM. _(To NIGGLE.)_ Don't let them have the laugh against you. Speak
out, speak out.

NIG. _(Rising.)_ I confess it has been a want of moral courage: for,
long as I have pined for the joys of conjugal life, such is my
universal admiration of the fair sex, that if I _have_ hesitated to
pass my life in the society of _one_ female, 'twas in fear that I
should discover some radical defect of temper or manner, that might
disturb my notions of woman generally; and I rather prefer to admire
you through the gay medium of fancy, than venture to take a peep at
you through the pale optics of truth.

ALL. Hear! hear! hear!

MISS COY. And yet if you could find a woman that would be happy only
in your presence, who would receive you with smiles and see you depart
with tears, who would anticipate your every wish, be your companion,
friend and comforter, you would cast aside your scruples and boldly
dare the worst. I am but repeating your own words, once uttered to me.

DAM. Were you ever such an idiot as to say so much?

NIG. Yes, yes, it was in a tender moment.

PIN. On some autumn evening, eh?

MISS SKY. I think, sir, we had better commence a general election for
the honor of possessing your hand. Let each candidate publish her list
of pledges, and she that may exhibit one that could approach the
nearest to your wishes, should be chosen as the representative of your
conjugal happiness.

NIG. I am afraid the election once settled, as in other cases, many of
the pledges would be forgotten; and a wife is a member that there is
no unseating, let her disqualifications be ever so unconstitutional.

DAM. Hear! hear! hear!

PIN. Cheers from the opposition.

BOSS. Silence, Pinkey.

MISS COY. _(Rises.)_ I am here to vindicate my character, not to
expostulate with you, sir. _(To NIGGLE.)_ Miss Snare.

MISS SNA. Madam.

MISS COY. You, in particular, have been making use of my name very
freely.

MISS SNA. What have I said.

MISS COY. Said! The other evening at Mr. Tattle's, you said that my
only motive for going to a watering place every summer, was for the
purpose of riding a donkey, that the awkward paces of the animal might
so set off my natural graces, that some wandering Lothario might be
struck by them.

MISS SNA. I see nothing offensive in the remark.

BOSS. _(In his chair, F.E.R.)_ An elegant compliment _I_ think.

MISS COY. Don't talk to me, puppy. _(To BOSS.)_

BOSS. My dear Miss, I am sorry to see you so bitter, though I am not
surprised at it. The superanuated beauty is ever the most acrimonious
of old maids; as the finest Burgundy, when spoiled, produces the
sharpest vinegar.

ALL. _(But NIGGLE.)_ Ha! ha! ha!

[_MISS SNARE kisses her hand to BOSS; he rises and looks at himself in
the glass._

NIG. I cant allow this. Miss Coy's feelings shall not be trifled with.

MISS COY. Oh, sir, your championship is now too late, had it been
exerted yesterday morning, this scene might have been spared.
_(Sobbing.)_

NIG. She's crying: I can't see her cry. _(Rising.)_

DAM. _(Pulling him to his seat.)_ Sit down. All women can command
tears.

MISS MAC. _(Rising and calling to DAMPER.)_ Oh! you brute. Oh! you
brute.

MISS MEA. Aunt, pray keep your seat and your temper.

MISS COY. _(Recovering herself.)_ And you, Miss Skylark, you must make
_your_ little additions to the tittle-tattle.

MISS SKY. I.

MISS COY. A female adventurer, am I? deep in debt, and only anxious
for a husband to remove that burthen from my shoulders; that I loiter
in shady lanes, and pretend to study botany as an excuse for solitary
walks; that I practice attitudes, sighs, and simulate fainting to
attract attention.

MISS SKY. Never said a thing of the sort, miss, and the consciousness
that you have really been so ridiculous, has alone made you suppose
such things to have been applied to you. _(She returns to her seat.)_

PIN. _(Advancing with great courage.)_ Oh, come, come, Miss, if that
lady _has_ said that you were a botanist, and practice antics, I see
no such harm in it.

MISS COY. You see, sir: what can it matter what you may see, sir?

PIN. Perhaps it don't; but it may matter what I can hear. Ah, you may
look, I'll make _my_ little additions now, and then. I give you leave
to turn all your vengeance on me, in lieu of attacking that lady.
_(Pointing to MISS SKYLARK.)_ Very fine indeed, to sit here pretending
not to know your own son.

DAM. Well said, Pinkey--excellent.

NIG. If the little monster insults her, I'll knock him down.

MISS COY. What does the lunatic mean?

PIN. It's not very often that I can say much, but when the fit is on
me I can find words as fast as anybody, to express my meaning.

DAM. Express your strongest, Pinkey.

NIG. _(Striving to leave his seat, is kept back by DAMPER.)_ He shall
not.

DAM. Sit down and hear all.

PIN. Now, ma'am, while I'm in the vein I'll have my say. You know that
person there _(Pointing to CHESTER.)_ is your clandestine son, and if
Mr. Niggle had been unfortunate enough to have fallen a victim to your
wiley arts, he would have found himself, not only the surreptitious
father-in-law of a full grown young man, but responsible for a budget
of bills, from milliners, linen-drapers, wig-makers, butchers, and
wine depots--and--that's all.

DAM. And quite enough I think. Look at her, see how confounded she is
now.

MISS COY. _(Falling into her chair.)_ Well, this is the _climax_ of
scandal.

[_MISS MEADOWS rises and comes forward, followed by MISS MACAW._

MISS MEA. _(To MISS MACAW.)_ Pray let us leave the house.

CHE. _(Advancing and detaining her.)_ Are we never to meet again?

MISS MEA. Never, while so much mystery surrounds you.

MISS COY. _(To MISS MACAW.)_ A word with you, madam, if you please.

MISS MAC. With me?

MISS COY. If that gentleman _is_ so closely related to me a reported,
it becomes my positive duty to warn him against forming any connection
with you, madam, and your supposed niece, there.

MISS MAC. What may you have to warn him against?

MISS COY. (R.) Look at the "Weekly Tell-tale," you are drawn there in
your true colors. A run-away Opera dancer, and an insolvent
boarding-house keeper, are not the most desirable connexions for any
young bachelor.

MISS MAC. (C.) Pray, madam, which may I be; the dancer or the
housekeeper?

MISS COY. Whichever you prefer, madam.

MISS MAC. Oh! the villiany of the world. This, sir, must be some of
_your_ malice. _(To DAMPER.)_

DAM. No, no, I wish it was.

CHE. _(To MISS MEADOWS.)_ There, now we are both surrounded by
mystery.

MISS MEA. A greater reason than ever that we part.

CHE. A greater reason than ever that we should be the defenders of one
another. Let slander do its worst--I repeat it aloud--let slander do
its worst; for then is the time that we should surround our friends
and defeat its malice. Then is the hour that the lover should be the
more devoted; and, I here prove my devotion, by proclaiming before you
all, that, let these ladies be under the worst of imputations, I am
proud of the friendship of one, and shall be but too happy, to test my
love for the other, by being her husband as soon as she will bestow
upon me that happy title.

MISS MEA. Ah! do I find myself surpassed in generosity; then, indeed,
we are friends once more. _(Giving him her hand.)_

CHE. (L.) There you fluctuating bachelor, _(To NIGGLE.)_ when you wish
to prove your affection, listen not to every idle tale, shrink at
every paltry inuendo; but advance to the rescue of your ladies fame.
Come, Miss Macaw, never heed slanderers, the ripest and the richest
fruit is ever the most pecked. _(Taking the arms of MISS MACAW and
MISS MEADOWS in his own.)_ Come, ladies, I will accompany you home.
Mother! _(To MISS COY.)_ since they will have it so, when you have
fought your good fight, you know where to find me. Come, ladies; Miss
Snare, good evening to you, thanks for your hospitality and its happy
results.

[_Exeunt with MISS MACAW and MISS MEADOWS._

NIG. He's right, he's right, this is the time that I ought to prove my
love, if I have any.

DAM. You _will_ rush into danger.

NIG. _(Passing DAMPER.)_ Oh, Miss Coy, whoever that young man may be,
his sentiments do honour to his heart. I have been weak, but----

MISS COY. Nay, sir, your penitence is useless now, circumstances have
occurred since yesterday, that make the division between us wider than
ever.

NIG. What circumstances?

MISS COY. There is no necessity for explanation; you are free to rove
where you will, and may the next confiding creature that accepts your
proposal be more fortunate than I have been. _(Going.)_

NIG. Nay, nay, don't go, dear, don't go. Damper, I must be married:
think of the delights of a domestic temple of repose--a cheerful wife.

MISS COY. Ah, sir, strike the balance between celibacy and matrimony,
I will assist you. Go on, sir,--a cheerful wife----

NIG. Angelic!

DAM. Sometimes cross as the devil.

NIG. Ah, true!

MISS COY. Dear, rosy children welcoming your return home.

NIG. Ah, delightful!

DAM. To plague and torment you with their noise, and their screaming
and fighting all the time you are there.

NIG. Ah, true!

MISS COY. To find every comfort that can make life endurable.

NIG. Oh, charming!

DAM. With heavy bills for their enjoyment, every week.

NIG. Ah, true!

MISS COY. (R.) To look round you, and say, this house is my paradise.

NIG. (C.) Oh, happiness!

DAM. (L.) Till some one runs away with your wife.

NIG. Oh, Lord! There's all my courage gone at once. No, I never shall
get married.

MISS COY. Remain then as you are, sir, a melancholy bachelor. Be
guided by your friend, sir, do; be guided by a man that supposes he
has formed a perfect acquaintance with our sex, when the creature
never had a female friend that confided her heart's feelings to him in
all his life. Go, sir. Enjoy your freedom; _(Crosses to L.)_ but
abandon all hope of me, for an obstacle to our union, now exists, that
cannot be removed.

[_Exit F.E.L._

NIG. _(To DAMPER.)_ I don't know whether to regard you as my good or
my evil genius; but, whichever you are, I must follow her.

DAM. Don't be weak.

NIG. What is the obstacle that for ever prevents our union?

DAM. _Me_, I dare say; yet, whatever it may be, don't seek to know--be
ignorant and be blest.

NIG. I must, I will know; such is the perversity of human nature, that
now I have lost all hope of being a married man, I have a greater
longing than ever for the name. I _will_ follow her and learn the
obstacle.

DAM. Stay where you are.

NIG. I can't. I feel that I can't.

DAM. Then I'll go with you.

NIG. You had better not.

DAM. I will.

NIG. You had better not.

DAM. I will.

[_NIGGLE runs off, F.E.L.; DAMPER follows. MISS SNARE and BOSS have
been flirting during the foregoing dialogue. PINKEY has kept his seat
near the fire, not daring to move, as MISS SKYLARK has been constantly
regarding him._

MISS SNA. What an extraordinary series of events, for one afternoon,
and no learning who or what Miss Macaw and her neice are.

BOSS. Or their gentleman either. It's all very singular. Pinkey, my
man, we are going to give you another opportunity; profit by it.

PIN. Oh, don't leave me, pray don't.

BOSS. Try again, man; try again.

MISS SNA. And avoid copying letters.

PIN. Oh! those letters.

MISS SNA. Now, Mr. Boss, will you step and look at my little parterre?

BOSS. Really, I'm no _florist_.

MISS SNA. But you always make some valuable observation, whatever you
may be regarding--you can't help it--your natural good taste is so
prevailing.

BOSS. Do you think so, really?

MISS SNA. Sincerely I do.

BOSS. Upon my life you are a very agreeable creature.

MISS SNA. It requires little effort to be agreeable where you are.

BOSS. 'Pon my honour, you'll make me actually in love--

MISS SNA. Ah!

BOSS. With myself.

MISS SNA. Oh!

[_Exeunt MISS SNARE and BOSS; PINKEY rises, and makes an effort to run
out of the room; MISS SKYLARK rises._

MISS SKY. I am sorry to see you so embarrassed, Mr. Pinkey; the
indignation that I expressed this afternoon when I returned your
letters, has been entirely removed by your generous conduct in
defending me. Don't attempt to speak just now; because I know you
can't if you were to try. Think of what I have said; but pray avoid my
presence till you have acquired sufficient courage to express your
wishes. Good evening, I leave you like--_(Singing.)_

     "The last rose of summer
      Left blooming alone;
      Whose lovely companions
      Are faded and gone."

[_Exit._

PIN. _(Rising with energy.)_ I must and I will shake off my shyness.
What can I do? I'll run home and try what a bottle or two of port--or
sherry--or a bottle of each will do for me. I cannot live this life,
it's killing me by inches. Oh! she's coming back--I will make a
desperate rush--a kind of despair seems to fill my heart that gives me
a sort of courage; and, if it isn't of the right sort, it may answer
just as well. I wont wait to look at her, that always does for me--I
wont wait to think--I'll only say--"Will you be mine." Then if she
says "Yes," there's an end of the matter. No more speeches--all
rubbish--a few words--short and to the point, that's the way--I know
it--I feel it.

_MISS MACAW enters F.E.L.; PINKEY'S back is towards her._

MISS MAC. I've left my reticule.

[_PINKEY rushes towards her and falls on both his knees._

PIN. Will you be mine?

MISS MAC. _(Boxing his ears.)_ That's for your impertinence, sir.

PIN. It's the wrong woman, and all my courage has been thrown away.
I'll really beg----

MISS MAC. How dare you, sir?

PIN. I didn't know.

MISS MAC. Have I ever encouraged you?

PIN. No, no, you never did.

MISS MAC. Begone, contemptible creature. _(Stamps her foot; PINKEY
runs off in alarm, L.)_ A little presumptuous mortal, to dare to take
such a liberty. Where's my reticule? _(Searching the chairs.)_

DAM. _(Without.)_ Oh, here, is she?

_Enter DAMPER, F.E.L._

DAM. I've made up my mind now, what to do. He will not be guided by me
any longer, he _will_ rush to his ruin; but I'll first get married
myself, to show him how right I am in all that I said of the misery of
the state. Miss Maria Macaw.

MISS MAC. Sir.

DAM. I have been looking for you. Sit down.

MISS MAC. I sha'n't.

DAM. I want to tell you something.

MISS MAC. Well, sir, tell it.

DAM. I hate you.

[_They sit._

MISS MAC. Well, sir, and I hate you.

DAM. Then we ought to be married.

MISS MAC. What?

DAM. I say we ought to be married; because we shall begin at the right
end. All the rest of the world begin with love and finish with hating.
We will be wiser--begin with hate and perhaps--I say perhaps end with
love. I mean what I say--I have a motive for what I am saying. Do you
hate me heartily enough to marry me?

MISS MAC. I do, sir.

DAM. You can't endure me?

MISS MAC. I think you a most hateful person.

DAM. You, to me, are a perfect Gorgon.

MISS MAC. I'm very happy to hear it.

DAM. And if we do come together, we'll strive all in our power to make
each other miserable.

MISS MAC. I'll do my best, be assured.

DAM. Thwart each other in every thing.

MISS MAC. If you want to walk, I'll insist upon riding.

DAM. Agreed!

MISS MAC. When you want to be silent, I'll talk you to death.

DAM. Agreed!

MISS MAC. And annoy you night and day in every possible manner--think
of nothing else----

DAM. Excellent!

MISS MAC. Study nothing else.

DAM. Delicious! There's my hand, whatever you are--whoever you may
be--whatever your character, there's my hand.

MISS MAC. And there, sir, is mine. _(Presenting her hand.)_

DAM. Fright!

MISS MAC. Brute!

DAM. A kiss?

MISS MAC. No.

DAM. Yes. The first and the last.

MISS MAC. On that condition, there.

[_She presents her cheek; DAMPER kisses her._

_NIGGLE runs on and stands in amazement._

NIG. _(Exclaims in surprise.)_ Damper!

[_DAMPER and MISS MACAW sit looking at each other, with great
ferocity, as the act drop descends._

END OF ACT II.



ACT III.

SCENE I.--_The cottage--same as first scene of second act--Chairs,
tables as before._

_MISS MEADOWS, L. and CHESTER, R., discovered._

CHE. Now, Jessy, I think we clearly understand each other?

MISS MEA. Perfectly. We agree to marry with a mystery hanging over
each of us. My poor aunt and I, through our retired mode of living,
are supposed to be very suspicious persons, and yet you are ready and
willing to give me your hand, let me turn out to be what I may?

CHE. For better or for worse, in every sense of the word.

MISS MEA. And I undertake to be equally as rash in accepting you.

CHE. We shall gain one point by this blind bargain--we are assured
that we love one another for ourselves alone.

MISS MEA. Ah! how charming is that assurance--and how miserable to
possess wealth, attracting a train of suitors with not one sincere,
disinterested heart amongst them.

CHE. Poor as I am, an heiress is my aversion--not that money lowers
the worth of woman; but that its worshippers pervert her
understanding, harden her heart, and teach her a false estimate of
herself.

MISS MEA. Give me love in a cottage.

CHE. Or a second floor in London, amongst several layers of lodgers.

MISS MEA. Ah! charming.

CHE. Two knocks and a ring for the artist--then to think of painting
portraits of people so atrociously ugly, that it is more than one's
poor half guinea is worth not to flatter them. To roam through
Battersea or Walworth in search of the picturesque, till a stroke of
fortune promotes one to the situation of drawing master to some
suburban academy.

MISS MEA. Oh, delightful! to walk twenty miles twice a week for as
many pounds per annum. And what must _I_ do? _I_ must not be
idle--I'll commence milliner--trim caps--fabricate flounces, and wait
upon fantastical ladies with patterns of the last new toque--and with
my needlework and your painting--my industry and your enthusiasm--we
shall be happy--I am sure we shall!

_Enter MISS MACAW, F.E.L._

Good day, aunt, we have not had the pleasure of seeing you since your
return home last night--it was very kind of that barbarian, Mr.
Damper, to escort you to the door--I saw him leave you from my window.

MISS MAC. 'Twas no more than the creature's duty.

MISS MEA. His duty!

MISS MAC. You have often heard me declare that my aversion to the male
sex was so great, that the man who could be bold enough to propose to
me, with the prospect of misery that must be his portion in the union,
I would accept him instantly--now Mr. Damper----

MISS MEA. }
          } What?
CHE.      }

MISS MAC. Mr. Damper has said that he hates me sufficiently to marry
me; and, as the passion is mutual, I have taken him at his
word--to-morrow morning I change my name.

MISS MEA. So soon, aunt?

MISS MAC. If you are surprised at our haste, you must consider that we
have little of life's time to lose; and, what in you would be
indelicate precipitancy, with us, is but common prudence.

MISS MEA. Are you serious, aunt?

MISS MAC. Matrimony is not a subject to jest upon, whatever may be
your notions of the important engagement.

MISS MEA. Bless me!

_Enter NIGGLE, D.F., in haste._

NIG. _(To CHESTER.)_ Young man, where's your mother? Pray excuse me--I
mean the lady--the relation--the friend--though I care not who she may
be--you know the person I mean.

CHE. Miss Coy?

NIG. Yes--I have been in search of her every where--all last
night--all to-day--Daphne never led Apollo such a chase as that dear
creature has given me.

CHE. For what?

NIG. To tell her that I can't live without her--to tell her that my
anti-matrimonial persuader is removed--that I'm a free man, and that I
wish to marry her immediately--and repair the wrong that I have done
her at once--before my connubial furor may again fluctuate.

CHE. She is gone----

NIG. Gone! Where?

CHE. To London!

NIG. Ah, my cruelty has driven her there.

CHE. That, and the flight of an agent, to whose care she had entrusted
her property.

NIG. Eh! what? flight of an agent--is she then in distress?--without a
penny?

CHE. 'Tis feared so, sir.

NIG. Huzza! That was the obstacle she alluded to--that is the reason
she has avoided me--I am glad of it--I have now an opportunity of
proving the disinterestedness of my passion for her. [_DAMPER appears
F.D._] Oh, madam _(To MISS MACAW.)_--what do I not owe to you? 'Tis
you--you have removed this incubus--'Tis _you_ that have spurred this
nightmare from my bosom, to take him to your own. Generous woman, let
me embrace you.

[_He warmly embraces MISS MACAW, who rises with great indignation._

MISS MAC. Sir! how dare you? The first time that I ever was embraced
by a man in my life! How dare you, sir, take that liberty? Had I been
aware of your indecorous intention I should have slapped your face--I
would, sir--Ugh! the sensation is more repulsive than I ever imagined
it to be.

NIG. My dear madam--my gratitude was so----

DAM. _(Coming between them.)_ John! John!--you must learn to suppress
such grateful feelings--my miseries are beginning already. Before the
knot is actually tied, another is kissing my intended wife.

NIG. Then let me get one of my own, and never again will I be under
such an obligation to you--I could not controul my grateful
impulse--but I am wasting time, I must follow my fate immediately.

DAM. Where are you going?

NIG. To bring back the dear creature whose feelings I have so trifled
with, and make an instant reparation by following your example.
_(Going.)_

DAM. Stop, stop!

NIG. Pray don't attempt to shake my resolution--I wont hear you.

DAM. I but wish to exact one promise from you.

NIG. What is it?

DAM. That you will give my arguments fair play, that you wont marry
till I have been a wretched man a month.

NIG. Don't exact the promise--pray don't--it may be years before I am
again in such a marrying mood. I'll return--I will, indeed--pray wish
me success--but I don't despair--I feel quite an ardent lover again.
Though I am not running away with a lady I am running after
one--eh?--Ha! ha!--good bye. Now for a post chaise and a hot
pursuit--for a last attack on this formidable castle of connubiality,
or death in its trenches.

[_Exit D.F._

DAM. Poor man--poor man.

CHE. _I_ have also received an invitation to this manor-house, with a
request to bring a lady on my arm.

DAM. So have I--of course I must take _you._ _(To MISS MACAW.)_

MISS MAC. What lady else _ought_ you to take, sir?

CHE. Who is the party residing there?

DAM. I don't know; the house has been shut up for some time--it has
undergone complete repair--new furniture from London has been seen
going in--a set of servants are there, but who the party is that has
invited me, I neither know nor care to know.

[_Goes up the stage, followed by MISS MACAW._

CHE. Let us leave this loving couple to themselves--will you accompany
me to this Manor house to-night?

MISS MEA. Certainly, if you wish for my society.

CHE. Wish for your society!--Jessy--I must now remove the
mask--nothing can occur _now_ to prevent our happiness--and you
_shall_ know who and what I am--I am burning with impatience to tell
you----

MISS MEA. _(Interrupting.)_ I hope you are what you have seemed to be;
if you are _not_ poor, I shall never love you; if you are not the
indigent struggling creature I have believed you to be, there is an
end of all--there shall be no marriage--no love in a cottage--no
second floor in London--I have done with you for ever.

CHE. Hear me, Jessy.

MISS MEA. Well, I will hear you--step this way--in the garden we shall
be free from interruption; and there, when you have told me the whole
truth, if I discover that you have deceived me--I--I shall break my
heart with vexation.

[_Exeunt F.E.L._

DAM. (R.) What is the matter with them, I wonder--quarrelling of
course--all that the men and women seem to have to do when they get
together--all that they are fit for I know. Now, madam, for our
affair--to-morrow morning, the ceremony over, you go to my house.

MISS MAC. (L.) If I please.

DAM. Indeed! Now as I naturally do not wish to receive more punishment
than my crime, as a matter of course, will bring with it, tell me who
and what you are.

MISS MAC. A lady! What are you?

DAM. A gentleman.

MISS MAC. Independent?

DAM. Seven hundred a year. You are without a sixpence, of
course?--hope you are--extravagant, I dare say, then I shall soon be a
beggar.

MISS MAC. I am happy to say, sir, that I need never require your help
in pecuniary matters.

DAM. Sorry for it. Many relations? I hope you have an army of poor
ones--that _will_ serve me right.

MISS MAC. I have not, sir.

DAM. Dear me, I am afraid I shall be too comfortable. How old are you?

MISS MAC. That is a question, sir, that no woman can ever pardon being
put to her. Your other insulting queries I replied to at once, and
rather admired the brutal spirit that prompted them, than felt annoyed
at their utter want of feeling. But to ask a woman her age! 'Tis a
sin, sir--'tis giving encouragement to lying; for a man is assured,
when he puts _that_ question, he can never be told the truth.

DAM. Ha! ha! This is delicious--this is a foretaste of my approaching
bliss--this is a gleam of the light of happiness that is in future to
shine full upon me. Oh!--what it's your weak side, eh? I'm delighted
to have discovered it--when we are married I'll ask the question every
night and morning during our bitter honey-moon.

MISS MAC. You shall be disappointed, sir; we are not yet man and
wife--I knew you to be a brute; but I never thought you a fool--and
the latter character is one that I rather pity than despise. To pity
you would be to admit a feeling akin to love, and any approach to love
for you, would be to admit an affection for a bear, or a rhinoceros,
or any other monstrosity of nature. No, sir! I have now done with
you--find some other female to worry--Miss Maria Macaw leaves you to
your single blessedness.

[_Exit F.E.L._

DAM. Is she in earnest now, or is this some little specimen of antique
coquetry? After having made up my mind to make a woman miserable, I
should not like to be disappointed: I had set my heart upon worrying a
wife to death--to have some one to vent all my ill-humours upon--to
snarl at--to find fault with--to be angry when she was pleased, and
pleased only when she was angry--and to thwart and vex continually--I
should have revelled in such a life, and have been delighted in
letting every one see what a wretched state is the married one. She
can't mean it--Oh, no--no--'tis but one of the coquettish arts of her
artful sex--I'll retaliate--I'll call upon Miss Skylark or some other
woman, and take her on my arm to this party, to-night--_I'll_ be a
coquette--a _male_ coquette--and fight her with her own weapons.

_Re-enter CHESTER; he paces the stage, DAMPER following him. Crosses
to R._

CHE. Oh! the perversity of womankind: I thought she would have been
surprised and delighted at the intelligence that I had wooed and won
her under a false appearance, that instead of a struggling life of
poverty, I could offer her one of wealth and comfort, and that my
reason for such concealment was, that I might find one who would love
me for myself alone. Why should she be angry? Why should she hear me
with such indignation? Oh! woman--woman!

DAM. A diabolical sex, isn't it, sir? I always said so--nobody would
believe _me_--no one heeded _my_ words--but now you'll be a proselyte
to creed, wont you?

CHE. I'll go to the manor house----

DAM. So will I.

CHE. With another----

DAM. That's what _I_ intend to do.

CHE. If I can find a lady to accompany me.

DAM. Let us go out together and pick up the first pair we can
meet--you choose the youngest, I the oldest. Take my arm--there are
two or three women in this town that I hate mortally, we'll call on
them--I'll introduce you, and we'll take our choice.

CHE. I thought to see her face beam with delight.

DAM. One never can tell how they intend to look.

CHE. Oh, Jessy!

DAM. Oh, Maria!

CHE. Oh, woman! perverse----

DAM. Artful----

CHE. Capricious----

DAM. Never-know-where-to-have-'em woman!

[_Exeunt D.F._


SCENE II.--_An Inn Parlour--Two chairs._

_Enter MISS COY, F.E.L._

MISS C. I am glad I have resolved to go to London. Now, while they are
changing horses, let me collect my thoughts. Oh, dear, my misfortunes
seem to come all at once--my agent absconded--my match with Mr. Niggle
broken off--every body scandalizing me.--I am not sorry that I
discovered the villiany of my agent before I had called in another to
share my troubles--Mr. Niggle then would have been justified in
supposing that I had inveigled him into marriage--that mortification,
at least, is spared me.

_NIGGLE, without, F.E.L._

NIG. Let the chaise remain at the door.

MISS C. Ha! 'tis his voice--he has followed me, perhaps, to beg me to
return with him; but I will not--a reconciliation is now hopeless.

_Enter NIGGLE, F.E.L._

NIG. Caroline, dear Caroline.

MISS C. Why, sir, have you followed me? If you were to repent your
conduct to me ever so sincerely, I have told you that an obstacle to
our union now exists, which cannot be removed.

NIG. I know it, dear, I know it, your obstacle is nothing to what my
obstacle was; that is removed, and yours, I am sure, can soon be put
aside. But on one thing I am resolved--you don't go to London.

MISS C. I must, sir, and will.

NIG. I've told the coachman, the inside lady passenger don't go on.

MISS C. Have you dared to take such a liberty? I must call out and
contradict you.

[_She attempts to cross to the L., NIGGLE stops her._

NIG. Hear me, pray, hear me, I have treated you ill, I confess; but I
have longed to make every reparation. I was so bewildered, my feelings
were so tossed, this way and that, on a sea of doubt, that I knew not
how to guide them; but now I am determined--take me while my
resolution is strong within me--do--do--fix me--I _want_ to be
fixed--there can be no wavering then--it will be done. Let me slide
the ring on your finger--you throw the collar over my neck and make me
a married man--do, do; I don't feel respectable as I am. Pray consent;
the evil genius that controlled me is exorcised--I am free--Damper
himself is in the toils--Ha! ha! he's caught, and I can now flirt
where I please, love where I please, and marry where I please.

MISS C. Well, sir, take advantage of your emancipation, I beg.

NIG. I will, and carry you back with me.

MISS C. No.

NIG. You mean "yes," I must take your negative as an affirmative, you
pervert your mother tongue, you know you do. Come, come, whatever you
are, whether penniless, a female adventurer, a scheming widow with a
family of full grown young men about you, I puff all such obstacles
into the air; and, in spite of the worst, am ready to marry.

MISS C. Let me pass you. _(Crosses to L.)_

NIG. What's the matter?

MISS C. The coach has gone off without me.

NIG. It has, it has. Now you are in my power.

MISS C. Well, sir, I may be compelled to return with you; but the
moment I arrive at home you must leave me. Were I not in the dilemma
that I am, I might forgive you; but I should loose respect for myself
were I now to listen to you, I can bear my troubles as I have born my
recent mortification, alone and in silence. _(Crying.)_

NIG. _(Crying.)_ Oh! what a woman I have lost--what a heroine--how she
would have decided all my actions. Caroline, have pity.

MISS C. No. Take me home and leave me.

NIG. Give me hope.

MISS C. No.

NIG. One kind word.

MISS C. I wont.

NIG. _(Taking a paper from his pocket-book.)_ Here, here is the
licence, dear, look at it--read it--it may turn your heart.

[_MISS COY takes the licence from his hand, tears it, throws it at his
feet, and walks off with great dignity. NIGGLE takes up the pieces in
dismay._

NIG. That's a decided negative. When a woman tears up the licence
there can be no hope.

[_Exit following MISS COY._


SCENE III.--_An apartment at MISS SNARE'S--A glass door at the back--A
screen on the L.--Two chairs._

_Enter PINKEY and BOSS, D.F._

BOSS. Now, my man, you _must_ make up your mind, you can't be in finer
order for popping the question; you have just finished your three
pints of claret, your lady has this moment called with Damper and the
mysterious gentleman that tea'd here yesterday, and you can't have a
better opportunity.

PIN. _(A little elevated.)_ I'm sure I can't, I feel quite brimful of
words, overflowing with good three, four, and five-syllable, words.
Lord, I think I could now stand on my legs and talk for an hour or two
without stopping for breath. I only want the subject matter.

BOSS. You can't have a more inspiring theme than your love for your
lady.

PIN. You and Miss Snare talk a great deal together; I've heard you
when you didn't know it. What do you talk about? Tell me, do--some
people always seem to have to say so much to one another, that I
can't, for the life of me, make out what they can have converse upon.

BOSS. You would gain little by knowing what passes between _us_.

PIN. Why?

BOSS. We merely admire each other's good qualities.

PIN. As much as to say, I've none for anybody to admire--I understand
you--but I have though.

BOSS. Oh, no doubt. You may be hiding your candle under a bushel.

PIN. That's it--I _have_ a light--I feel I have a light, I'm only
afraid, if I attempt to show it, it will go out.

[_MISS SKYLARK is heard singing._

BOSS. She's coming, I'll leave you together.

PIN. Oh, don't, I am not quite ready; that is, I don't feel quite so
desperate as I did just now.

BOSS. Come, come, pop at once; and then, like a conquering hero, take
her on your arm to this party that we are all invited to. We have
arranged the opportunity for you, step behind this screen.

PIN. Why?

BOSS. It's necessary.

PIN. Do all people step behind screens when they propose to marry?

BOSS. Too many, I'm afraid.

PIN. Ah! but matrimony soon kicks the screen down, don't it? I wish we
could be married without this awful ceremony of proposing. Why can't
people make telegraphic signs? what a deal of trouble it would save.

[_MISS SNARE, heard without._

MISS SNA. Step this way, my dear.

[_BOSS puts PINKEY behind the screen._

_MISS SKYLARK enters following MISS SNARE, D.F._

MISS SKY. For what?

MISS SNA. Ah! Mr. Narcissus, I was looking for you. _(She beckons to
BOSS.)_ Take a seat for one moment, I beg.

[_MISS SKYLARK sits; BOSS and MISS SNARE run off D.F.; BOSS locks the
door, holds up the key, and disappears._

MISS SKY. What is the meaning of this? The door locked upon me. Miss
Snare! _(Calling at the door.)_ Let me out, I'm so nervous when I'm in
a room by myself, pray, let me out. _(Coming forward.)_ Very strange
conduct, to ask me to step into this room, and then turn the key upon
me. What can it mean?

[_PINKEY sighs, very audibly, behind the screen._

MISS SKY. _(Alarmed.)_ Oh! what's that? it seems like the groan of a
criminal full of remorse: surely no one can be in the room. I thought
the sound came from behind that screen. Hem! _(Coughs.)_ I wish I
could get courage to peep.

[_She sings to gain courage--passing cautiously behind the screen.
PINKEY, at the same time, comes round in front, then takes his place
at the back of it as she re-appears._

No one is there--there are no closets--no other door than that. I'm
getting frightened, upon my honor I am--it must have been my fancy.
Well, all I can do is to sit quiet till my friends are disposed to set
me at liberty. I really feel inclined to scream.

[_She sits in the chair. PINKEY comes forward, and gently places a
chair by the side of her._

PIN. Hem!

[_She screams and falls on her knees. DAMPER, MISS SNARE, BOSS and
CHESTER, are seen watching them through the glass door._

MISS SKY. Oh! what's that?--I can't look I'm sure its something
frightful.

PIN. _(Falling on his knees beside her.)_ Now for it, I'm at high
popping pressure. Angelic creature--dearest of women--I love you to
distraction--I shall never be happy without you, you are necessary to
my life--I never loved anybody but you--never _can_ love anybody but
you--I've got four hundred a year, an uncle with a row of houses, and
an aunt with money in the bank--I'm the only nephew--I'm in both their
wills--you are all to me, Oh, that I were all to you--in short--in
fact--in a few words--will you be mine? There!

MISS SKY. _(Recovers herself during his speech and rises.)_ No.

PIN. Oh, good gracious! You don't mean it?

MISS SKY. I do, sir, I have heard of you; you proposed to another lady
last night.

PIN. Oh, so I did.

MISS SKY. You confess it, do you; and, because you were rejected
there, sir, you have summoned all the courage you are capable of to
address me.

PIN. Let me explain.

MISS SKY. Monster, away.

[_PINKEY, terrified, jumps up, runs to the door and calls out._

PIN. Let me out, pray, let me out; I've popped and it's no use. Let me
out.

[_They hold the door fast laughing at PINKEY; BOSS, at length opens
it; PINKEY darts out; MISS SNARE, BOSS, and DAMPER enter._

MISS SNA. (R.) What is the matter, have you refused him?

MISS SKY. (C.) Certainly. As I was coming here I met Miss Macaw, and
it appears that Mr. Pinkey actually proposed to her last night.

DAM. (L.) Proposed to her!

MISS SKY. And she asked me, if I should meet him, to say that she
particularly wishes to see him this evening. Could you have thought
it? _I_ shall not give him any further encouragement. Who next will he
propose to, I wonder?

DAM. Oho! my lady's coquetry is now accounted for. What a sex it is!
the more I associate with it, the more I discover to detest in it.
Miss Skylark, next to Miss Macaw, I dislike you more than any woman I
know. I am going to a party--I am priviledged to take a lady. Will you
accept my arm?

MISS SKY. To the manor-house?

DAM. Yes.

MISS SKY. I should like very much to go. I am so curious to discover
who it is that shows such an anxiety to make our acquaintance.

DAM. Take my arm. _(MISS SKYLARK takes DAMPER'S arm.)_ That I should
ever be walking with a woman in this way. Well, one can only obtain a
knowledge of a pestilence by boldly venturing where it rages. Come, of
course I am to be annoyed all the way there by your horrible singing
propensity.

MISS SKY. _(Sings.)_

     "Oh, come with me, my love,
      And our fairy home shall be
      Where the water spirits rove,
      In the deep, deep sea."

[_DAMPER looks savagely at her as they go off, D.F._

BOSS. Really, the courting people seem all to be getting to cross
purposes! Ah, there is nothing like a platonic affection, is there,
Miss Snare?

MISS SNA. I have no faith in platonic affections.

BOSS. No!

MISS SNA. We might as well think of playing at snow-balls in July. The
ice-cellar of propriety may yield the snow, but the moment it becomes
exposed to the warm air of temptation, it dissolves into its original
liquid!

BOSS. 'Pon my life you're a philosopher in petticoats--you certainly
wear a hoop from the tub of Diogenes!

MISS SNA. Oh, flatterer.

BOSS. Fact, really.

MISS SNA. I trust that I possess the candle of the sage, and have used
it with more success than he did.

BOSS. How?

MISS SNA. That with its light I have discovered in you, not only an
honest, but an elegant man. _(Crosses to L.)_

BOSS. You're a divinity!

MISS SNA. Oh!

BOSS. You are; and as I am no stoic, I must have a kiss. _(Offers to
kiss her.)_

MISS SNA. _(Repulsing him with great dignity.)_ Sir, that is a liberty
I do _not_ allow--there are certain bounds to familiarity, which once
passed, we are in the highway of contempt. We have merely been
friends, not lovers. You could not venture on a greater piece of
indecorum, even after an accepted proposal! Good evening sir!

[_Exit D.F., courtesying._

BOSS. How very odd! This is the effect of dining with Pinkey, and
yielding to a generous impulse. I hope she's not seriously
offended--hang it, I shall be wretched without her; for I have never
before felt so at home and so perfectly amused, as I have been in her
society. What can it mean? very strange. The fact is, I think the
women _are_ pleasant creatures after all; and I've not been
sufficiently alive to their qualities! I'll try another--I'll see who
else I can take to this party--must have a lady on my arm it seems.
Perhaps Miss Snare will forgive me. If she's in her parlour, I'll tap
at the door, and threaten to cut my throat if she don't; for upon my
life I feel miserable enough to do it--fact! _(Takes out a pocket
glass and adjusts his hair.)_ No, I couldn't! _(Regarding himself in
the glass.)_ No, my fine fellow--now I look at you again, under no
circumstances could I do _that!_ _(Admiring himself.)_ Upon my soul I
couldn't--it would be a pity! No, no, don't be afraid, my man, I'll
take every care of you, as long as I live.

[_Exit D.F._


SCENE IV.--_An elegant apartment at the manor-house, lighted with
candleabras, &c. Folding doors at the back. Five tables with writing
paper on each, and ten chairs; two tables on each side, one in the
centre, with writing materials on it. A letter on pink paper lying on
the first table, L._

_Enter NIGGLE, with MISS MEADOWS on his arm, C.D._

NIG. Well, here I am, and with a lady, according to the terms of my
invitation. Oh, Miss Meadows, if I had not encountered you, I must
have come here alone. We are the first pair that have arrived, I see.
Oh, miss, I am a miserable man.

MISS MEA. Is your lady inexorable?

NIG. She is indeed. I brought her back in the chaise, but she sat up
in a corner all the way, and never uttered a word. I have no hope now
of ever being married! Will _you_ have me? Think of it, _do_--we
_might_ be happy--and I'll make one more effort for matrimony, if I go
from street to street, knock at every door, and ask if there is any
lady within who would not object to marry a respectable, middle-aged
gentleman--of amiable temper, great sensibility, and small fortune!

[_They sit at the front table on the L._

_CHESTER enters with MISS SNARE on his arm, C.D._

MISS SNA. How very strange there is no one to receive us. Ah, Mr.
Niggle!

NIG. How is it that Boss is not with you?

MISS SNA. A little disagreement; and as this gentleman had called at
my house, he politely offered to bring me here, as I expressed an
anxiety to see our new neighbour.

[_They sit at the front table on the R._

_BOSS enters, with MISS COY on his arm, C.D._

NIG. There she is--inclined to marry Boss, no doubt.

MISS SNA. Surely he is not going to throw himself away on Miss Coy.
_She_ can never appreciate him, I'm sure.

BOSS. _(To MISS COY.)_ Fortunate I called on you, as you were anxious
to come.

MISS C. Pray conduct me to a seat.

[_BOSS conducts her to a chair at the second table on the R._

_DAMPER and MISS SKYLARK enter, arm-in-arm, back._

DAM. Oh! pretty well all arrived, eh? and everybody looking as
miserable as they deserve to be! Well, who is it that has asked us
here?

NIG. I don't know.

BOSS. Nor I.

DAM. _(To MISS SKYLARK.)_ Sit down.

MISS SKY. I will. _(Aside.)_ What an incorrigible brute it is!

[_They sit at the second table on the L._

_Enter PINKEY and MISS MACAW, arm-in-arm, C.D._

MISS SKY. Indeed! brings _her_ here--I was quite right to reject him!

DAM. _(Looking at MISS MACAW.)_ I wish she was my wife--I'd wring her
heart for this!

PIN. How d'ye do, all of you? Now, my dear Miss Macaw, pray take a
chair--I shall be distressed if I neglect any attention that you may
look for!

MISS SKY. Dear me, how gallant--I'll coquet with Mr. Damper!

MISS MEA. 'Tis very strange that no one appears to receive us.

ALL. _(To each other, and with great coquetry.)_ Very, very strange!
Don't you think so?

MISS MEA. What is this? A letter! and directed "From, the lady of the
house to Mr. Pinkey." _(Taking up the pink letter on the table.)_

PIN. To me!

[_PINKEY rises in alarm, MISS MEADOWS hands him the letter._

PIN. _(Reading.)_ "From the lady of the house to----" Oh, dear, what
can it be about?

BOSS. A love letter, perhaps.

ALL. Read it--read it!

PIN. _(Opens the letter and reads; they all rise and surround him.)_
"The lady of the house hearing that her new neighbours have formed
attachments that only require a little decision and a good example to
end in matrimony, has invited them to propose, that each person shall
write on a slip of paper the name of the party that he or she could be
most happy with for life, and where there may be a mutuality to marry
accordingly.

ALL. How strange--how odd!

NIG. Hush! Go on.

ALL. Go on.

PIN. _(Continuing.)_ "When the selections are made and announced, let
each gentleman fall gallantly on his knee to the object of his choice,
and at that moment the lady of the house will appear." There, now,
what's to be done?

NIG. The lady's command must of course be obeyed!

ALL. Certainly--certainly.

DAM. Aha! Aha! Now Hymen's torch is indeed blazing away in the midst
of us. Burn your wings, ye infatuated moths, do! Bob blindly into the
flame, and experience all the agonies I have long pictured to
you--I'll set you the example! Here--here is paper--pens too!
Write--write--and seal your miseries!

[_DAMPER goes to the centre table, and supplies the group with writing
paper; they take pens, go to the tables where they were before seated,
and write, looking towards the object of their choice._

DAM. Have you done?

ALL. Yes, yes.

DAM. Place your papers on this table--the women by _themselves_, the
gentlemen by _themselves_--I'll officiate as parish clerk and publish
what banns I may!

[_The ladies place their papers on one side of the centre table--the
gentlemen on the other. All retire to their places._

DAM. _(At the table.)_ Silence! _(He selects two papers.)_ "John
Niggle, Caroline Coy." Now for Caroline Coy--the choice is
mutual--'tis John Niggle. Are you agreed?

NIG. Do you relent? Am I to be so happy? I cannot fluctuate
now--forgive me--say but the word, and I am in your arms!

MISS C. As I have received a promise of help in my difficulties, I
can't refuse you!

DAM. Miserable being, go to your lady!

NIG. _(Running to MISS COY and embracing her.)_ Happy man that I am,
how can I express my joy?

MISS C. By your silence.

[_DAMPER selects two other slips._

DAM. "Narcissus Boss, Sarah Snare." The lady's choice is fixed upon
the same gentleman. Are you agreed?

BOSS. Do you forgive me?

DAM. What has he done?

MISS SNA. If I must confess, he attempted to salute me, before making
a formal declaration!

ALL. Oh, Boss, for shame!

BOSS. Upon my life 'twas a mere grateful impulse.

MISS SNA. All the improprieties of life are impulses.

DAM. Make up your mind at once--Boss lives upon flattery, and Miss
wants a husband--you can't be better paired! Infatuated man, go to
your lady!

[_BOSS crosses to MISS SNARE and kisses her hand--DAMPER selects two
more papers._

DAM. _(Reading.)_ "Peter Pinkey could be happy for life with Miss
Skylark"--miss ditto, with ditto gentleman.

NIG. Come Pinkey, speak out--the dumb would find words at such a
moment!

PIN. Oh, bless you, I have been finding too many words--I said all
that was necessary, but was rejected!

MISS SKY. Because you had proposed to another.

PIN. Upon my honor it was a mistake. In a bewildered moment I _did_ do
so; but I thought it was to you!

MISS SKY. _(Looking at MISS MACAW.)_ It is not a very hard matter to
believe you!

DAM. Silly boy, go to your choice. You're young--there's a fine long
life of wretchedness in store for _you!_

PIN. _(Running to her.)_ What do you say?

MISS SKY. _(Singing.)_ "No more by sorrow chased my heart."

DAM. Silence, woman! _(Reading papers.)_ "Charles Chester, Jessy
Meadows." Miss Meadows is of the same opinion.

CHE. Will you take your poor artist?

MISS MEA. I am sorry that you have deceived me--I would rather that
you were the humble being you first professed you were----

CHE. You shall yet have your wish. To please you I will even consent
to be poor. _(To MISS COY.)_ Aunt Caroline!

NIG. Aunt Caroline! Are you her nephew?

CHE. I am, sir. At the hazard of her own happiness, almost at the risk
of her good name, she kept a secret that I required of her--I made a
promise a short time since that I would replace the income she has
been deprived of by her agent, and I _will_ do so; therefore, sir,
_(To NIGGLE.)_ you do not marry a penniless woman, whilst I by
impoverishing myself, gratify the object of my choice!

DAM. Madman! go take your fate by the hand, and commence your sad
career!

[_CHESTER crosses to MISS MEADOWS--DAMPER reads the last papers._

ALL. The last couple--now for the last couple!

DAM. "David Damper, Maria Macaw--Maria Macaw, David Damper." Eh, what
d'ye think of that? Come to me, fright! _(To MISS MACAW.)_

MISS MAC. _(Crossing to him.)_ Object! I obey you.

DAM. Now isn't it noble of us to form a marriage, for which none of
you can guess the inducement?

ALL. _(But MISS MACAW.)_ Noble! noble!

DAM. You wonder what we can see in each other, don't you? Never
mind--though we don't begin by thinking that we can't live asunder, we
may not find out, as you will, that it is impossible to live together.
We are united but for one object, to worry one another; and if we fail
in that object, perhaps we may be the happiest couple amongst you.

MISS MAC. Nothing _can_ annoy me but one question; and that is being
asked my age!

MISS MEA. Did he ever dare to put that question to you?

MISS MAC. He did.

ALL. Oh, shame!

DAM. Well, well, never mind, Miss Macaw--the older you grow, the more
your beauties will become developed. You are like the great American
Aloe, by the time you're a hundred years old, you'll be in full bloom!
eh? Ha! ha! Now, down on our knees, poor wretches that we are!

[_All the gentlemen drop on one knee to their respective ladies._

DAM. Now--now for the mystery--now for the lady of the house! Where is
she?

MISS MEA. Here, sir!

ALL. _(The gentlemen rising.)_ You!

CHE. You, Jessy!

MISS MEA. I am the lady of this house; and you, sir, have promised to
marry the object of your aversion--an heiress. To avoid the
importunities of heartless fortune-hunters, and in the hope to be
loved for myself alone, I have resided at the cottage adjacent with my
worthy relative in seclusion. Now you can comprehend my indignation,
when I discovered that you were using the same means that I had
selected, to gain my future happiness.

CHE. And you _shall_ be happy, if my affection can make you so. I have
seen the errors of married men, and will avoid them; you shall be
treated with that attention that you are entitled to demand. I will
neither harrass you with ill-temper, render you miserable by
dissipation, nor insult you by slighting your society; but strive with
all my heart to make you as happy as I am sure you deserve to be.

DAM. Oh, mighty fine, mighty fine--you'll tell a different story in a
few months! Oh! what an unhappy set of wretches we shall all be
shortly!

Listen while I your miseries rehearse,
Prose can't express them, I must speak in verse!

MISS COY.

Pray hold your tongue--_your_ arguments can't shake us,
'Tis time for troubles when they overtake us;
Those who meet coming miseries half way,
Deserve to have them----

NIGGLE.

That I've tried to say
A dozen times when I have been debating
Whether to wed or not----

MISS MEADOWS.

Your fluctuating
Is over now; for lo! a happy bride
Is wooed and won, and smiling by your side!

DAMPER.

Poor wretch! anticipation strikes him mute!

MISS MACAW.

Dry your wet blanket do, ungenial brute!
If _your_ cold bosom no warm spark inherits,
Is this a time to damp their ardent spirits?

BOSS.

Oh! let him say his worst, he's harmless now--

MISS SNARE _to_ BOSS.

To _your_ decision every one must bow!

BOSS.

Dear soul, _my_ choice I never shall regret;

MISS SKYLARK, _(aside.)_

Self love and flattery ne'er quarrell'd yet!
What say _you_, sir? _(To PINKEY.)_

PINKEY.

My lot in life is cast,
Now I've the rubicon of popping past.

CHESTER.

I mean to prove, when passion may decline,
That love and matrimony _can_ combine!

MISS SKYLARK _(singing)._

Then "Life let us cherish while yet the taper glows;"

DAMPER.

Pray stop that lady--let me have repose
To point a moral. _(Advancing to the audience.)_ Ah! I see you two;
Young man desist, you know not what you do;
Take my advice, retract in time, forbear--
You're making love to that young woman there!
Ah! you may look--he _is_, _his_ fate is clear,
Unless he's warn'd by what he's witnessed here.

PINKEY, _interfering._

Hush! don't--it's delicate--like me, he may
Have borne his love in silence many a day,
And I've a question _(To the audience)_ I must pop to _you:_
I'm half ashamed, upon my life it's true;
But will you, as I mean to take a wife,
Forgive the errors of my Single Life?

THE END.


_Disposition of Characters._

(From R. to L.) BOSS. SNARE. COY. NIG. DAM. MAC. PIN. SKY. CHE. MEA.


"NASSAU STEAM PRESS,"
W. S. JOHNSON, NASSAU STREET, SOHO.



Transcriber's Note

This transcription is based on scanned images posted by the Internet
Archive from a copy made available by the University of California:

     archive.org/details/singlelifecomedy00buckrich

In general, the spelling, grammar and punctuation of the source text
have been retained, and no attempt has been made to standardize
inconsistencies of spelling. For example, the contraction of "cannot"
is printed both as "can't" and "cant". In a few cases, minor
adjustments were made to the formatting for the sake of consistency.
In addition, in cases where the printed text was judged to have
printing or typographical errors, the text was corrected.

The following changes were noted:

- pp. iii-iv: The punctuation and formatting of character and actor
names has been standardized for consistency.

- p. iii: pink gloves, pink watch bibbon--Changed "bibbon" to
"ribbon".

- p. iii: French gaiters and shoes, ound hat--Changed "ound" to
"round".

- p. iv: _(2nd dress in the last scene._--Inserted a closing
parenthesis after "_scene_."

- p. iv: T.E.L. third entrance left.--Inserted a comma after
"entrance" for consistency.

- p. 10: Changed "abomi- able" to "abominable".

- p. 10: "Nobody coming to marry me, nobody coming to
woo--wo--o--o--o--woo--o----Inserted a closing quotation mark at the
end of the line.

- p. 14: and which _materiel_, I flatter myself, I possess _(Crossess
to L.)_--Inserted a period after "possess" and changed "_Crossess_" to
"_Crosses_".

- p. 18: Miss Kitt   once more I've saved him.--Changed "Miss Kitt" to
"Miss Kitty," based on the amount of space missing at the end of the
line.

- p. 19: Miss Snare will be happy to hav--Changed "hav" to "have".

- p. 22: You are henceforth the mistress   your own actions.--Inserted
the word "of" after "mistress".

- p. 27: MISS. SNA. Poor fellow, how badly he must want a night's
rest.--Deleted period after "MISS".

- p. 28: _(Singing.)_ "Seared and----Inserted a closing quotation mark
at the end of the line.

- p. 29: MISS SYK. Have you invited him?--Changed "MISS SYK." to "MISS
SKY.".

- p. 33: Ha! ha! Moral courage for matrimony,--Changed comma to a
period.

- p. 35: Look at her, see how onfounded she is now.--Changed
"onfounded" to "confounded".

- p. 36: thanks for your hosipitality and its happy results--Changed
"hosipitality" to "hospitality".

- p. 38: I'ts all very singular.--"I'ts" changed to "It's".

- p. 39: to show him how right I am in all that said of the misery of
the state.--Inserted the word "I" after "in all that".

- p. 41: And I undertake to be qually as rash in accepting
you.--Changed "qually" to "equally".

- p. 45: No, sir! I have now done with with you--Deleted the second
"with".

- p. 46: Mr. Niggle then wouid have been justified in
supposing--Changed "wouid" to "would".

- p. 47-48: Here, here i the licence, dear, look at it--Changed "i" to
"is".

- p. 49: step behind this. screen.--Deleted the period after "this".

- p. 49: PIN. Do all people step behind screens when they propose to
marry.--Changed period to a question mark.

- p. 49: [_MISS SNARE, heard withou t_--Deleted the space between
"_withou_" and "_t_" and inserted a period at the end.

- p. 49: _(Calling at the door)_.--Moved the period so that it is
inside the parenthesis for consistency.

- p. 53: "From the lady of the house to---- Oh, dear, what can it be
about?--Inserted a closing double quotation mark after "to----".

- p. 55: "Peter Pinkey could be happy for life with Miss Skylark--miss
ditto, with ditto gentleman."--Moved the closing double quotation mark
from after "gentleman" to after "Skylark".






End of the Project Gutenberg EBook of Single Life, by John Baldwin Buckstone

*** END OF THIS PROJECT GUTENBERG EBOOK SINGLE LIFE ***

***** This file should be named 46918.txt or 46918.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/4/6/9/1/46918/

Produced by Paul Haxo from page images graciously made
available by the Internet Archive and the University of
California.

Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you'll have to check the laws of the country where you
  are located before using this ebook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that

* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org Section 3. Information about the Project Gutenberg
Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact

For additional contact information:

    Dr. Gregory B. Newby
    Chief Executive and Director
    gbnewby@pglaf.org

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works.

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our Web site which has the main PG search
facility: www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.