The Project Gutenberg eBook, Poems, by Alexander Smith


This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org





Title: Poems
       Third Edition


Author: Alexander Smith



Release Date: March 10, 2013  [eBook #42301]

Language: English

Character set encoding: ISO-8859-1


***START OF THE PROJECT GUTENBERG EBOOK POEMS***


E-text prepared by Judith Wirawan, David Clarke, and the Online
Distributed Proofreading Team (http://www.pgdp.net)



Transcriber's note:

      Text enclosed by underscores is in italics (_italics_).

      Text enclosed by equal signs is in bold face (=bold=).

      The symbol of inverted asterism (three asterisks forming
      an inverted triangle) is represented in this e-text by
      three consecutive asterisks (***).

      The symbol of index/fist (a hand with pointing index finger)
      is represented in this e-text by an em-dash and a "greater
      than" sign (-->).

      The symbol of double dagger is represented in this e-text by
      two plus signs (++).





POEMS

by

ALEXANDER SMITH.

Third Edition.







London:
David Bogue, Fleet Street.
MDCCCLIV.

LONDON:
Printed by G. Barclay, Castle St. Leicester Sq.




CONTENTS.


                             Page

  A LIFE-DRAMA                  9

  AN EVENING AT HOME          213

  LADY BARBARA                229

  TO ----                     236

  SONNETS                     239




A LIFE-DRAMA.


SCENE I.--_An Antique Room: Midnight._

WALTER,
_Reading from a paper on which he has been writing_.

  As a wild maiden, with love-drinking eyes,
  Sees in sweet dreams a beaming Youth of Glory,
  And wakes to weep, and ever after, sighs
  For that bright vision till her hair is hoary;
  Ev'n so, alas! is my life's-passion story.
  For Poesy my heart and pulses beat,
  For Poesy my blood runs red and fleet,
  As Aaron's serpent the Egyptians' swallow'd,
  One passion eats the rest. My soul is follow'd
  By strong ambition to out-roll a lay,
  Whose melody will haunt the world for aye,
  Charming it onward on its golden way.
          [_Tears the paper and paces the room with disordered steps._
  Oh, that my heart were quiet as a grave
  Asleep in moonlight!
  For, as a torrid sunset boils with gold
  Up to the zenith, fierce within my soul
  A passion burns from basement to the cope.
  Poesy! Poesy! I'd give to thee,
  As passionately, my rich-laden years,
  My bubble pleasures, and my awful joys,
  As Hero gave her trembling sighs to find
  Delicious death on wet Leander's lip.
  Bare, bald, and tawdry, as a fingered moth,
  Is my poor life, but with one smile thou canst
  Clothe me with kingdoms. Wilt thou smile on me?
  Wilt bid me die for thee? O fair and cold!
  As well may some wild maiden waste her love
  Upon the calm front of a marble Jove.
  I cannot draw regard of thy great eyes.
  I love thee, Poesy! Thou art a rock,
  I, a weak wave, would break on thee and die.
  There is a deadlier pang than that which beads
  With chilly death-drops the o'er-tortured brow,
  When one has a big heart and feeble hands,--
  A heart to hew his name out upon time
  As on a rock, then in immortalness
  To stand on time as on a pedestal;
  When hearts beat to this tune, and hands are weak,
  We find our aspirations quenched in tears,
  The tears of impotence, and self-contempt
  That loathsome weed, up-springing in the heart,
  Like nightshade 'mong the ruins of a shrine;
  I am so cursed, and wear within my soul
  A pang as fierce as Dives' drowsed with wine,
  Lipping his leman in luxurious dreams;
  Waked by a fiend in hell!----
  'T is not for me, ye Heavens! 't is not for me
  To fling a Poem, like a comet, out,
  Far-splendouring the sleepy realms of night.
  I cannot give men glimpses so divine,
  As when, upon a racking night, the wind
  Draws the pale curtains of the vapoury clouds,
  And shows those wonderful, mysterious voids,
  Throbbing with stars like pulses.--Naught for me
  But to creep quietly into my grave;
  Or calm and tame the swelling of my heart
  With this foul lie, painted as sweet as truth.
  That "great and small, weakness and strength, are naught,
  That each thing being equal in its sphere,
  The May-night glow-worm with its emerald lamp,
  Is worthy as the mighty moon that drowns
  Continents in her white and silent light."
  This--this were easy to believe, were I
  The planet that doth nightly wash the earth's
  Fair sides with moonlight; not the shining worm.
  But as I am--beaten, and foiled, and shamed,
  The arrow of my soul which I have shot
  To bring down Fame, dissolved like shaft of mist--
  This painted falsehood, this most damned lie,
  Freezes me like a fiendish human face,
  With all its features gathered in a sneer.
  Oh, let me rend this breathing tent of flesh;
  Uncoop the soul--fool, fool, 't were still the same,
  'T is the deep soul that's touch'd, _it_ bears the wound;
  And memory doth stick in 't like a knife,
  Keeping it wide for ever.             [_A long pause._
                            I am fain
  To feed upon the beauty of the moon!
                                 [_Opens the casement._
  Sorrowful moon! seeming so drowned in woe,
  A queen, whom some grand battle-day has left
  Unkingdomed and a widow, while the stars,
  Thy handmaidens, are standing back in awe,
  Gazing in silence on thy mighty grief!
  All men have loved thee for thy beauty, moon!
  Adam has turned from Eve's fair face to thine,
  And drunk thy beauty with his serene eyes.
  Anthony once, when seated with his queen,
  Worth all the East, a moment gazed at thee:
  She struck him on the cheek with jealous hand,
  And chiding said,--"Now, by my Egypt's gods,
  That pale and squeamish beauty of the night
  Has had thine eyes too long; thine eyes are mine!
  Alack! there's sorrow in my Anthony's face!
  Dost think of Rome? I'll make thee, with a kiss,
  Richer than Cæsar! Come, I'll crown thy lips."
                                   [_Another pause._
  How tenderly the moon doth fill the night!
  Not like the passion that doth fill my soul;
  It burns within me like an Indian sun.
  A star is trembling on the horizon's verge,
  That star shall grow and broaden on the night,
  Until it hangs divine and beautiful
  In the proud zenith--
  Might I so broaden on the skies of fame!
  O Fame! Fame! Fame! next grandest word to God!
  I seek the look of Fame! Poor fool--so tries
  Some lonely wanderer 'mong the desert sands
  By shouts to gain the notice of the Sphynx,
  Staring right on with calm eternal eyes.


SCENE II.

_A Forest._ WALTER _sleeping beneath a tree._

_Enter_ LADY _with a fawn._

LADY.

                Halt! Flora, halt! This race
  Has danced my ringlets all about my brows,
  And brought my cheeks to bloom. Here will I rest
  And weave a garland for thy dappled neck.
                                     [_Weaves flowers._
  I look, sweet Flora, in thine innocent eyes,
  And see in them a meaning and a glee
  Fitting this universal summer joy:
  Each leaf upon the trees doth shake with joy,
  With joy the white clouds navigate the blue,
  And, on his painted wings, the butterfly,
  Most splendid masker in this carnival,
  Floats through the air in joy! Better for man,
  Were he and Nature more familiar friends!
  His part is worst that touches this base world.
  Although the ocean's inmost heart be pure,
  Yet the salt fringe that daily licks the shore
  Is gross with sand. On, my sweet Flora, on!
                     [_Rises and approaches_ WALTER.
  Ha! what is this? A bright and wander'd youth,
  Thick in the light of his own beauty, sleeps
  Like young Apollo, in his golden curls!
  At the oak-roots I've seen full many a flower,
  But never one so fair. A lovely youth,
  With dainty cheeks and ringlets like a girl,
  And slumber-parted lips 'twere sweet to kiss!
  Ye envious lids! I fain would see his eyes!
  Jewels so richly cased as those of his
  Must be a sight. So, here's a well-worn book,
  From which he drinks such joy as doth a pale
  And dim-eyed worker who escapes, in Spring,
  The thousand-streeted and smoke-smothered town,
  And treads awhile the breezy hills of health.
        [LADY _opens the book, a slip of paper falls out;
            she reads._

  The fierce exulting worlds, the motes in rays,
    The churlish thistles, scented briers,
  The wind-swept blue-bells on the sunny braes,
    Down to the central fires,

  Exist alike in Love. Love is a sea,
    Filling all the abysses dim
  Of lornest space, in whose deeps regally
    Suns and their bright broods swim.

  This mighty sea of Love with wondrous tides,
    Is sternly just to sun and grain;
  'Tis laving at this moment Saturn's sides,--
    'Tis in my blood and brain.

  All things have something more than barren use;
    There is a scent upon the brier,
  A tremulous splendour in the autumn dews,
    Cold morns are fringed with fire;

  The clodded earth goes up in sweet-breathed flowers;
    In music dies poor human speech,
  And into beauty blow those hearts of ours,
    When Love is born in each.

  Life is transfigured in the soft and tender
    Light of Love, as a volume dun
  Of rolling smoke becomes a wreathèd splendour
    In the declining sun.

  Driven from cities by his restless moods,
    In incense-glooms and secret nooks,
  A miser o'er his gold--the lover broods
    O'er vague words, earnest looks.

  Oft is he startled on the sweetest lip;
    Across his midnight sea of mind
  A Thought comes streaming, like a blazing ship
    Upon a mighty wind,

  A Terror and a Glory! Shocked with light,
    His boundless being glares aghast;
  Then slowly settles down the wonted night,
    All desolate and vast.

  Daisies are white upon the churchyard sod,
    Sweet tears, the clouds lean down and give.
  This world is very lovely. O my God,
    I thank Thee that I live!

  Ringed with his flaming guards of many kinds,
    The proud Sun stoops his golden head,
  Grey Eve sobs crazed with grief; to her the winds
    Shriek out, "The Day is dead."

  I gave this beggar Day no alms, this Night
    Has seen nor work accomplished, planned,
  Yet this poor Day shall soon in memory's light
    A summer rainbow stand!

  There is no evil in this present strife;
    From th' shivering Seal's low moans,
  Up through the shining tiers and ranks of life,
    To stars upon their thrones,

  The seeming ills are Loves in dim disguise;
    Dark moral knots, that pose the seer,
  If _we_ are lovers, in our wider eyes
    Shall hang, like dew-drops, clear.

  Ye are my menials, ye thick-crowding years!
    Ha! yet with a triumphant shout
  My spirit shall take captive all the spheres,
    And wring their riches out.

  God! what a glorious future gleams on me;
    With nobler senses, nobler peers,
  I'll wing me through Creation like a bee,
    And taste the gleaming spheres!

  While some are trembling o'er the poison-cup,
    While some grow lean with care, some weep,
  In this luxurious faith I'll wrap me up,
    As in a robe, and sleep.

  Oh, 'tis a sleeping Poet! and his verse
  Sings like the syren-isles. An opulent Soul
  Dropt in my path like a great cup of gold,
  All rich and rough with stories of the gods!
  Methinks all poets should be gentle, fair,
  And ever young, and ever beautiful:
  I'd have all Poets to be like to this,--
  Gold-haired and rosy-lipped, to sing of Love.
  Love! Love! Old song that Poet ever chanteth,
  Of which the listening world is never weary.
  Soul is a moon, Love is its loveliest phase.
  Alas! to me this Love will never come
  Till summer days shall visit dark December.
  Woe's me! 'tis very sad, but 'tis my doom
  To hide a ghastly grief within my heart,
  And then to coin my lying cheek to smiles,
  Sure, smiles become a victim garlanded!
  Hist! he awakes----

WALTER (_awakening_).

                      Fair lady, in my dream
  Methought I was a weak and lonely bird,
  In search of summer, wander'd on the sea,
  Toiling through mists, drenched by the arrowy rain,
  Struck by the heartless winds: at last, methought
  I came upon an isle in whose sweet air
  I dried my feathers, smoothed my ruffled breast,
  And skimmed delight from off the waving woods.
  Thy coming, lady, reads this dream of mine:
  I am the swallow, thou the summer land.

LADY.

  Sweet, sweet is flattery to mortal ears,
  And, if I drink thy praise too greedily,
  My fault I'll match with grosser instances.
  Do not the royal souls that van the world
  Hunger for praises? Does not the hero burn
  To blow his triumphs in the trumpet's mouth?
  And do not poets' brows throb feverous
  Till they are cooled with laurels? Therefore, sir,
  If such dote more on praise than all the wealth
  Of precious-wombèd earth and pearlèd mains,
  Blame not the cheeks of simple maidenhood.
  Fair sir, I am the empress of this wood!
  The courtier oaks bow in proud homages,
  And shake down o'er my path their golden leaves.
  Queen am I of this green and summer realm.
  This wood I've entered oft when all in sheen
  The princely Morning walks o'er diamond dews,
  And still have lingered, till the vain young Night
  Trembles o'er her own beauty in the sea.

WALTER.

  And as thou passest some mid-forest glade,
  The simple woodman stands amazed, as if
  An angel flashed by on his gorgeous wings.

LADY.

  I am thine empress. Who and what art thou?
  Art thou Sir Bookworm? Haunter of old tomes,
  Sitting the silent term of stars to watch
  Your own thought passing into beauty, like
  An earnest mother watching the first smile
  Dawning upon her sleeping infant's face,
  Until she cannot see it for her tears?
  And when the lark, the laureate of the sun,
  Doth climb the east, eager to celebrate
  His monarch's crowning, goeth pale to bed,--
  Art thou such denizen of book-world, pray?

WALTER.

  Books written when the soul is at spring-tide,
  When it is laden like a groaning sky
  Before a thunder-storm, are power and gladness,
  And majesty and beauty. They seize the reader
  As tempests seize a ship, and bear him on
  With a wild joy. Some books are drenchèd sands,
  On which a great soul's wealth lies all in heaps,
  Like a wrecked argosy. What power in books!
  They mingle gloom and splendour, as I've oft,
  In thund'rous sunsets, seen the thunder-piles
  Seamed with dull fire and fiercest glory-rents.
  They awe me to my knees, as if I stood
  In presence of a king. They give me tears;
  Such glorious tears as Eve's fair daughters shed,
  When first they clasped a Son of God, all bright
  With burning plumes and splendours of the sky,
  In zoning heaven of their milky arms.
  How few read books aright! Most souls are shut
  By sense from grandeur, as a man who snores,
  Night-capped and wrapt in blankets to the nose,
  Is shut in from the night, which, like a sea,
  Breaketh for ever on a strand of stars.
  Lady, in book-world have I ever dwelt,
  This book has domed my being like a sky.

LADY.

  And who was its creator?

WALTER.

                             He was one
  Who could not help it, for it was his nature
  To blossom into song, as 'tis a tree's
  To leaf itself in April.

LADY.

                         Did he love?

WALTER.

  Ay; and he suffered.--His was not that love
  That comes on men with their beards. His soul was rich;
  And this his book unveils it, as the night
  Her panting wealth of stars. The world was cold,
  And he went down like a lone ship at sea;
  And now the fame that scorned him while he lived
  Waits on him like a menial.----
  When the dark dumb Earth
  Lay on her back and watched the shining stars,
  A Soul from its warm body shuddered out
  To the dim air and trembled with the cold;
  Through the waste air it passed as swift and still,
  As a dream passes through the lands of sleep,
  Till at the very gates of spirit-world
  'Twas asked by a most worn and earnest shape
  That seemed to tremble on the coming word,
  About an orphan Poem, and if yet
  A Name was heard on earth.

LADY.

                             'Tis very sad,
  And doth remind me of an old, low strain,
  I used to sing in lap of summers dead,
  When I was but a child, and when we played
  Like April sunbeams 'mong the meadow-flowers;
  Or romped i' the dews with weak complaining lambs;
  Or sat in circles on the primrose knolls,
  Striving with eager and palm-shaded eyes,
  'Mid shouts and silver laughs, who first should catch
  The lark, a singing speck, go up the blue.
  I'll sing it to thee; 'tis a song of One--
  (An image slept within his soul's caress,
  Like a sweet thought within a Poet's heart
  Ere it is born in joy and golden words)--
  Of One whose naked soul stood clad in love,
  Like a pale martyr in his shirt of fire.
  I'll sing it to thee.                    [LADY _sings._

  In winter when the dismal rain
    Came down in slanting lines,
  And Wind, that grand old harper, smote
    His thunder-harp of pines,

  A Poet sat in his antique room,
    His lamp the valley kinged,
  'Neath dry crusts of dead tongues he found
    Truth, fresh and golden-winged.

  When violets came and woods were green,
    And larks did skyward dart,
  A Love alit and white did sit,
    Like an angel on his heart.

  From his heart he unclasped his love
    Amid the trembling trees,
  And sent it to the Lady Blanche
    On wingèd poesies.

  The Lady Blanche was saintly fair,
    Nor proud, but meek her look;
  In her hazel eyes her thoughts lay clear
    As pebbles in a brook.

  Her father's veins ran noble blood,
    His hall rose 'mid the trees;
  Like a sunbeam she came and went
    'Mong the white cottages.

  The peasants thanked her with their tears,
    When food and clothes were given,--
  "This is a joy," the Lady said,
    "Saints cannot taste in Heaven!"

  They met--the Poet told his love,
    His hopes, despairs, his pains,--
  The Lady with her calm eyes mocked
    The tumult in his veins.

  He passed away--a fierce song leapt
    From cloud of his despair,
  As lightning, like a bright, wild beast,
    Leaps from its thunder-lair.

  He poured his frenzy forth in song,--
    Bright heir of tears and praises!
  Now resteth that unquiet heart
    Beneath the quiet daisies.

  The world is old,--Oh! very old,--
    The wild winds weep and rave;
  The world is old, and grey, and cold,
    Let it drop into its grave!

  Our ears, Sir Bookworm, hunger for _thy_ song.

WALTER.

  I have a strain of a departed bard;
  One who was born too late into this world.
  A mighty day was past, and he saw nought
  But ebbing sunset and the rising stars,--
  Still o'er him rose those melancholy stars!
  Unknown his childhood, save that he was born
  'Mong woodland waters full of silver breaks;
  That he grew up 'mong primroses moon-pale
  In the hearts of purple hills; that he o'er ran
  Green meadows golden in the level sun,
  A bright-haired child; and that, when these he left
  To dwell within a monstrous city's heart,
  The trees were gazing up into the sky,
  Their bare arms stretched in prayer for the snows.
  When first we met, his book was six months old,
  And eagerly his name was buzzed abroad;
  Praises fell thick on him. Men said, "This Dawn
  Will widen to a clear and boundless Day;
  And when it ripens to a sumptuous west
  With a great sunset 'twill be closed and crowned."
  Lady! he was as far 'bove common men
  As a sun-steed, wild-eyed and meteor-maned,
  Neighing the reeling stars, is 'bove a hack
  With sluggish veins of mud. More tremulous
  Than the soft star that in the azure east
  Trembles with pity o'er bright bleeding day,
  Was his frail soul; I dwelt with him for years;
  I was to him but Labrador to Ind;
  His pearls were plentier than my pebble-stones.
  He was the sun, I was that squab--the earth,
  And basked me in his light until he drew
  Flowers from my barren sides. Oh! he was rich,
  And I rejoiced upon his shore of pearls,
  A weak enamoured sea. Once did he say,
  "My Friend! a Poet must ere long arise,
  And with a regal song sun-crown this age,
  As a saint's head is with a halo crown'd;--
  One, who shall hallow Poetry to God
  And to its own high use, for Poetry is
  The grandest chariot wherein king-thoughts ride;--
  One, who shall fervent grasp the sword of song
  As a stern swordsman grasps his keenest blade,
  To find the quickest passage to the heart.
  A mighty Poet whom this age shall choose
  To be its spokesman to all coming times.
  In the ripe full-blown season of his soul,
  He shall go forward in his spirit's strength,
  And grapple with the questions of all time,
  And wring from them their meanings. As King Saul
  Called up the buried prophet from his grave
  To speak his doom, so shall this Poet-king
  Call up the dead Past from its awful grave
  To tell him of our future. As the air
  Doth sphere the world, so shall his heart of love--
  Loving mankind, not peoples. As the lake
  Reflects the flower, tree, rook, and bending heaven,
  Shall he reflect our great humanity;
  And as the young Spring breathes with living breath
  On a dead branch, till it sprouts fragrantly
  Green leaves and sunny flowers, shall he breathe life
  Through every theme he touch, making all Beauty
  And Poetry for ever like the stars."
  His words set me on fire; I cried aloud,
  "Gods! what a portion to forerun this Soul!"
  He grasped my hand,--I looked upon his face,--
  A thought struck all the blood into his cheeks,
  Like a strong buffet. His great flashing eyes
  Burned on mine own. He said, "A grim old king,
  Whose blood leapt madly when the trumpets brayed
  To joyous battle 'mid a storm of steeds,
  Won a rich kingdom on a battle-day;
  But in the sunset he was ebbing fast,
  Ringed by his weeping lords. His left hand held
  His white steed, to the belly splashed with blood,
  That seemed to mourn him with its drooping head;
  His right, his broken brand; and in his ear
  His old victorious banners flap the winds.
  He called his faithful herald to his side,--
  'Go! tell the dead I come!' With a proud smile,
  The warrior with a stab let out his soul,
  Which fled and shrieked through all the other world,
  'Ye dead! My master comes!' And there was pause
  Till the great shade should enter. Like that herald,
  Walter, I'd rush across this waiting world
  And cry, '_He_ comes!'" Lady, wilt hear the song?
                                              [_Sings._

  In the street, the tide of being, how it surges, how it rolls!
  God! what base ignoble faces, God! what bodies wanting souls,
  'Mid this stream of human being, banked by houses tall and grim,
  Pale I stand this shining morrow with a pant for woodlands dim,
  To hear the soft and whispering rain, feel the dewy cool of leaves,
  Watch the lightnings dart like swallows round the brooding thunder-eaves,
  To lose the sense of whirling streets, 'mong breezy crests of hills,
  Skies of larks, and hazy landscapes, with fine threads of silver rills,--
  Stand with forehead bathed in sunset on a mountain's summer crown,
  And look up and watch the shadow of the great night coming down,
  One great life in my myriad veins, in leaves, in flowers, in cloudy cars,
  Blowing, underfoot, in clover; beating, overhead, in stars!
  Once I saw a blissful harvest-moon, but not through forest-leaves;
  'Twas not whitening o'er a country, costly with the pilèd sheaves;
  Rose not o'er the am'rous ocean, trembling round his happy isles;
  It came circling large and queenly o'er yon roof of smoky tiles,
  And I saw it with such feeling, joy in blood, in heart, in brain,
  I would give to call the affluence of that moment back again,
  Europe, with her cities, rivers, hills of prey, sheep-sprinkled downs,--
  Ay, a hundred sheaves of sceptres! Ay, a planet's gathered crowns!
  For with that resplendent harvest-moon, my inmost thoughts were shared
  By a bright and shining maiden, hazel-eyed and golden-haired;
  One blest hour we sat together in a lone and silent place,
  O'er us, starry tears were trembling on the mighty midnight's face.
  Gradual crept my arm around her, 'gainst my shoulder came her head,
  And I could but draw her closer, whilst I tremulously said,--
  "Passion as it runs grows purer, loses every tinge of clay,
  As from Dawn all red and turbid flows the white transparent Day,
  And in mingled lives of lovers, the array of human ills
  Breaks their gentle course to music, as the stones break summer rills."
  "You should give the world," she murmured, "such delicious thoughts as
      these."
  "They are fit to line portmanteaus;" "Nay," she whispered, "Memories."
  And thereat she looked upon me with a smile so full of grace,
  All my blood was in a moment glowing in my ardent face!
  Half-blind, I looked up to the host of palpitating stars,
  'Gainst my sides my heart was leaping, like a lion 'gainst his bars,
  For a thought was born within me, and I said within my mind,
  "I will risk all in this moment, I will either lose or find."
  "Dost thou love me?" then I whispered; for a minute after this,
  I sat and trembled in great blackness--On my lips I felt a kiss;--
  Than a roseleaf's touch 'twas lighter,--on her face her hands she prest,
  And a heaven of tears and blushes was deep buried in my breast.
  I could make _her_ faith, _my_ passion, a wide mark for scorn and sneers,
  I could laugh a hollow laughter but for these hot bursting tears;
  In the strong hand of my frenzy, laws and statutes snapt like reeds,
  And furious as a wounded bull I tore at all the creeds;
  I rushed into the desert, where I stood with hopeless eyes,
  Glaring on vast desolations, barren sands, and empty skies!
  Soon a trembling naked figure, to the earth my face was bowed,
  For the curse of God gloomed o'er me like a bursting thunder-cloud.
  Rolled away that fearful darkness, pass'd my weakness, pass'd my grief,
  Washed with bitter tears I sat full in the sunshine of belief.
  Weary eyes are looking eastward, whence the golden sun upsprings,
  Cry the young and fervid spirits, clad with ardour as with wings,
  "Life and Soul make wretched jangling, they should mingle to one Sire
  As the lovely voices mingle in a holy temple choir.
  O! those souls of ours, my brothers! prisoned now in mortal bars,
  Have been riched by growth and travel, by the round of all the stars.
  Soul, alas! is unregarded; Brothers! it is closely shut:
  All unknown as royal Alfred in the Saxon neatherd's hut,
  In the Dark house of the Body, cooking victuals, lighting fires,
  Swelters on the starry stranger, to our nature's base desires.
  From its lips is 't any marvel that no revelations come?
  We have wronged it; we do wrong it--'tis majestically dumb!
  God! our souls are aproned waiters! God! our souls are hired slaves:
  Let us hide from Life, my Brothers! let us hide us in our graves.
  O! why stain our holy childhoods? Why sell all for drinks and meats?
  Why degrade, like those old mansions, standing in our pauper streets,
  Lodgings _once_ of kings and nobles, silken stirs and trumpet's din,
  _Now_, where crouch 'mong rags and fever, shapes of squalor and of sin?"
  Like a mist this wail surrounds me; Brothers, hush; the Lord Christ's
      hands
  Ev'n now are stretched in blessing o'er the sea and o'er the lands.
  Sit not like a mourner, Brother! by the grave of that dear Past,
  Throw the Present! 'tis thy servant only when 'tis overcast,--
  Give battle to the leaguèd world, if thou'rt worthy, truly brave,
  Thou shalt make the hardest circumstance a helper or a slave,
  As when thunder wraps the setting sun, he struggles, glows with ire,
  Rifts the gloom with golden furrows, with a hundred bursts of fire,
  Melts the black and thund'rous masses to a sphere of rosy light,
  Then on edge of glowing heaven smiles in triumph on the night.
  Lo! the song of Earth--a maniac's on a black and dreary road--
  Rises up, and swells, and grandeurs, to the loud triumphal ode--
  Earth casts off a slough of darkness, an eclipse of hell and sin,
  In each cycle of her being, as an adder casts her skin;
  Lo! I see long blissful ages, when these mammon days are done,
  Stretching like a golden ev'ning forward to the setting sun.

  He sat one winter 'neath a linden tree
  In my bare orchard: "See, my friend," he said,
  "The stars among the branches hang like fruit,
  So, hopes were thick within me. When I'm gone
  The world will like a valuator sit
  Upon my soul, and say, 'I was a cloud
  That caught its glory from a sunken sun,
  And gradual burn'd into its native grey.'"
  On an October eve, 'twas his last wish
  To see again the mists and golden woods;
  Upon his death-bed he was lifted up,
  The slumb'rous sun within the lazy west
  With their last gladness filled his dying eyes.
  No sooner was he hence than critic-worms
  Were swarming on the body of his fame,
  And thus they judged the dead: "This Poet was
  An April tree whose vermeil-loaded boughs
  Promised to Autumn apples juiced and red,
  But never came to fruit." "He is to us
  But a rich odour,--a faint music-swell."
  "Poet he was not in the larger sense;
  He could write pearls, but he could never write
  A Poem round and perfect as a star."
  "Politic i' faith. His most judicious act
  Was dying when he did; the next five years
  Had fingered all the fine dust from his wings,
  And left him poor as we. He died--'twas shrewd!
  And came with all his youth and unblown hopes
  On the world's heart, and touched it into tears."

LADY.

  Would'st thou, too, be a poet?

WALTER.

                                Lady! ay!
  A passion has grown up to be a King,
  Ruling my being with as fierce a sway
  As the mad sun the prostrate desert sands,
  And it is _that_.

LADY.

  Hast some great cherished theme?

WALTER.

  Lovely in God's eyes, where, in barren space,
  Like a rich jewel hangs His universe,
  Unwrinkled as a dew-drop, and as fair,
  In my poor eyes, my loved and chosen theme
  Is lovely as the universe in His.

LADY.

  Wilt write of some young wanton of an isle
  Whose beauty so enamoured hath the sea,
  It clasps it ever in its summer arms
  And wastes itself away on it in kisses?
  Or the hot Indes, on whose teeming plains
  The seasons four knit in one flowery band
  Are dancing ever? Or some older realm?

WALTER.

  I will begin in the oldest; far in God.
  When all the ages, and all suns, and worlds,
  And souls of men and angels, lay in Him
  Like unborn forests in an acorn cup.

LADY.

  And how wilt thou begin it?

WALTER.

                              With old words!
  With the soliloquy with which God broke
  The silence of the dead eternities.
  At which most ancient words, O beautiful!
  With showery tresses like a child from sleep,
  Uprose the splendid-mooned and jewelled night,--
  The loveliest born of God.

LADY.

                  Then your first chorus
  Must be the shoutings of the morning stars!
  What martial music is to marching men
  Should Song be to Humanity. In song
  The infant ages born and swathèd are.
  A beauteous menial to our wants divine,
  A shape celestial tending the dark earth
  With light and silver service like the moon,
  Is Poesy; ever remember this--
  How wilt thou end it?

WALTER.

                    With God and Silence!
  When the great universe subsides in God,
  Ev'n as a moment's foam subsides again
  Upon the wave that bears it.

LADY.

                            Why, thy plan
  Is wide and daring as a comet's path!
  And doubtless 'twill contain the tale of earth
  By way of episode or anecdote.
  This precious world which one pale marrèd face
  Dropt tears upon. This base and beggar world
  To your rich soul! O! Marc Anthony,
  With a fine scorn did toss your world away
  For Cleopatra's lips!--so rich, so poor.


SCENE III.

_Antique Room._ WALTER _pacing up and down._

WALTER.

  Thou day beyond to-morrow! though my life
  Should cease in thee, I'd dash aside the hours
  That intervene to bring thee quicklier here.
  Again to meet her in the windy woods!
  When last we met she was as marble, calm:
  I, with thick-beating heart and sight grown dim,
  And leaping pulses and loud-ringing ears,
  And tell-tale blood that rushed into my face,
  And blabbed the love secreted in my heart.
  She must have understood that crimson speech,
  And yet she frowned not. No, she never frowned
  I think that I am worthy to be loved.
  Oh, could I lift my heart into her sight,
  As an old mountain lifts its martyr's cairn
  Into the pure sight of the holy heavens!
  Would she but love me, I would live for her!
  Were she plain Night, I'd clothe her with my stars.
  My spirit, Poesy, would be her slave,
  'Twould rifle for her ocean's secret hoards,
  And make her rough with pearls. If Death's pale realms
  Contained a gem out-lust'ring all the world,
  I would adventure there, and bring it her.

  My inmost being dwells upon her words,
  "Wilt trim a verse for me by this night week?
  Make it as jubilant as marriage bells;
  Or, if it please you, make it doleful sad
  As bells that knoll a maiden to her grave,
  When the spring earth is sweet in violets,
  And it will fit _one_ heart, yea, as the cry
  Of the lone plover fits a dismal heath."
  I'll write a tale through which my passion runs,
  Like honeysuckle through a hedge of June.

  A silent isle on which the love-sick sea
  Dies with faint kisses and a murmured joy,
  In the clear blue the lark hangs like a speck,
  And empties his full heart of music-rain
  O'er sunny slopes, where tender lambkins bleat,
  And new-born rills go laughing to the sea,
  O'er woods that smooth down to the southern shore,
  Waving in green, as the young breezes blow
  O'er the sea sphere all sweet and summer smells.
  Not of these years, but by-gone minstrel times,
  Of shepherd-days in the young world's sunrise,
  Was this warm clime, this quiet land of health,
  By gentle pagans filled, whose red blood ran
  Healthy and cool as milk,--pure, simple men:
  Ah, how unlike the swelterers in towns!
  Who ne'er can glad their eyes upon the green
  Sunshine-swathed earth; nor hear the singing rills,
  Nor feel the breezes in their lifted hair.

  A lovely youth, in manhood's very edge,
  Lived 'mong these shepherds and their quiet downs;
  Tall and blue-eyed, and bright in golden hair,
  With half-shut dreamy eyes, sweet earnest eyes,
  That seemed unoccupied with outward things,
  Feeding on something richer! Strangely, oft,
  A wildered smile lay on his noble lips.
  The sunburnt shepherds stared with awful eyes
  As he went past; and timid girls upstole,
  With wond'ring looks, to gaze upon his face,
  And on his cataract of golden curls,
  Then lonely grew, and went into the woods
  To think sweet thoughts, and marvel why they shook
  With heart-beat and with tremor when he came,
  And in the night he filled their dreams with joy.
  But there was one among that soft-voiced band
  Who pined away for love of his sweet eyes,
  And died among the roses of the spring.
  When Eve sat in the dew with closèd lids,
  Came gentle maidens bearing forest flowers
  To strew upon her green and quiet grave.
  They soothed the dead with love-songs low and sweet;
  Songs sung of old beneath the purple night,
  Songs heard on earth with heart-beat and a blush,
  Songs heard in heaven by the breathless stars.

  Thought-wrapt, he wandered in the breezy woods
  In which the Summer, like a hermit, dwelt.
  He laid him down by the old haunted springs,
  Up-bubbling 'mid a world of greenery,
  Shut-eyed, and dreaming of the fairest shapes
  That roam the woods; and when the autumn nights
  Were dark and moonless, to the level sands
  He would betake him, there to hear, o'er-awed,
  The old Sea moaning like a monster pained.

  One day he lay within the pleasant woods
  On bed of flowers edging a fountain's brim,
  And gazed into its heart as if to count
  The veined and lucid pebbles one by one,
  Up-shining richly through the crystal clear.
  Thus lay he many hours, when, lo! he heard
  A maiden singing in the woods alone
  A sad and tender island melody,
  Which made a golden conquest of his soul,
  Bringing a sadness sweeter than delight.
  As nightingale, embowered in vernal leaves,
  Pants out her gladness the luxurious night,
  The moon and stars all hanging on her song,
  She poured her soul in music. When she ceased,
  The charmèd woods and breezes silent stood,
  As if all ear to catch her voice again.
  Uprose the dreamer from his couch of flowers,
  With awful expectation in his look,
  And happy tears upon his pallid face,
  With eager steps, as if toward a heaven,
  He onward went, and, lo! he saw her stand,
  Fairer than Dian, in the forest glade.
  His footsteps startled her, and quick she turned
  Her face,--looks met like swords. He clasped his hands,
  And fell upon his knees; the while there broke
  A sudden splendour o'er his yearning face;
  'Twas a pale prayer in its very self.
  "I know thee, lovely maiden!" then he cried;
  "I know thee, and of thee I have been told:
  Been told by all the roses of the vale,
  By hermit streams, by pale sea-setting stars,
  And by the roaring of the storm-tost pines;
  And I have sought for thee upon the hills,
  In dim sweet dreams, on the complacent sea,
  When breathless midnight, with her thousand hearts,
  Beats to the same love-tune as my own heart.
  I've waited for thee many seasons through,
  Seen many autumns shed their yellow leaves
  O'er the oak-roots, heard many winters moan
  Through the leafless forests drearily.
  Now am I joyful, as storm-battered dove
  That finds a perch in the Hesperides,
  For thou art found. Thou, whom I long have sought,
  My other self! Our blood, our hearts, our souls,
  Shall henceforth mingle in one being, like
  The married colours in the bow of heaven.
  My soul is like a wide and empty fane,
  Sit thou in 't like a god, O maid divine!
  With worship and religion 'twill be filled.
  My soul is empty, lorn, and hungry space;
  Leap thou into it like a new-born star,
  And 'twill o'erflow with splendour and with bliss.
  More music! music! music! maid divine!
  My hungry senses, like a finch's brood,
  Are all a-gape. O feed them, maid divine!
  Feed, feed my hungry soul with melodies!"
  Thus, like a worshipper before a shrine,
  He earnest syllabled, and, rising up,
  He led that lovely stranger tenderly
  Through the green forest toward the burning west.
  He never, by the maidens of the isle
  Nor by the shepherds, was thereafter seen
  'Mong sunrise splendours on the misty hills,
  Or stretched at noon by the old haunted wells,
  Or by the level sands on autumn nights.

  I've heard that maidens have been won by song.
  O Poesy, fine sprite! I'd bless thee more
  If thou would'st bring that lady's love to me,
  Than immortality in twenty worlds.
  I'd rather win her than God's youngest star,
  With singing continents and seas of bliss.----
  Thou day beyond to-morrow, haste thee on!


SCENE IV.

_The Banks of a River._--WALTER _and the_ LADY.

LADY.

  The stream of sunsets?

WALTER.

                            'Tis that loveliest stream.
  I've learned by heart its sweet and devious course
  By frequent tracing, as a lover learns
  The features of his best-beloved's face.
  In memory it runs, a shining thread,
  With sunsets strung upon it thick, like pearls.
  From yonder trees I've seen the western sky
  All washed with fire, while, in the midst, the sun
  Beat like a pulse, welling at ev'ry beat
  A spreading wave of light. Where yonder church
  Stands up to heaven, as if to intercede
  For sinful hamlets scattered at its feet,
  I saw the dreariest sight. The sun was down,
  And all the west was paved with sullen fire.
  I cried, "Behold! the barren beach of hell
  At ebb of tide." The ghost of one bright hour
  Comes from its grave and stands before me now.
  'Twas at the close of a long summer day,
  As we were sitting on yon grassy slope,
  The sunset hung before us like a dream
  That shakes a demon in his fiery lair;
  The clouds were standing round the setting sun
  Like gaping caves, fantastic pinnacles,
  Citadels throbbing in their own fierce light,
  Tall spires that came and went like spires of flame,
  Cliffs quivering with fire-snow, and peaks
  Of pilèd gorgeousness, and rocks of fire
  A-tilt and poised, bare beaches, crimson seas,
  All these were huddled in that dreadful west,
  All shook and trembled in unsteadfast light,
  And from the centre blazed the angry sun,
  Stern as the unlashed eye of God a-glare
  O'er evening city with its boom of sin.
  I do remember, as we journeyed home,
  (That dreadful sunset burnt into our brains),
  With what a soothing came the naked moon.
  She, like a swimmer who has found his ground,
  Came rippling up a silver strand of cloud,
  And plunged from the other side into the night.
  I and that friend, the feeder of my soul,
  Did wander up and down these banks for years,
  Talking of blessed hopes and holy faiths,
  How sin and weeping all should pass away
  In the calm sunshine of the earth's old age.
  Breezes are blowing in old Chaucer's verse,
  'Twas here we drank them. Here for hours we hung
  O'er the fine pants and trembles of a line.
  Oft, standing on a hill's green head, we felt
  Breezes of love, and joy, and melody,
  Blow through us, as the winds blow through the sky.
  Oft with our souls in our eyes all day we fed
  On summer landscapes, silver-veined with streams,
  O'er which the air hung silent in its joy--
  With a great city lying in its smoke,
  A monster sleeping in its own thick breath;
  And surgy plains of wheat, and ancient woods,
  In the calm evenings cawed by clouds of rooks,
  Acres of moss, and long black strips of firs,
  And sweet cots dropt in green, where children played
  To us unheard, till, gradual, all was lost
  In distance-haze to a blue rim of hills,
  Upon whose heads came down the closing sky.
  Beneath the crescent moon on autumn nights
  We paced its banks with overflowing hearts,
  Discoursing long of great thought-wealthy souls,
  And with what spendthrift hands they scatter wide
  Their spirit-wealth, making mankind their debtors:
  Affluent spirits, dropt from the teeming stars,
  Who come before their time, are starved, and die,
  Like swallows that arrive before the summer.
  Or haply talked of dearer personal themes,
  Blind guesses at each other's after fate;
  Feeling our leaping hearts, we marvelled oft
  How they should be unleashed, and have free course
  To stretch and strain far down the coming time--
  But in our guesses never was the _grave_.

LADY.

  The tale! the tale! the tale! As empty halls
  Gape for a coming pageant, my fond ears
  To take its music are all eager-wide.

WALTER.

  Within yon grove of beeches is a well,
  I've made a vow to read it only there.

LADY.

  As I suppose, by way of recompense,
  For quenching thirst on some hot summer day.

WALTER.

  Memories grow around it thick as flow
  That well is loved and haunted by a star.
  The live-long day her clear and patient eye
  Is open on the soft and bending blue,
  Just where she lost her lover in the morn.
  But with the night the star creeps o'er the trees
  And smiles upon her, and some happy hours
  She holds his image in her crystal heart.
  Beside that well I read the mighty Bard
  Who clad himself with beauty, genius, wealth,
  Then flung himself on his own passion-pyre
  And was consumed. Beside that lucid well
  The whitest lilies grow for many miles.
  'Tis said that, 'mong the flowers of perished years,
  A prince woo'd here a lady of the land,
  And when with faltering lips he told his love,
  Into her proud face leapt her prouder blood;
  She struck him blind with scorn, then with an air
  As if she wore the crowns of all the world,
  She swept right on and left him in the dew.
  Again he sat at even with his love,
  He sent a song into her haughty ears
  To plead for him;--she listened, still he sang.
  Tears, drawn by music, were upon her face,
  Till on its trembling close, to which she clung
  Like dying wretch to life, with a low cry
  She flung her arms around him, told her love,
  And how she long had loved him, but had kept
  It in her heart, like one who has a gem
  And hoards it up in some most secret place,
  While he who owns it seeks it and with tears.
  Won by the sweet omnipotence of song!
  He gave her lands! she paid him with herself.
  Brow-bound with gold she sat, the fairest thing
  Within his sea-washed shores.

LADY.

                             Most fit reward!
  A poet's love should ever thus be paid.

WALTER.

  Ha! Dost thou think so?

LADY.

  Yes. The tale! the tale!

WALTER.

  On balcony, all summer roofed with vines,
  A lady half-reclined amid the light,
  Golden and green, soft-showering through the leaves,
  Silent she sat one-half the silent noon;
  At last she sank luxurious in her couch,
  Purple and golden-fringèd, like the sun's,
  And stretched her white arms on the warmèd air,
  As if to take some object wherewithal
  To ease the empty aching of her heart.
  "Oh, what a weariness of life is mine!"
  The lady said, "soothing myself to sleep
  With my own lute, floating about the lake
  To feed my swans; with nought to stir my blood,
  Unless I scold my women thrice a-day.
  Unwrought yet in the tapestry of my life
  Are princely suitors kneeling evermore.
  I, in my beauty, standing in the midst,
  Touching them, careless, with most stately eyes.
  Oh, I could love, methinks, with all my soul!
  But I see nought to love; nought save some score
  Of lisping, curl'd gallants, with words i' their mouths
  Soft as their mothers' milk. Oh, empty heart!
  Oh, palace, rich and purple-chambered!
  When will thy lord come home?

  "When the grey morn was groping 'bout the east
  The Earl went trooping forth to chase the stag;
  I trust he hath not, to the sport he loves
  Better than ale-bouts, ta'en my cub of Ind.
  My sweetest plaything. He is bright and wild
  As is a gleaming panther of the hills,--
  Lovely as lightning, beautiful as wild!
  His sports and laughters are with fierceness edged;
  There's something in his beauty all untamed,
  As I were toying with a naked sword,
  Which starts within my veins the blood of earls.
  I fain would have the service of his voice
  To kill with music this most languid noon."
  She rang a silver bell: with downcast eyes
  The tawny nursling of the Indian sun
  Stood at her feet. "I pr'ythee, Leopard, sing;
  Give me some stormy song of sword and lance,
  Which, rushing upward from a hero's heart,
  Straight rose upon a hundred leaguered hills,
  Ragged and wild as pyramid of flame.
  Or, better, sing some hungry lay of love
  Like that you sang me on the eve you told
  How poor our English to your Indian darks;
  Shaken from od'rous hills, what tender smells
  Pass like fine pulses through the mellow nights;
  The purple ether that embathes the moon,--
  Your large round moon, more beautiful than ours;
  Your showers of stars, each hanging luminous,
  Like golden dewdrops in the Indian air."
  "I know a song, born in the heart of love,
  Its sweetest sweet, steeped ere the close in tears.
  'Twas sung into the cold ears of the stars
  Beside the murmured margent of the sea.
  'Tis of two lovers, matched like cymbals fine,
  Who, in a moment of luxurious blood,
  Their pale lips trembling in the kiss of gods,
  Made their lives wine-cups, and then drank them off,
  And died with beings full-blown like a rose;
  A mighty heart-pant bore them like a wave,
  And flung them, flowers, upon the next world's strand.

  Night the solemn, night the starry,
  'Mong the oak-trees old and gnarry;
    By the sea-shore and the ships,
  'Neath the stars I sat with Clari;
  Her silken bodice was unlaced,
  My arm was trembling round her waist,
    I plucked the joys upon her lips;
  Joys that plucked still grow again!
    Canst thou say the same, old Night?
  Ha! thy life is vain.

  Oh, that death would let me tarry
    Like a dewdrop on a flower,
  Ever on those lips of Clari!
  Our beings mellow, then they fall,
  Like o'er-ripe peaches from the wall;
    We ripen, drop, and all is o'er;
  On the cold grave weeps the rain;
    I weep it should be so, old Night.
  Ah! my tears are vain.

  Night the solemn, night the starry,
  Say, alas! that years should harry
    Gloss from life and joy from lips,
  Love-lustre from the eyes of Clari!
  Moon! that walkest the blue deep,
  Like naked maiden in her sleep;
    Star! whose pallid splendour dips
  In the ghost-waves of the main.
    Oh, ye hear me not! old Night,
  My tears and cries are vain."

  He ceased to sing; queenly the lady lay,
  One white hand hidden in a golden shoal
  Of ringlets, reeling down upon her couch,
  And heaving on the heavings of her breast,
  The while the thoughts rose in her eyes like stars,
  Rising and setting in the blue of night.
  "I had a cousin once," the lady said,
  "Who brooding sat, a melancholy owl,
  Among the twilight-branches of his thoughts.
  He was a rhymer, and great knights he spoiled,
  And damsels saved, and giants slew--in verse.
  He died in youth; his heart held a dead hope,
  As holds the wretched west the sunset's corpse:
  He went to his grave, nor told what man he was.
  He was unlanguaged, like the earnest sea,
  Which strives to gain an utterance on the shore,
  But ne'er can shape unto the listening hills
  The lore it gathered in its awful age;
  The crime for which 'tis lashed by cruel winds;
  The thought, pain, grief, within its labouring breast.
  To fledge with music, wings of heavy noon,
  I'll sing some verses that he sent to me:--

  Where the west has sunset-bloomed,
  Where a hero's heart is tombed,
  Where a thunder-cloud has gloomed,

  Seen, becomes a part of me.
  Flowers and rills live sunnily
  In gardens of my memory.

  Through its walks and leafy lanes,
  Float fair shapes 'mong sunlight rains;
  Blood is running in their veins.

  One, a queenly maiden fair,
  Sweepeth past me with an air,
  Kings might kneel beneath her stare.

  Round her heart, a rosebud free,
  Reeled I, like a drunken bee;
  Alas! it would not ope to me.

  One comes shining like a saint,
  But her face I cannot paint,
  For mine eyes and blood grow faint.

  Eyes are dimmed as by a tear,
  Sounds are ringing in mine ear,
  I feel only, she is here,

  That she laugheth where she stands,
  That she mocketh with her hands;
  I am bound in tighter bands.

  Laid 'mong faintest blooms is one,
  Singing in the setting sun,
  And her song is never done.

  She was born 'mong water-mills;
  She grew up 'mong flowers and rills,
  In the hearts of distant hills.

  There, into her being stole
  Nature, and embued the whole,
  And illumed her face and soul.

  She grew fairer than her peers;
  Still her gentle forehead wears
  Holy lights of infant years.

  Her blue eyes, so mild and meek,
  She uplifteth, when I speak,
  Lo! the blushes mount her cheek.

  Weary I of pride and jest,
  In this rich heart I would rest,
  Purple and love-linèd nest.

  "My dazzling panther of the smoking hills,
  When the hot sun hath touched their loads of dew,
  What strange eyes had my cousin, who could thus
  (For you must know I am the first o' the three
  That pace the gardens of his memory)
  Prefer before the daughter of great earls,
  This giglot, shining in her golden hair,
  Haunting him like a gleam or happy thought;
  Or her, the last, up whose cheeks blushes went
  As thick and frequent as the streamers pass
  Up cold December nights. True, she might be
  A dainty partner in the game of lips,
  Sweet'ning the honeymoon; but what, alas!
  When redhot youth cools down to iron man?
  Could her white fingers close a helmet up,
  And send her lord unkissed away to field,
  Her heart striking with his arm in every blow?
  Would joy rush through her spirit like a stream,
  When to her lips he came with victory back:
  Acclaims and blessings on his head like crowns,
  His mouthèd wounds brave trumpets in his praise,
  Drawing huge shoals of people, like the moon,
  Whose beauty draws the solemn-noisèd seas?
  Or would his bright and lovely sanguine-stains
  Scare all the coward blood into her heart,
  Leaving her cheeks as pale as lily leaves?
  And at his great step would she quail and faint,
  And pay his seeking arms with bloodless swoon?
  My heart would leap to greet such coming lord,
  Eager to meet him, tiptoe on my lips."

  "This cousin loved the Lady Constance; did
  The Lady Constance love her cousin, too?"

  "Ay, as a cousin. He woo'd me, Leopard mine,
  I speared him with a jest; for there are men
  Whose sinews stiffen 'gainst a knitted brow,
  Yet are unthreaded, loosened by a sneer,
  And their resolve doth pass as doth a wave:
  Of this sort was my cousin. I saw him once,
  Adown a pleachèd alley, in the sun,
  Two gorgeous peacocks pecking from his hand;
  At sight of me he first turned red, then pale.
  I laughed and said, 'I saw a misery perched
  I' the melancholy corners of his mouth,
  Like griffins on each side my father's gates.'
  And, 'That by sighing he would win my heart,
  Somewhere as soon as he could hug the earth,
  And crack its golden ribs.' A week the boy
  Dwelt in his sorrow, like a cataract
  Unseen, yet sounding through its shrouding mists.
  Strange likings, too, this cousin had of mine.
  A frail cloud trailing o'er the midnight moon,
  Was lovelier sight than wounded boar a-foam
  Among the yelping dogs. He'd lie in fields,
  And through his fingers watch the changing clouds,
  Those playful fancies of the mighty sky,
  With deeper interest than a lady's face.
  He had no heart to grasp the fleeting hour,
  Which, like a thief, steals by with silent foot,
  In his closed hand the jewel of a life.
  He scarce would match this throned and kingdom'd earth
  Against a dew drop.

  "Who'd leap into the chariot of my heart,
  And seize the reins, and wind it to his will,
  Must be of other stuff, my cub of Ind;
  White honour shall be like a plaything to him,
  Borne lightly, a pet falcon on his wrist;
  One who can feel the very pulse o' the time,
  Instant to act, to plunge into the strife,
  And with a strong arm hold the rearing world.
  In costly chambers hushed with carpets rich,
  Swept by proud beauties in their whistling silks,
  Mars' plait shall smooth to sweetness on his brow;
  His mighty front whose steel flung back the sun,
  When horsed for battle, shall bend above a hand
  Laid like a lily in his tawny palm,
  With such a grace as takes the gazer's eye.
  His voice that shivered the mad trumpet's blare,--
  A new-raised standard to the reeling field,--
  Shall know to tremble at a lady's ear,
  To charm her blood with the fine touch of praise,
  And as she listens--steal away the heart.
  If the good gods do grant me such a man,
  More would I dote upon his trenchèd brows,
  His coal-black hair, proud eyes, and scornful lips,
  Than on a gallant, curled like Absalom,
  Cheek'd like Apollo, with his luted voice.

  "Canst tell me, Sir Dark-eyes,
  Is 't true what these strange-thoughted poets say,
  That hearts are tangled in a golden smile?
  That brave cheeks pale before a queenly brow?
  That mail'd knees bend beneath a lighted eye?
  That trickling tears are deadlier than swords?
  That with our full-mooned beauty we can slave
  Spirits that walk time, like the travelling sun,
  With sunset glories girt around his loins?
  That love can thrive upon such dainty food
  As sweet words, showering from a rosy lip,
  As sighs, and smiles, and tears, and kisses warm?"
  The dark Page lifted up his Indian eyes
  To that bright face, and saw it all a-smile;
  And then half grave, half jestingly, he said,--
  "The devil fisheth best for souls of men
  When his hook is baited with a lovely limb;
  Love lights upon the heart, and straight we feel
  More worlds of wealth gleam in an upturned eye,
  Than in the rich heart of the miser sea.
  Beauty hath made our greatest manhoods weak.
  There have been men who chafed, leapt on their times,
  And reined them in as gallants rein their steeds
  To curvetings, to show their sweep of limb;
  Yet love hath on their broad brows written 'fool.'
  Sages, with passions held in leash like hounds;
  Grave Doctors, tilting with a lance of light
  In lists of argument, have knelt and sighed
  Most plethoric sighs, and been but very men;
  Stern hearts, close barred against a wanton world,
  Have had their gates burst open by a kiss.
  Why, there was one who might have topped all men,
  Who bartered joyously for a single smile
  This empired planet with its load of crowns,
  And thought himself enriched. If ye are fair,
  Mankind will crowd around you thick as when
  The full-faced moon sits silver on the sea,
  The eager waves lift up their gleaming heads,
  Each shouldering for her smile."

  The lady dowered him with her richest look,
  Her arch head half aside, her liquid eyes,
  From 'neath their dim lids drooping slumberous,
  Stood full on his, and called the wild blood up
  All in a tumult to his sun-kissed cheek,
  As if it wished to see her beauty too--
  Then asked in dulcet tones, "Dost think _me_ fair?"
  "Oh, thou art fairer than an Indian morn,
  Seated in her sheen palace of the east.
  Thy faintest smile out-prices the swelled wombs
  Of fleets, rich-glutted, toiling wearily
  To vomit all their wealth on English strands.
  The whiteness of this hand should ne'er receive
  A poorer greeting than the kiss of kings;
  And on thy happy lips doth sit a joy,
  Fuller than any gathered by the gods,
  In all the rich range of their golden heaven."
  "Now, by my mother's white enskied soul!"
  The lady cried, 'twixt laugh and blush the while,
  "I'll swear thou'st been in love, my Indian sweet.
  Thy spirit on another breaks in joy,
  Like the pleased sea on a white-breasted shore--
  That blush tells tales. And now, I swear by all
  The well-washed jewels strewn on fathom-sands,
  That thou dost keep her looks, her words, her sighs,
  Her laughs, her tears, her angers, and her frowns,
  Balmed between memory's leaves; and ev'ry day
  Dost count them o'er and o'er in solitude,
  As pious monks count o'er their rosaries.
  Now, tell me, did she give thee love for love?
  Or didst thou make Midnight thy confidant,
  Telling her all about thy lady's eyes,
  How rich her cheek, how cold as death her scorn?
  My lustrous Leopard, hast thou been in love?"
  The Page's dark face flushed the hue of wine
  In crystal goblet stricken by the sun;
  His soul stood like a moon within his eyes,
  Suddenly orbed; his passionate voice was shook
  By trembling into music.--"Thee I love."
  "Thou!" and the Lady, with a cruel laugh,
  (Each silver throb went through him like a sword,)
  Flung herself back upon her fringèd couch.
  From which she rose upon him like a queen,
  She rose and stabbed him with her angry eyes.
  "'Tis well my father did not hear thee, boy,
  Or else my pretty plaything of an hour
  Might have gone sleep to-night without his head,
  And I might waste rich tears upon his fate.
  I would not have my sweetest plaything hurt.
  Dost think to scorch me with those blazing eyes,
  My fierce and lightning-blooded cub o' the sun?
  Thy blood is up in riot on thy brow,
  I' the face o' its monarch. Peace! By my grey sire,
  Now could I slay thee with one look of hate,
  One single look! My Hero! my Heart-god!
  My dusk Hyperion, Bacchus of the Inds!
  My Hercules, with chin as smooth as my own!
  I am so sorry maid, I cannot wear
  This great and proffered jewel of thy love.
  Thou art too bold, methinks! Didst never fear
  That on my poor deserts thy love would sit
  Like a great diamond on a threadbare robe?
  I tremble for 't. I pr'ythee, come to-morrow
  And I will pasture you upon my lips
  Until thy beard be grown. Go now, sir, go."
  As thence she waved him with arm-sweep superb,
  The light of scorn was cold within her eyes,
  And withered his bloom'd heart, which, like a rose,
  Had opened, timid, to the noon of love.

    The lady sank again into her couch,
  Panting and flushed; slowly she paled with thought;
  When she looked up the sun had sunk an hour,
  And one round star shook in the orange west.
  The lady sighed, "It was my father's blood
  That bore me, as a red and wrathful stream
  Bears a shed leaf. I would recall my words,
  And yet I would not.
  Into what angry beauty rushed his face!
  What lips! what splendid eyes! 'twas pitiful
  To see such splendours ebb in utter woe.
  His eyes half-won me. Tush! I am a fool;
  The blood that purples in these azure veins,
  Rich'd with its long course through a hundred earls,
  Were fouled and mudded if I stooped to him.
  My father loves him for his free wild wit;
  I for his beauty and sun-lighted eyes.
  To bring him to my feet, to kiss my hand,
  Had I it in my gift, I'd give the world,
  Its panting fire-heart, diamonds, veins of gold;
  Its rich strands, oceans, belts of cedared hills,
  Whence summer smells are struck by all the winds.
  But whether I might lance him through the brain
  With a proud look,--or whether sternly kill
  Him with a single deadly word of scorn,--
  Or whether yield me up,
  And sink all tears and weakness in his arms,
  And strike him blind with a strong shock of joy--
  Alas! I feel I could do each and all.
  I will be kind when next he brings me flowers,
  Plucked from the shining forehead of the morn,
  Ere they have oped their rich cores to the bee.
  His wild heart with a ringlet will I chain,
  And o'er him I will lean me like a heaven,
  And feed him with sweet looks and dew-soft words,
  And beauty that might make a monarch pale,
  And thrill him to the heart's core with a touch;
  Smile him to Paradise at close of eve,
  To hang upon my lips in silver dreams."

LADY.

  What, art thou done already? Thy tale is like
  A day unsealed with sunset. What though dusk?
  A dusky rod of iron hath power to draw
  The lightnings from their heaven to itself.
  The richest wage you can pay love is--love.

WALTER.

  Then close the tale thyself, I drop the mask;
  I am the sun-tanned Page; the Lady, thou!
  I take thy hand, it trembles in my grasp;
  I look in thy face and see no frown in it.
  O may my spirit on hope's ladder climb
  From hungry nothing up to star-packed space,
  Thence strain on tip-toe to thy love beyond--
  The only heaven I ask!

LADY.

                             My God! 'tis hard!
  When I was all in leaf the frost winds came,
  And now, when o'er me runs the summer's breath,
  It waves but iron boughs.

WALTER.

                            What dost thou murmur?
  Thy cheeks burn mad as mine. O untouched lips!
  I see them as a glorious rebel sees
  A crown within his reach. I'll taste their bliss
  Although the price be death----

LADY (_springing up_).

                                  Walter! beware!
  These tell-tale heavens are list'ning earnestly.
  O Sir! within a month my bridal bells
  Will make a village glad. The fainting Earth
  Is bleeding at her million golden veins,
  And by her blood I'm bought. The sun shall see
  A pale bride wedded to grey hair, and eyes
  Of cold and cruel blue; and in the spring
  A grave with daisies on it.               [_A pause._
                                O my friend!
  We twain have met like ships upon the sea,
  Who hold an hour's converse, so short, so sweet;
  One little hour! and then, away they speed
  On lonely paths, through mist, and cloud, and foam,
  To meet no more. We have been foolish, Walter!
  I would to God that I had never known
  This secret of thy heart, or else had met thee
  Years before this. I bear a heavy doom.
  If thy rich heart is like a palace shattered,
  Stand up amid the ruins of thy heart,
  And with a calm brow front the solemn stars.
               [LADY _pauses;_ WALTER _remains silent._
  'Tis four o'clock already. She, the moon,
  Has climbed the blue steep of the eastern sky,
  And sits and tarries for the coming night.
  So let thy soul be up and ready armed,
  In waiting till occasion comes like night;
  As night to moons to souls occasion comes.
  I am thine elder, WALTER! in the heart,
  I read thy future like an open book:
  I see thou shalt have grief; I also see
  Thy grief's edge blunted on the iron world.
  Be brave and strong through all thy wrestling years,
  A brave soul is a thing which all things serve;
  When the great Corsican from Elba came,
  The soldiers sent to take him, bound or dead,
  Were struck to statues by his kingly eyes:
  He spoke--they broke their ranks, they clasped his knees,
  With tears along a cheering road of triumph
  They bore him to a throne. Know when to die!
  Perform thy work and straight return to God.
  Oh! there are men who linger on the stage
  To gather crumbs and fragments of applause
  When they should sleep in earth--who, like the moon,
  Have brightened up some little night of time,
  And 'stead of setting when their light is worn,
  Still linger, like its blank and beamless orb,
  When daylight fills the sky. But I must go.
  Nay, nay, I go alone! Yet one word more,--
  Strive for the Poet's crown, but ne'er forget
  How poor are fancy's blooms to thoughtful fruits;
  That gold and crimson mornings, though more bright
  Than soft blue days, are scarcely half their worth.
  Walter, farewell! the world shall hear of thee.
                                    [LADY _still lingers._
  I have a strange sweet thought. I do believe
  I shall be dead in spring, and that the soul
  Which animates and doth inform these limbs
  Will pass into the daisies of my grave:
  If memory shall ever lead thee there,
  Through daisies I'll look up into thy face
  And feel a dim sweet joy; and if they move,
  As in a little wind, thou'lt know 't is I. [LADY _goes._

WALTER (_after a long interval, looking up_).

  God! what a light has passed away from earth
  Since my last look! How hideous this night!
  How beautiful the yesterday that stood
  Over me like a rainbow! I am alone.
  The past is past. I see the future stretch
  All dark and barren as a rainy sea.


SCENE V.

WALTER, _wandering down a rural lane. Evening of the same day as
Scene IV._

WALTER.

  Sunset is burning like the seal of God
  Upon the close of day.--This very hour
  Night mounts her chariot in the eastern glooms
  To chase the flying Sun, whose flight has left
  Footprints of glory in the clouded west:
  Swift is she haled by wingèd swimming steeds,
  Whose cloudy manes are wet with heavy dews,
  And dews are drizzling from her chariot wheels.
  Soft in her lap lies drowsy-lidded Sleep,
  Brainful of dreams, as summer hive with bees;
  And round her in the pale and spectral light
  Flock bats and grisly owls on noiseless wings.
  The flying sun goes down the burning west,
  Vast night comes noiseless up the eastern slope,
  And so the eternal chase goes round the world.

  Unrest! unrest! The passion-panting sea
  Watches the unveiled beauty of the stars
  Like a great hungry soul. The unquiet clouds
  Break and dissolve, then gather in a mass,
  And float like mighty icebergs through the blue.
  Summers, like blushes, sweep the face of earth;
  Heaven yearns in stars. Down comes the frantic rain;
  We hear the wail of the remorseful winds
  In their strange penance. And this wretched orb
  Knows not the taste of rest; a maniac world,
  Homeless and sobbing through the deep she goes.
        [_A Child runs past;_ WALTER _looks after her._
  O thou bright thing, fresh from the hand of God,
  The motions of thy dancing limbs are swayed
  By the unceasing music of thy being!
  Nearer I seem to God when looking on thee.
  'Tis ages since he made his younger star.
  His hand was on thee as 'twere yesterday,
  Thou later Revelation! Silver Stream,
  Breaking with laughter from the lake divine
  Whence all things flow! O bright and singing babe!
  What wilt thou be hereafter?--Why should man
  Perpetuate this round of misery
  When he has in his hand the power to close it?
  Let there be no warm hearts, no love on earth.
  No Love! No Love! Love bringeth wretchedness.
  No holy marriage. No sweet infant smiles.
  No mother's bending o'er the innocent sleep
  With unvoiced prayers and with happy tears.
  Let the whole race die out, and with a stroke,
  A master-stroke, at once cheat Death and Hell
  Of half of their enormous revenues.
          [WALTER _approaches a cottage; a peasant sitting at the door._
  One of my peasants. 'Tis a fair eve.

PEASANT.

                                     Ay, Master!
  How sweet the smell of beans upon the air;
  The wheat is earing fairly. We have reason
  For thankfulness to God.

WALTER (_looking upward_).

                            We _have_ great reason;
  For He provides a balm for all our woes.
  He has made Death. Thrice blessed be His name!

PEASANT.

  He has made Heaven----

WALTER.

                     To yawn eternities.
  Did I say death? O God! there is no death.
  When our eyes close, we only pass one stage
  Of our long being.--Dost thou wish to die?

PEASANT.

  I trust in God to live for many years,
  Although with a worn frame and with a heart
  Somewhat the worse for wear.

WALTER.

                          O fool! fool! fool!
  These hands are brown with toil; that brow is seamed,
  Still must you sweat and swelter in the sun,
  And trudge, with feet benumbed, the winter's snow,
  Nor intermission have until the end.
  Thou canst not draw down fame upon thy head,
  And yet would cling to life! I'll not believe it;
  The faces of all things belie their hearts,
  Each man's as weary of his life as I.
  This anguish'd earth shines on the moon--a moon.
  The moon hides with a cloak of tender light
  A scarr'd heart fed upon by hungry fires.
  Black is this world, but blacker is the next;
  There is no rest for any living soul:
  We are immortals--and must bear with us
  Through all eternity this hateful being;
  Restlessly flitting from pure star to star,
  The memory of our sins, deceits, and crimes,
  Eating into us like a poisoned robe.
  Yet thou canst wear content upon thy face
  And talk of thankfulness! O die, man, die!
  Get underneath the earth for very shame.
           [_During this speech the Child draws near;
                at its close her Father presents her to_ WALTER.
  Is this thy answer?        [_Looks at her earnestly._
                    O my worthy friend,
  I lost a world to-day and shed no tear;
  Now I could weep for _thee_. Sweet sinless one!
  My heart is weak as a great globe, all sea.
  It finds no shore to break on but thyself:
  So let it break.
              [_He hides his face in his hands, the Child
                    looking fearfully up at him._


SCENE VI.

_A Room in London._ WALTER _reading from a manuscript._

  My head is grey, my blood is young,
  Red-leaping in my veins,
  The spring doth stir my spirit yet
  To seek the cloistered violet,
  The primrose in the lanes.
  In heart I am a very boy,
  Haunting the woods, the waterfalls,
  The ivies on grey castle-walls;
  Weeping in silent joy
  When the broad sun goes down the west,
  Or trembling o'er a sparrow's nest.

  The world might laugh were I to tell
  What most my old age cheers,--
  Mem'ries of stars and crescent moons,
  Of nutting strolls through autumn noons,
  Rainbows 'mong April's tears.
  But chief, to live that hour again,
  When first I stood on sea-beach old,
  First heard the voice, first saw out-rolled
  The glory of the main.
  Many rich draughts hath Memory,
  The Soul's cup-bearer, brought to me.

  I saw a garden in my strolls,
  A lovely place, I ween,
  With rows of vermeil-blossomed trees,
  With flowers, with slumb'rous haunts of bees,
  With summer-house of green.
  A peacock perched upon a dial,
  In the sun's face he did unclose
  His train superb with eyes and glows,
  To dare the sun to trial.
  A child sat in a shady place,
  A shower of ringlets round her face.

  She sat on shaven plot of grass,
  With earnest face, and weaving
  Lilies white and freakèd pansies
  Into quaint delicious fancies,
  Then, on a sudden leaving
  Her floral wreath, she would upspring
  With silver shouts and ardent eyes,
  To chase the yellow butterflies,
  Making the garden ring;
  Then gravely pace the scented walk,
  Soothing her doll with childish talk.
  And being, as I said before,
  An old man who could find
  A boundless joy beneath the skies,
  And in the light of human eyes,
  And in the blowing wind,
  There, daily were my footsteps turned,
  Through the long spring, until the peach
  Was drooping full-juiced in my reach.--
  Each day my old heart yearned
  To look upon that child so fair,
  That infant in her golden hair.

  In this green lovely world of ours
  I have had many pets,
  Two are still leaping in the sun,
  Three are married; _that_ dearest one
  Is 'neath the violets.
  I gazèd till my heart grew wild,
  To fold her in my warm caresses,
  Clasp her showers of golden tresses,--
  Oh, dreamy-eyèd child!
  O Child of Beauty! still thou art
  A sunbeam in this lonely heart.

  When autumn eves grew chill and rainy,
  England left I for the Ganges;
  I couched 'mong groves of cedar-trees,
  Blue lakes, and slumb'rous palaces,
  Crossed the snows of mountain-ranges,
  Watched the set of old Orion,
  Saw wild flocks and wild-eyed shepherds,
  Princes charioted by leopards,
  In the desert met the lion,
  The mad sun above us glaring,--
  Child! for thee I still was caring.

  Home returned from realms barbaric,
  By the shores of Loch Lubnaig,
  A dear friend and I were walking
  ('Twas the Sabbath), we were talking
  Of dreams and feelings vague;
  We pausèd by a place of graves,
  Scarcely a word was 'twixt us given,
  Silent the earth, silent the heaven,
  No murmur of the waves,
  The awèd Loch lay black and still
  In the black shadow of the hill.

  We loosed the gate and wandered in,
  When the sun eternal
  Was sudden blanched with amethyst,
  As if a thick and purple mist
  Dusked his brows supernal.
  Soon like a god in mortal throes,
  City, hill, and sea, he dips
  In the death-hues of eclipse;
  Mightier his anguish grows,
  Till he hung black, with ring intense,
  The wreck of his magnificence.
  Above the earth's cold face he hung
  With a pale ring of glory,
  Like that which cunning limners paint
  Around the forehead of a saint,
  Or brow of martyr hoary.
  And sitting there I could but choose,--
  That blind and stricken sun aboon,
  Stars shuddering through the ghostly noon,
  'Mong the thick-falling dews,--
  To tell, with features pale and wild,
  About that Garden and that Child.

  When moons had waxed and waned, I stood
  Beside the garden gate,
  The Peacock's dial was overthrown,
  The walks with moss were overgrown,
  _Her_ bower was desolate.
  Gazing in utter misery
  Upon that sad and silent place,
  A woman came with mournful face,
  And thus she said to me,--
  "Those trees, as they were human souls,
  All withered at the death-bell knolls."

  I turned and asked her of the child.
  "She is gone hence," quoth she,
  "To be with Christ in Paradise.
  Oh, sir! I stilled her infant cries,
  I nursed her on my knee.
  Though we were ever at her side,
  And saw life fading in her cheek,
  She knew us not, nor did she speak,
  Till just before she died;
  In the wild heart of that eclipse,
  These words came through her wasted lips:--

  'The callow young were huddling in the nests,
  The marigold was burning in the marsh,
  Like a thing dipt in sunset, when He came.

  My blood went up to meet Him on my face,
  Glad as a child that hears its father's step,
  And runs to meet him at the open porch.

  I gave Him all my being, like a flower
  That flings its perfume on a vagrant breeze;
  A breeze that wanders on and heeds it not.

  His scorn is lying on my heart like snow,
  My eyes are weary, and I fain would sleep;
  The quietest sleep is underneath the ground.

  Are ye around me, friends? I cannot see,
  I cannot hear the voices that I love,
  I lift my hands to you from out the night!

  Methought I felt a tear upon my cheek;
  Weep not, my mother! It is time to rest,
  And I am very weary; so, good night!'

  "My heart is in the grave with her,
  The family went abroad;
  Last autumn you might see the fruits,
  Neglected, rot round the tree-roots;
  This spring no leaves they shewed.
  I sometimes fear my brain is crost:
  Around this place, the churchyard yonder,
  All day, all night, I silent wander,
  As woeful as a ghost----
  God take me to His gracious keeping,
  But this old man is wildly weeping!"

  That night the sky was heaped with clouds;
  Through one blue gulf profound,
  Begirt with many a cloudy crag,
  The moon came rushing like a stag,
  And one star like a hound.
  Wearily the chase I eyed,
  Wearily I saw the Dawn's
  Feet sheening o'er the dewy lawns.
  O God! that I had died.
  My heart's red tendrils were all torn
  And bleeding on that summer morn.

WALTER (_after a long silence, speaking abstractedly, and with
frequent pauses_).

  Twice hath the windy Summer made a noise
  Of leaves o'er all the land from sea to sea,
  And still that Child's face sleeps within my heart
  Like a young sunbeam in a gloomy wood,
  Making the darkness smile--I almost smile
  At the strange fancies I have girt her with;
  The garden, peacock, and the black eclipse,
  The still old graveyard 'mong the dreary hills,
  Grey mourners round it--I wonder if she's dead?
  She was too fair for earth. Ah! she would die
  Like music, sunbeams, and the pallid flowers
  That spring on Winter's corse--I saw those graves
  With Him who is no more. They are all dead,
  The beings whom I loved, and I am sad,
  But would not change my sadness for a life
  Without a fissure running through its joy.
  This very hour a suite of sumptuous rooms
  O'erflows with music like a cup with wine;
  Outside, the night is weeping like a girl
  At her seducer's door, and still the rooms
  Run o'er with music, careless of her woe.
  I would not have my heart thus. This poor rhyme
  Is but an adumbration of my life,
  My misery tricked out in a quaint disguise.
  Oh, it did happen on a summer day
  When I was playing unawares with flowers,
  That happiness shot past me like a planet,
  And I was barren left!

_Enter_ EDWARD, _unobserved._

EDWARD.

                          Walter's love-sick for Fame:
  A haughty mistress! How this mad old world
  Reels to its burning grave, shouting forth names,
  Like a wild drunkard at his frenzy's height,
  And they who bear them deem such shoutings _Fame_,
  And, smiling, die content. What is thy thought?

WALTER.

  'Tis this, a sad one:--Though our beings point
  Upward, like prayers or quick spires of flame,
  We soon lose interest in this breathing world.
  Joy palls from taste to taste, until we yawn
  In Pleasure's glowing face. When first we love,
  Our souls are clad with joy, as if a tree,
  All winter-bare, had on a sudden leapt
  To a full load of blooms; next time 'tis nought.
  Great weariness doth feed upon the soul;
  I sometimes think the highest-blest in heaven
  Will weary 'mong its flowers. As for myself,
  There's nothing new between me and the grave
  But the cold feel of Death.

EDWARD.

                              Watch well thy heart!
  It is, methinks, an eager shaking star,
  Not a calm steady planet.

WALTER.

                            I love thee much,
  But thou art all unlike the glorious guide
  Of my proud boyhood. Oh, he led me up,
  As Hesper, large and brilliant, leads the night!
  Our pulses beat together, and our beings
  Mixed like two voices in one perfect tune,
  And his the richest voice. He loved all things,
  From God to foam-bells dancing down a stream,
  With a most equal love. Thou mock'st at much;
  And he who sneers at any living hope
  Or aspiration of a human heart,
  Is just so many stages less than God,
  That universal and all-sided Love.
  I'm wretched, Edward! to the very heart;
  I see an unreached heaven of young desire
  Shine through my hopeless tears. My drooping sails
  Flap idly 'gainst the mast of my intent.
  I rot upon the waters when my prow
  Should grate the golden isles.

EDWARD.

                                 What wouldst thou do?
  Thy brain did teem with vapours wild and vast.

WALTER.

  But since my younger and my hotter days
  (As nebula condenses to an orb),
  These vapours gathered to one shining hope,
  Sole-hanging in my sky.

EDWARD.

                        What hope is that?

WALTER.

  To set this Age to music--The great work
  Before the Poet now--I do believe
  When it is fully sung, its great complaint,
  Its hope, its yearning, told to earth and heaven,
  Our troubled age shall pass, as doth a day
  That leaves the west all crimson with the promise
  Of the diviner morrow, which even then
  Is hurrying up the world's great side with light.
  Father! if I should live to see that morn,
  Let me go upward, like a lark, to sing
  One song in the dawning!

EDWARD.

                           Ah, my ardent friend!
  You need not tinker at this leaking world,
  'Tis ruined past all cure.

WALTER.

                              Edward, for shame!
  Not on a path of reprobation runs
  The trembling earth. God's eye doth follow her
  With far more love than doth her maid, the moon.
  Speak no harsh words of Earth, she is our mother,
  And few of us, her sons, who have not added
  A wrinkle to her brow. She gave us birth,
  We drew our nurture from her ample breast,
  And there is coming, for us both, an hour
  When we shall pray that she will ope her arms
  And take us back again. Oh, I would pledge
  My heart, my blood, my brain, to ease the earth
  Of but one single pang!

EDWARD.

                          So would not I.
  Because the pangs of earth shall ne'er be eased.
  We sleep on velvets now, instead of leaves;
  The land is covered with a net of iron,
  Upon whose spider-like, far-stretching lines,
  The trains are rushing, and the peevish sea
  Frets 'gainst the bulging bosoms of the ships,
  Whose keels have waked it from its hour's repose.
  Walter! this height of civilisation's tide
  Measures our wrong. We've made the immortal Soul
  Slave to the Body. 'Tis the Soul has wrought
  And laid the iron roads, evoked a power
  Next mightiest to God, to drive the trains
  That bring the country butter up to town;
  Has drawn the terrible lightning from its cloud,
  And tamed it to an eager Mercury,
  Running with messages of news and gain;
  And still the Soul is tasked to harder work,
  For Paradise, according to the world,
  Is scarce a league a-head.

WALTER.

                              The man I loved
  Wrought this complaint of thine into a song,
  Which I sung long ago.

EDWARD.

                         We must reverse
  The plans of ages. Let the Body sweat,
  So that the soul be calm, why should _it_ work?
  Say, had I spent the pith of half my life,
  And made me master of our English law,
  What gain had I on resurrection morn,
  But such as hath the body of a clown,
  That it could turn a summerset on earth?
  A single soul is richer than all worlds,
  Its acts are only shadows of itself,
  And oft its wondrous wealth is all unknown;
  'Tis like a mountain-range, whose rugged sides
  Feed starveling flocks of sheep; pierce the bare sides,
  And they ooze plenteous gold. We must go down
  And work our souls like mines, make books our lamps,
  Not shrines to worship at, nor heed the world--
  Let it go roaring past. You sigh for Fame;
  Would serve as long as Jacob for his love,
  So you might win her. Spirits calm and still
  Are high above your order, as the stars
  Sit large and tranquil o'er the restless clouds
  That weep and lighten, pelt the earth with hail,
  And fret themselves away. The truly great
  Rest in the knowledge of their own deserts,
  Nor seek the confirmation of the world.
  Wouldst thou be calm and still?

WALTER.

                                  I'd be as lieve
  A minnow to leviathan, that draws
  A furrow like a ship. Away! away!
  You'd make the world a very oyster-bed.
  I'd rather be the glad, bright-leaping foam,
  Than the smooth sluggish sea. O let me live
  To love and flush and thrill--or let me die!

EDWARD.

  And yet, what weariness was on your tongue
  An hour ago!--you shall be wearier yet.


SCENE VII.

_A Balcony overlooking the Sea_--EDWARD _and_ WALTER _seated._

WALTER.

  The lark is singing in the blinding sky,
  Hedges are white with May. The bridegroom sea
  Is toying with the shore, his wedded bride,
  And, in the fulness of his marriage joy,
  He decorates her tawny brow with shells,
  Retires a space, to see how fair she looks,
  Then proud, runs up to kiss her. All is fair--
  All glad, from grass to sun! Yet more I love
  Than this, the shrinking day, that sometimes comes
  In Winter's front, so fair 'mong its dark peers,
  It seems a straggler from the files of June,
  Which in its wanderings had lost its wits,
  And half its beauty; and, when it returned,
  Finding its old companions gone away,
  It joined November's troop, then marching past;
  And so the frail thing comes, and greets the world
  With a thin crazy smile, then bursts in tears,
  And all the while it holds within its hand
  A few half-withered flowers. I love and pity it!

EDWARD.

  Air is like Happiness or Poetry.
  We see it in the glorious roof of day,
  We feel it lift the down upon the cheek,
  We hear it when it sways the heavy woods,
  We close our hand on 't--and we have it not.

WALTER.

  I'd be above all things the summer wind
  Blowing across a kingdom, rich with alms
  From ev'ry flower and forest, ruffling oft
  The sea to transient wrinkles in the sun,
  Where ev'ry wrinkle is a flash of light.

EDWARD.

  Like God, I would pervade Humanity,
  From bridegroom dreaming on his marriage morn,
  To a wild wretch tied on the farthest bough
  Of oak that roars on edge of an abyss,
  The while the desperate wind with all its strength
  Strains the whole night to drive it down the gulf,
  Which like a beast gapes wide for man and tree.
  I'd creep into the lost and ruined hearts
  Of sinful women dying in the streets,--
  Of pinioned men, their necks upon the block,
  Axe gleaming in the air.

WALTER.

                         Away, away!
  Break not, my Edward, this consummate hour;
  For very oft within the year that's past
  I've fought against thy drifts of wintry thought
  Till they put out my fires, and I have lain,
  A volcano choked with snow. Now let me rest!
  If I should wear a rose but once in life,
  You surely would not tear it leaf from leaf,
  And trample all its sweetness in the dust!
  Thy dreary thoughts will make my festal heart
  As empty and as desolate's a church
  When worshippers are gone and night comes down.
  Spare me this happy hour, and let me rest!

EDWARD.

  The banquet you do set before your joys
  Is surely but indifferently served,
  When they so readily vacate their seats.

WALTER (_abstractedly_).

           Would I could raise the dead!
  I am as happy as the singing heavens--
  There was one very dear to me that died,
  With heart as vacant as a last-year's nest.
  Oh, could I bring her back, I'd empty mine,
  And brim hers with my joy!--enough for both.

EDWARD (_after a pause_).

  The garrulous sea is talking to the shore,
  Let us go down and hear the greybeard's speech.
                        [_They walk along the sands._
  I shall go down to Bedfordshire to-morrow.
  Will you go with me?

WALTER.

                      Whom shall we see there?

EDWARD.

  Why, various specimens of that biped, Man.
  I'll show you one who might have been an abbot
  In the old time; a large and portly man,
  With merry eyes, and crown that shines like glass.
  No thin-smiled April he, bedript with tears,
  But appled-Autumn, golden-cheeked and tan;
  A jest in his mouth feels sweet as crusted wine.
  As if all eager for a merry thought,
  The pits of laughter dimple in his cheeks.
  His speech is flavorous, evermore he talks
  In a warm, brown, autumnal sort of style.
  A worthy man, Sir! who shall stand at compt
  With conscience white, save some few stains of wine.

WALTER.

  Commend me to him! He is half right. The Past
  Is but an emptied flask, and the rich Future
  A bottle yet uncorked. Who is the next?

EDWARD.

  Old Mr. Wilmott; nothing in himself,
  But rich as ocean. He has in his hand
  Sea-marge and moor, and miles of stream and grove,
  Dull flats, scream-startled, as the exulting train
  Streams like a meteor through the frighted night,
  Wind-billowed plains of wheat, and marshy fens,
  Unto whose reeds on midnights blue and cold,
  Long strings of geese come clanging from the stars.
  Yet wealthier in one child than in all these!
  Oh! she is fair as Heaven! and she wears
  The sweetest name that woman ever wore.
  And eyes to match her name--'Tis Violet.

WALTER.

  If like her name, she must be beautiful.

EDWARD.

  And so she is; she has dark violet eyes,
  A voice as soft as moonlight. On her cheek
  The blushing blood miraculous doth range
  From tender dawn to sunset. When she speaks
  Her soul is shining through her earnest face,
  As shines a moon through its up-swathing cloud--
  My tongue's a very beggar in her praise,
  It cannot gild her gold with all its words.

WALTER.

  Hath unbreeched Cupid struck your heart of ice?
  You speak of her as if you were her lover.
  Could _you_ not find a home within her heart?
  No, no! you are too cold, you never loved.

EDWARD.

  There's nothing colder than a desolate hearth.

WALTER.

  A desolate hearth! Did fire leap on it once?

EDWARD.

  My hand is o'er my heart--and shall remain.--
  Let the swift minutes run, red sink the sun,
  To-morrow will be rich with Violet.

WALTER.

  So be it, large he sinks! Repentant Day
  Frees with his dying hand the pallid stars
  He held imprisoned since his young hot dawn.
  Now watch with what a silent step of fear
  They'll steal out one by one, and overspread
  The cool delicious meadows of the night.

EDWARD.

  And lo, the first one flutters in the blue
  With a quick sense of liberty and joy!

(_Two hours afterwards_), WALTER.

  The rosy glow has faded from the sky,
  The rosy glow has faded from the sea.
  A tender sadness drops upon my soul,
  Like the soft twilight dropping on the world.

EDWARD.

  Behold yon shining symbol overhead,
  Clear Venus hanging in the mellow west,
  Jupiter large and sovereign in the east,
  With the red Mars between.

WALTER.

                             See yon poor star
  That shudders o'er the mournful hill of pines!
  'Twould almost make you weep, it seems so sad.
  'Tis like an orphan trembling with the cold
  Over his mother's grave among the pines.
  Like a wild lover who has found his love
  Worthless and foul, our friend, the sea, has left
  His paramour the shore; naked she lies,
  Ugly and black and bare. Hark how he moans!
  The pain is in his heart. Inconstant fool!
  He will be up upon her breast to-morrow,
  As eager as to-day.

EDWARD.

                     Like man in that.
  We cannot see the lighthouse in the gloom,
  We cannot see the rock; but look! now, now,
  It opes its ruddy eye, the night recoils,
  A crimson line of light runs out to sea,
  A guiding torch to the benighted ships.
                                  [_After a long pause._
  O God! 'mid our despairs and throbs and pains,
  What a calm joy doth fill great Nature's heart!

WALTER.

  Thou look'st up to the night as to the face
  Of one thou lov'st; I know her beauty is
  Deep-mirrored in thy soul as in a sea.
  What are thy thinkings of the earth and stars?
  A theatre magnificently lit
  For sorry acting, undeserved applause?
  Dost think there's any music in the spheres?
  Or doth the whole creation, in thine ear,
  Moan like a stricken creature to its God,
  Fettered eternal in a lair of pain?

EDWARD.

  I think--we are two fools: let us to bed.
  What care the stars for us?


SCENE VIII.

_Evening_--_A Room in a Manor_--Mr. WILMOTT, ARTHUR, EDWARD--WALTER
_seated a little apart._

WALTER.

  She grows on me like moonrise on the night--
  My life is shaped in spite of me, the same
  As ocean by his shores. Why am I here?
  The weary sun was lolling in the west,
  Edward and I were sauntering on the shore
  Yawning with idleness; and so we came
  To kill the tedium of slow-creeping days.
  On such slight hinges an existence turns!
  How frequent in the very thick of life
  We rub clothes with a fate that hurries past!
  A tiresome friend detains us in the street,
  We part, and turning, meet fate in the teeth.
  A moment more or less had 'voided it.
  Yet through the subtle texture of our souls,
  From circumstance each draws a different hue.
  The sunlight falls upon a bed of flowers,
  From the same sunlight one draws crimson deep,
  Another azure pale. Edward and I
  See Violet each day, her silks brush both,
  She smiles on both alike--My heart! she comes.
                 [VIOLET _enters and crosses the room._
  O God! I'd be the very floor that bears
  Such a majestic thing! Now feed, my eyes,
  On beauteous poison, Nightshade, honey sweet.
                                          [_A silence._

VIOLET.

  There is a ghastly chasm in the talk,
  As if a fate hung in the midst of us,
  Its shadow on each heart. Why, this should be
  A dark and lustrous night of wit and wine,
  Rich with quick bouts of merry argument,
  And witty sallies quenched in laughter sweet,
  Yet my voice trembles in a solitude,
  Like a lone man in a great wilderness.

MR. WILMOTT.

  Arthur, you once could sing a roaring song,
  That to the chorus drew our voices out;
  'Twere no bad plan to sing us one to-night.
  Come, wash the roughness from your throat with wine.

ARTHUR.

  What sort of song, Sirs, shall I sing to you--
  Dame Venus panting on her bed of flowers,
  Or Bacchus purple-mouthed astride his tun?
  Now for a headlong song of blooded youth,
  Give 't such a welcome as shall lift the roof off--
  Sweet friends, be ready with a hip hurrah!

ARTHUR _sings._

  A fig for a draught from your crystalline fountains,
                Your cold sunken wells,
                In mid forest dells,
  Ha! bring me the fiery bright dew of the mountains,
  When yellowed with peat-reek, and mellowed with age,
                O, richest joy-giver!
                Rare warmer of liver!
  Diviner than kisses, thou droll and thou sage!
  Fine soul of a land struck with brightest sun-tints,
                Of dark purple moors,
                Of sleek ocean-floors,
  Of hills stained with heather like bloody footprints;
  In sunshine, in rain, a flask shall be nigh me,
  Warm heart, blood and brain, Fine Sprite deify me!

  I've drunk 'mong slain deer in a lone mountain shieling,
                I've drunk till delirious,
                While rain beat imperious,
  And rang roof and rafter with bagpipes and reeling.
  I've drunk in Red Rannoch, amid its grey boulders:
                Where, fain to be kist,
                Through his thin scarf of mist,
  Ben-More to the sun heaves his wet shining shoulders!
  I've tumbled in hay with the fresh ruddy lasses,
                I've drunk with the reapers,
                I've roared with the keepers,
  And scared night away with the ring of our glasses!
  In sunshine, in rain, a flask shall be nigh me,
  Warm heart, blood, and brain, Fine Sprite deify me!

  Come, string bright songs upon a thread of wine,
  And let the coming midnight pass through us,
  Like a dusk prince crusted with gold and gems!
  Our studious Edward from his Lincoln fens,
  And home quaint-gabled hid in rooky trees,
  Seen distant is the sun in the arch of noon,
  Seen close at hand, the same sun large and red,
  His day's work done, within the lazy west
  Sitting right portly, staring at the world
  With a round, rubicund, wine-bibbing face--
  Ha! like a dove, I see a merry song
  Pluming itself for flight upon his lips.

EDWARD _sings._

    My heart is beating with all things that are,
      My blood is wild unrest;
    With what a passion pants yon eager star
      Upon the water's breast!
    Clasped in the air's soft arms the world doth sleep,
      Asleep its moving seas, its humming lands;
    With what an hungry lip the ocean deep
      Lappeth for ever the white-breasted sands;
    What love is in the moon's eternal eyes,
  Leaning unto the earth from out the midnight skies!

    Thy large dark eyes are wide upon my brow,
      Filled with as tender light
    As yon low moon doth fill the heavens now,
      This mellow autumn night!
    On the late flowers I linger at thy feet,
      I tremble when I touch thy garment's rim,
    I clasp thy waist, I feel thy bosom's beat--
      O kiss me into faintness sweet and dim!
    Thou leanest to me as a swelling peach,
  Full-juiced and mellow, leaneth to the taker's reach.

    Thy hair is loosened by that kiss you gave,
      It floods my shoulders o'er;
    Another yet! Oh, as a weary wave
      Subsides upon the shore,
    My hungry being with its hopes, its fears,
      My heart like moon-charmed waters, all unrest,
    Yet strong as is despair, as weak as tears,
      Doth faint upon thy breast!
    I feel thy clasping arms, my cheek is wet
  With thy rich tears. One kiss! Sweet, sweet, another yet!

  I sang this song some twenty years ago,
  (Hot to the ear-tips, with great thumps of heart),
  On the gold lawn, while, Cæsar-like, the sun
  Gathered his robes around him as he fell.

ARTHUR.

  Struck by some country cousin, a rosy beauty
  Of the Dutch-cheese order, riched with great black eyes,
  Which, when you planned a theft upon her lips,
  Looked your heart quite away!
  Oh, Love! oh, Wine! thou sun and moon o' our lives,
  What oysters were we without love and wine!
  Our host, I doubt not, vaults a mighty tun,
  Wide-wombed and old, cobwebbed and dusted o'er.
  Broach! and within its gloomy sides you'll find
  A beating heart of wine. The world's a tun,
  A gloomy tun, but he who taps the world
  Will find much sweetness in 't. Walter, my boy,
  Against this sun of wine's most purple light
  Burst into song.

WALTER.

                 I fear, Sir, I have none.

ARTHUR.

  Hang nuts in autumn woods? Then 't is your trade,
  Spin us a new one. Come! some youth love-mad,
  Reading the thoughts within his lady's eyes,
  Earnest as One that looks into the Book,
  Seeking the road to bliss--
  Clothe me this bare bough with your sunny flowers.

WALTER.

  The evening heaven is not always dressed
  With frail cloud-empires of the setting sun,
  Nor are we always in our singing-robes.
  I have no song, nor can I make you one;
  But, with permission, I will tell a tale.

ARTHUR.

  If short and merry, Heaven speed your tongue;
  If long and sad, the Lord have mercy on us!

WALTER.

  Within a city One was born to toil,
  Whose heart could not mate with the common doom
  To fall like a spent arrow in the grave.
  'Mid the eternal hum, the boy clomb up
  Into a shy and solitary youth,
  With strange joys and strange sorrows, oft to tears
  He was moved, he knew not why, when he has stood
  Among the lengthening shadows of the eve,
  Such feeling overflowed him from the sky.
  'Mong crowds he dwelt, as lonely as a star
  Unsphered and exiled, yet he knew no scorn.
  Once did he say, "For me, I'd rather live
  With this weak human heart and yearning blood,
  Lonely as God, than mate with barren souls;
  More brave, more beautiful, than myself must be
  The man whom truly I can call my Friend;
  He must be an Inspirer, who can draw
  To higher heights of Being, and aye stand
  O'er me in unreached beauty, like the moon;
  Soon as he fail in this, the crest and crown
  Of noble friendship, he is nought to me.
  What so unguessed as Death? Yet to the dead
  It lies as plain as yesterday to us.
  Let me go forward to my grave alone,
  What need have I to linger by dry wells?"
  Books were his chiefest friends. In them he read
  Of those great spirits who went down like suns,
  And left upon the mountain-tops of Death
  A light that made them lovely. His own heart
  Made him a Poet. Yesterday to him
  Was richer far than fifty years to come.
  Alchymist Memory turned his past to gold.
  When morn awakes against the dark wet earth,
  Back to the morn she laughs with dewy sides,
  Up goes her voice of larks! With like effect
  Imagination opened on his life,
  _It_ lay all lovely in that rarer light.

  He was with Nature on the sabbath-days;
  Far from the dressed throngs and the city bells
  He gave his hot brows to the kissing wind,
  While restless thoughts were stirring in his heart.
  "These worldly men will kill me with their scorns,
  But Nature never mocks or jeers at me;
  Her dewy soothings of the earth and air
  Do wean me from the thoughts that mad my brain.
  Our interviews are stolen, I can look,
  Nature! in thy serene and griefless eyes
  But at long intervals; yet, Nature! yet,
  Thy silence and the fairness of thy face
  Are present with me in the booming streets.
  Yon quarry shattered by the bursting fire,
  And disembowelled by the biting pick,
  Kind Nature! thou hast taken to thyself;
  Thy weeping Aprils and soft-blowing Mays,
  Thy blossom-buried Junes, have smoothed its scars,
  And hid its wounds and trenches deep in flowers.
  So take my worn and passion-wasted heart,
  Maternal Nature! Take it to thyself,
  Efface the scars of scorn, the rents of hate,
  The wounds of alien eyes, visit my brain
  With thy deep peace, fill with thy calm my heart,
  And the quick courses of my human blood."
  Thus would he muse and wander, till the sun
  Reached the red west, where all the waiting clouds,
  Attired before in homely dun and grey,
  Like Parasites that dress themselves in smiles
  To feed a great man's eye, in haste put on
  Their purple mantles rimmed with ragged gold,
  And congregating in a shining crowd,
  Flattered the sinking orb with faces bright.
  As slow he journeyed home, the wanderer saw
  The labouring fires come out against the dark,
  For with the night the country seemed on flame:
  Innumerable furnaces and pits,
  And gloomy holds, in which that bright slave, Fire,
  Doth pant and toil all day and night for man,
  Threw large and angry lustres on the sky,
  And shifting lights across the long black roads.

  Dungeoned in poverty, he saw afar
  The shining peaks of fame that wore the sun,
  Most heavenly bright, they mocked him through his bars,
  A lost man wildered on the dreary sea,
  When loneliness hath somewhat touched his brain,
  Doth shrink and shrink beneath the watching sky,
  Which hour by hour more plainly doth express
  The features of a deadly enemy,
  Drinking his woes with a most hungry eye.
  Ev'n so, by constant staring on his ills,
  They grew worse-featured; till, in his great rage,
  His spirit, like a roused sea, white with wrath,
  Struck at the stars. "Hold fast! Hold fast! my brain!
  Had I a curse to kill with, by yon Heaven!
  I'd feast the worms to-night." Dreadfuller words,
  Whose very terror blanched his conscious lips,
  He uttered in his hour of agony.
  With quick and subtle poison in his veins,
  With madness burning in his heart and brain,
  With words, like lightnings, round his pallid lips,
  He rushed to die in the very eyes of God.
  'Twas late, for as he reached the open roads,
  Where night was reddened by the drudging fires,
  The drowsy steeples tolled the hour of One.
  The city now was left long miles behind,
  A large black hill was looming 'gainst the stars,
  He reached its summit. Far above his head,
  Up there upon the still and mighty night,
  God's name was writ in worlds. Awhile he stood,
  Silent and throbbing like a midnight star,
  He raised his hands, alas! 'twas not in prayer--
  He long had ceased to pray. "Father," he said,
  "I wished to loose some music o'er Thy world,
  To strike from its firm seat some hoary wrong,
  And then to die in autumn with the flowers,
  And leaves, and sunshine I have loved so well.
  Thou might'st have smoothed my way to some great end--
  But wherefore speak? Thou art the mighty God.
  This gleaming wilderness of suns and worlds
  Is an eternal and triumphant hymn,
  Chanted by Thee unto Thine own great self!
  Wrapt in Thy skies, what were my prayers to Thee?
  My pangs? My tears of blood? They could not move
  Thee from the depths of Thine immortal dream.
  Thou hast forgotten me, God! Here, therefore, here,
  To-night upon this bleak and cold hill-side,
  Like a forsaken watch-fire will I die,
  And as my pale corse fronts the glittering night,
  It shall reproach Thee before all Thy worlds."
  His death did not disturb that ancient Night.
  Scornfullest Night! Over the dead there hung
  Greats gulfs of silence, blue, and strewn with stars--
  No sound--no motion--in the eternal depths.

EDWARD.

  Now, what a sullen-blooded fool was this,
  At sulks with earth and Heaven! Could he not
  Out-weep his passion like a blustering day,
  And be clear-skied thereafter? He, poor wretch,
  Must needs be famous! Lord! how Poets geck
  At Fame, their idol. Call 't a worthless thing,
  Colder than lunar rainbows, changefuller
  Than sleeked purples on a pigeon's neck,
  More transitory than a woman's loves,
  The bubbles of her heart--and yet each mocker
  Would gladly sell his soul for one sweet crumb
  To roll beneath his tongue.

WALTER.

                                Alas! the youth
  Earnest as flame, could not so tame his heart
  As to live quiet days. When the heart-sick Earth
  Turns her broad back upon the gaudy sun,
  And stoops her weary forehead to the night,
  To struggle with her sorrow all alone,
  The moon, that patient sufferer, pale with pain,
  Presses her cold lips on her sister's brow,
  Till she is calm. But in _his_ sorrow's night
  He found no comforter. A man can bear
  A world's contempt when he has that within
  Which says he's worthy--when he contemns himself,
  There burns the hell. So this wild youth was foiled
  In a great purpose--in an agony,
  In which he learned to hate and scorn himself,
  He foamed at God, and died.

MR. WILMOTT.

  Rain similes upon his corse like tears--
  The youth you spoke of was a glowing moth,
  Born in the eve and crushed before the dawn.

VIOLET.

  He was, methinks, like that frail flower that comes
  Amid the nips and gusts of churlish March,
  Drinking pale beauty from sweet April's tears,
  Dead on the hem of May.

EDWARD.

                            A Lapland fool,
  Who, staring upward as the Northern lights
  Banner the skies with glory, breaks his heart,
  Because his smoky hut and greasy furs
  Are not so rich as they.

ARTHUR.

                          Mine is pathetic--
  A ginger-beer bottle burst.

WALTER (_aside_).

                              And mine would be
  The pale child, Eve, leading her mother, Night.
      [MR. WILMOTT, ARTHUR, _and_ EDWARD, _converse_--VIOLET
         _approaches_ WALTER.

VIOLET.

  Did you know well that youth of whom you spake?

WALTER.

  Know him! Oh, yes, I knew him as myself--
  Two passions dwelt at once within his soul,
  Like eve and sunset dwelling in one sky.
  And as the sunset dies along the west,
  Eve higher lifts her front of trembling stars,
  Till she is seated in the middle sky,
  So gradual, one passion slowly died,
  And from its death the other drew fresh life,
  Until 't was seated in his soul alone--
  The dead was Love--the living, Poetry.

VIOLET.

  Alas! if Love rose never from the dead.

WALTER.

  Between him and the Lady of his Love
  There stood a wrinkled worldling ripe for hell.
  When with his golden hand he plucked that flower,
  And would have smelt it, lo! it paled and shrank,
  And withered in his grasp. And when she died,
  The rivers of his heart ran all to waste;
  They found no ocean, dry sands sucked them up.

  Lady! he was a fool--a pitiful fool.
  She said she loved him, would be dead in spring--
  She asked him but to stand beside her grave--
  She said she would be daisies--and she thought
  'Twould give her joy to feel that he was near.
  She died like music; and, would you believe 't?
  He kept her foolish words within his heart
  As ceremonious as a chapel keeps
  A relic of a saint. And in the spring
  The doting idiot went!

VIOLET.

                       What found he there?

WALTER.

  Laugh till your sides ache! Oh, he went, poor fool!
  But he found nothing save red-trampled clay,
  And a dull sobbing rain. Do you not laugh?
  Amid the comfortless rain he stood and wept,
  Bare-headed, in the mocking, pelting rain.
  He might have known 'twas ever so on earth.

VIOLET.

  You cannot laugh yourself, Sir, nor can I.
  Her unpolluted corse doth sleep in earth,
  Like a pure thought within a sinful soul.
  Dearer is earth to God for her sweet sake.

WALTER.

  'Tis said our nature is corrupt; but she
  O'erlaid hers with all graces, ev'n as Night
  Wears such a crowd of jewels on her face,
  You cannot see 'tis black.

VIOLET.

                            How looked this youth?
  Did he in voice or mien resemble you?
  Was he about your age? Wore he such curls?
  Such eyes of dark sea-blue?

WALTER.

                            Why do you ask?

VIOLET.

  I thought just now you might resemble him.
  Were you not brothers?--twins? Or was the one
  A shadow of the other?

WALTER.

                       What mean you?

VIOLET.

  That like the moon you need not wrap yourself
  In any cloud; you shine through each disguise;
  You are a masker in a mask of glass.
  You've such transparent sides, each casual eye
  May see the heaving heart.

WALTER.

                              Oh, misery!
  Is 't visible to thee?

VIOLET.

                     'Tis clear as dew!
  Mine eyes have been upon it all the night,
  Unknown to you.

WALTER.

                 The sorrowful alone
  Can know the sorrowful. What woe is thine,
  That thou canst read me thus?

VIOLET.

                              A new-born power,
  Whose unformed features cannot clearly show
  Whether 'tis Joy or Sorrow. But the years
  May nurture it to either.

WALTER.

                          To thee I'm bare.
  My heart lies open to you, as the earth
  To the omniscient sun. I have a work--
  The finger of my soul doth point it out;
  I trust God's finger points it also out.
  I must attempt it; if my sinews fail,
  On my unsheltered head men's scorns will fall,
  Like a slow shower of fire. Yet if one tear
  Were mingled with them, it were less to bear.

VIOLET.

  I'll give thee tears.--

WALTER.

                          That were as queenly Night
  Would loosen all the jewels from her hair,
  And hail them on this sordid thing, the earth.
  Thy tears keep for a worthier head than mine.

VIOLET.

  I will not cope with you in compliment.
  I'll give you tears, and pity, and true thoughts;
  If you are desolate, my heart is open;
  I know 'tis little worth, but any hut,
  However poor, unto a homeless man,
  Is welcomer than mists or nipping winds.
  But if you conquer Fame----

WALTER.

                         With eager hands
  I'll bend the awful thing into a crown,
  And you shall wear it.

VIOLET.

                              Oh, no, no!
  Lay it upon _her_ grave.                [_Another silence._

ARTHUR.

                            Run out again!
  We should he jovial as the feasting gods,
  We're silent as a synod of the stars!
  The night is out at elbows. Laughter's dead.
  To the rescue, Violet! A song! a song!

VIOLET _sings._

  Upon my knee a modern minstrel's tales,
    Full as a choir with music, lies unread;
  My impatient shallop flaps its silken sails
    To rouse me, but I cannot lift my head.
  I see a wretched isle, that ghost-like stands,
    Wrapt in its mist-shroud in the wint'ry main;
  And now a cheerless gleam of red-ploughed lands,
    O'er which a crow flies heavy in the rain.

  I've neither heart nor voice!
                         [_Rises and draws the curtain._
  You've sat the night out, Masters! See, the moon
  Lies stranded on the pallid coast of morn.

ARTHUR.

  Methinks our merriment lies stranded, too.
  Draw the long table for a game of bowls.
  You will be captain, Edward,--Gods! he yawns.
                                     [_To_ WALTER.
  Your thunder, Jove, has soured these cream-pots all.

MR. WILMOTT.

  To bed! To bed!


SCENE IX.

_A Lawn_--_Sunset_--WALTER _lying at_ VIOLET'S _feet._


VIOLET.

  You loved, then, very much, this friend of thine?

WALTER.

  The sound of his voice did warm my heart like wine.
  He's long since dead; but if there is a heaven,
  He's in its heart of bliss.

VIOLET.

                            How did you live?

WALTER.

  We read and wrote together, slept together;
  We dwelt on slopes against the morning sun,
  We dwelt in crowded streets, and loved to walk
  While Labour slept; for, in the ghastly dawn,
  The wildered city seemed a demon's brain,
  The children of the night its evil thoughts.
  Sometimes we sat whole afternoons, and watched
  The sunset build a city frail as dream,
  With bridges, streets of splendour, towers; and saw
  The fabrics crumble into rosy ruins,
  And then grow grey as heath. But our chief joy
  Was to draw images from everything;
  And images lay thick upon our talk,
  As shells on ocean sands.

VIOLET.

                          From everything!
  Here is the sunset, yonder grows the moon,
  What image would you draw from these?

WALTER.

                             Why, this.
  The sun is dying like a cloven king
  In his own blood; the while the distant moon,
  Like a pale prophetess, whom he has wronged,
  Leans eager forward, with most hungry eyes,
  Watching him bleed to death, and, as he faints,
  She brightens and dilates; revenge complete,
  She walks in lonely triumph through the night.

VIOLET.

  Give not such hateful passion to the orb
  That cools the heated lands; that ripes the fields,
  While sleep the husbandmen, then hastes away
  Ere the first step of dawn, doing all good
  In secret and the night. 'Tis very wrong.
  Would I had known your friend!

WALTER.

                                  Iconoclast!
  'Tis better as it is.

VIOLET.

                      Why is it so?

WALTER.

  Because you would have loved him, and then I
  Would have to wander outside of all joy,
  Like Neptune in the cold.                [_A pause._

VIOLET.

                           Do you remember
  You promised yesterday you'd paint for me
  Three pictures from your life?

WALTER.

                                 I'll do so now.
  On this delicious eve, with words like colours,
  I'll limn them on the canvass of your sense.

VIOLET.

  Be quick! be quick! for see, the parting sun
  But peers above yon range of crimson hills,
  Taking his last look of this lovely scene.
  Dusk will be here anon.

WALTER.

                        And all the stars!

VIOLET.

  Great friends of yours; you love them overmuch.

WALTER.

  I love the stars too much! The tameless sea
  Spreads itself out beneath them, smooth as glass.
  You cannot love them, lady, till you dwell
  In mighty towns; immured in their black hearts,
  The stars are nearer to you than the fields.
  I'd grow an Atheist in these towns of trade,
  Were 't not for stars. The smoke puts heaven out;
  I meet sin-bloated faces in the streets,
  And shrink as from a blow. I hear wild oaths,
  And curses spilt from lips that once were sweet,
  And sealed for Heaven by a mother's kiss.
  I mix with men whose hearts of human flesh,
  Beneath the petrifying touch of gold,
  Have grown as stony as the trodden ways.
  I see no trace of God, till in the night,
  While the vast city lies in dreams of gain,
  He doth reveal himself to me in heaven.
  My heart swells to Him as the sea to the moon;
  Therefore it is I love the midnight stars.

VIOLET.

  I would I had a lover who could give
  Such ample reasons for his loving me,
  As you for loving stars! But to your task.

WALTER.

  Wilt listen to the pictures of my life?

VIOLET.

  Patient as evening to the nightingale!

WALTER.

  'Mong the green lanes of Kent--green sunny lanes--
  Where troops of children shout, and laugh, and play,
  And gather daisies, stood an antique home,
  Within its orchard, rich with ruddy fruits,
  For the full year was laughing in his prime.
  Wealth of all flowers grew in that garden green,
  And the old porch with its great oaken door
  Was smothered in rose-blooms, while o'er the walls
  The honeysuckle clung deliriously.
  Before the door there lay a plot of grass,
  Snowed o'er with daisies,--flower by all beloved,
  And famousest in song--and in the midst,
  A carvèd fountain stood, dried up and broken,
  On which a peacock perched and sunned itself;
  Beneath, two petted rabbits, snowy white,
  Squatted upon the sward.
  A row of poplars darkly rose behind,
  Around whose tops, and the old-fashioned vanes,
  White pigeons fluttered, and o'er all was bent
  The mighty sky, with sailing sunny clouds.
  One casement was thrown open, and within,
  A boy hung o'er a book of poesy,
  Silent as planet hanging o'er the sea.
  In at the casement open to the noon
  Came sweetest garden-odours, and the hum--
  The drowsy hum--of the rejoicing bees,
  Heavened in blooms that overclad the walls;
  And the cool wind waved in upon his brow,
  And stirred his curls. Soft fell the summer night.
  Then he arose, and with inspired lips said,--
  "Stars! ye are golden-voicèd clarions
  To high-aspiring and heroic dooms.
  To-night, as I look up unto ye, Stars!
  I feel my soul rise to its destiny,
  Like a strong eagle to its eyrie soaring.
  Who thinks of weakness underneath ye, Stars?
  A hum shall be on earth, a name be heard,
  An epitaph shall look up proud to God.
  Stars! read and listen, it may not be long."

VIOLET (_leaning over him_).

  I'll see that grand desire within your eyes--
  Oh, I only see myself!

WALTER.

                         Violet!
  Could you look through my heart as through mine eyes,
  You'd find yourself there, too.

VIOLET.

                                 Hush, flatterer!
  Yet go on with your tale.

WALTER.

                             Three blue days passed,
  Full of the sun, loud with a thousand larks;
  An evening like a grey child walked 'tween each.
  'Twas in the quiet of the fourth day's noon,
  The boy I speak of slumbered in the wood.
  Like a dropt rose at an oak-root he lay,
  A lady bent above him. He awoke;
  She blushed like sunset, 'mid embarrassed speech;
  A shock of laughter made them friends at once,
  And laughter fluttered through their after-talk,
  As darts a bright bird in and out the leaves.
  All day he drank her splendid light of eyes;
  Nor did they part until the deepening east
  Gan to be sprinkled with the lights of eve.

VIOLET.

  Go on! go on!

WALTER.

                 June sang herself to death.
  They parted in the wood, she very pale,
  And he walked home the weariest thing on earth.
  That night he sat in his unlighted room,
  Pale, sad, and solitary, sick at heart,
  For he had parted with his dearest friends,
  High aspirations, bright dreams golden-winged,
  Troops of fine fancies that like lambs did play
  Amid the sunshine and the virgin dews,
  Thick-lying in the green fields of his heart.
  Calm thoughts that dwelt like hermits in his soul,
  Fair shapes that slept in fancifullest bowers,
  Hopes and delights,--He parted with them all.
  Linked hand in hand they went, tears in their eyes,
  As faint and beautiful as eyes of flowers,
  And now he sat alone with empty soul.
  Last night his soul was like a forest, haunted
  With pagan shapes; when one nymph slumbering lay,
  A sweet dream 'neath her eyelids, her white limbs
  Sinking full softly in the violets dim;
  When timbrelled troops rushed past with branches green.
  One in each fountain, riched with golden sands,
  With her delicious face a moment seen,
  And limbs faint-gleaming through their watery veil.
  To-night his soul was like that forest old,
  When these were reft away, and the wild wind
  Running like one distract 'mong their old haunts,
  Gold-sanded fountains, and the bladed flags.
                                            [_A pause._
  It is enough to shake one into tears.
  A palace full of music was his heart,
  An earthquake rent it open to the rain;
  The lovely music died--the bright throngs fled--
  Despair came like a foul and grizzly beast,
  And littered in its consecrated rooms.

  Nature was leaping like a Bacchanal
  On the next morn, beneath its sky-wide sheen
  The boy stood pallid in the rosy porch.
  The mad larks bathing in the golden light,
  The flowers close-fondled by the impassioned winds,
  The smells that came and went upon the sense,
  Like faint waves on a shore, he heeded not;
  He could not look the morning in the eyes.
  That singing morn he went forth like a ship;
  Long years have passed, and he has not returned,
  Beggared or laden, home.

VIOLET.

                           Ah, me, 'tis sad!
  And sorrow's hand as well as mine has been
  Among these golden curls. 'Tis past, 'tis past;
  It has dissolved, as did the bank of cloud
  That lay in the west last night.

WALTER.

                                   I yearned for love,
  As earnestly as sun-cracked summer earth
  Yearns to the heavens for rain--none ever came.

VIOLET.

  Oh, say not so! I love thee very much;
  Let me but grow up like a sweet-breathed flower
  Within this ghastly fissure of thy heart!
  Do you not love me, Walter?

WALTER.

                             By thy tears
  I love thee as my own immortal soul.
  Weep, weep, my Beautiful! Upon thy face
  There is no cloud of sorrow or distress.
  It is as moonlight, pale, serene, and clear.
  Thy tears are spilt of joy, they fall like rain
  From heaven's stainless blue.
  Bend over me, my Beautiful, my Own.
  Oh, I could lie with face upturned for ever,
  And on thy beauty feed as on a star!
                                    [_Another pause._
  Thy face doth come between me and the heaven--
  Start not, my dearest! for I would not give
  Thee in thy tears for all yon sky lit up
  For a god's feast to-night. And I am loved!
  Why did you love me, Violet?

VIOLET.

                               The sun
  Smiles on the earth, and the exuberant earth
  Returns the smile in flowers--'twas so with me.
  I love thee as a fountain leaps to light--
  I can do nothing else.

WALTER.

                      Say these words again,
  And yet again; never fell on my ear
  Such drops of music.

VIOLET.

                         Alas! poor words are weak,
  So are the daily ills of common life,
  To draw the ingots and the hoarded pearls
  From out the treasure-caverns of my heart.
  Suffering, despair, and death alone can do it:
  Poor Walter!                             [_Kisses him._

WALTER.

                Gods! I could out-Anthony
  Anthony! This moment I could scatter
  Kingdoms life halfpence. I am drunk with joy.
  This is a royal hour--the top of life.
  Henceforth my path slopes downward to the grave--
  All's dross but love. That largest Son of Time,
  Who wandered singing through the listening world,
  Will be as much forgot as the canoe
  That crossed the bosom of a lonely lake
  A thousand years ago. My Beautiful!
  I would not give thy cheek for all his songs--
  Thy kiss for all his fame. Why do you weep?

VIOLET.

  To think that we, so happy now, must die.

WALTER.

  That thought hangs like a cold and slimy snail
  On the rich rose of love--shake it away--
  Give me another kiss, and I will take
  Death at a flying leap. The night is fair,
  But thou art fairer, Violet! Unloose
  The midnight of thy tresses, let them float
  Around us both. How the freed ringlets reel
  Down to the dewy grass! Here lean thy head,
  Now you will feel my heart leap 'gainst thy cheek;
  Imprison me with those white arms of thine.
  So, so. O sweet upturnèd face! (_Kisses her._) If God
  Told you to-night He'd grant your dearest wish,
  What would it be?

VIOLET.

                    That He would let you grow
  To your ambition's height. What would be yours?

WALTER.

  A greater boon than Satan's forfeit throne!
  That He would keep us beautiful and young
  For ever, as to-night. Oh, I could live
  Unwearied on thy beauty, till the sun
  Grows dim and wrinkled as an old man's face.
  Our cheeks are close, our breaths mix like our souls.
  We have been starved hereto; Love's banquet's spread,
  Now let us feast our fills.

VIOLET.

                            Walter!


SCENE X.

_A Bridge in a City_--_Midnight_--WALTER _alone._

WALTER.

  Adam lost Paradise--eternal tale
  Repeated in the lives of all his sons.
  I had a shining orb of happiness,
  God gave it me; but sin passed over it
  As small-pox passes o'er a lovely face,
  Leaving it hideous. I have lost for ever
  The Paradise of young and happy thoughts,
  And now stand in the middle of my life
  Looking back through my tears--ne'er to return.
  I've a stern tryst with Death, and must go on,
  Though with slow steps and oft-reverted eyes.

  'Tis a thick, rich-hazed, sumptuous autumn night;
  The moon grows like a white flower in the sky;
  The stars are dim. The tired year rests content
  Among her sheaves, as a fond mother rests
  Among her children; all her work is done.
  There is a weight of peace upon the world;
  It sleeps: God's blessing on it. Not on _me_!
  Oh, as a lewd dream stains the holy sleep,
  I stain the holy night, yet dare not die!
  I knew this river's childhood, from the lake
  That gave it birth, till, as if spilt from heaven,
  It floated o'er the face of jet-black rocks,
  Graceful and gauzy as a snowy veil.
  Then we were pure as the blue sky above us,
  Now we are black alike. This stream has turned
  The wheels of commerce, and come forth distained;
  And now trails slowly through a city's heart,
  Drawing its filth as doth an evil soul
  Attract all evil things; putrid and black
  It mingles with the clear and stainless sea.
  So into pure eternity my soul
  Will disembogue itself.
                          Good men have said
  That sometimes God leaves sinners to their sin,--
  He has left me to mine, and I am changed;
  My worst part is insurgent, and my will
  Is weak and powerless as a trembling king
  When millions rise up hungry. Woe is me!
  My soul breeds sins as a dead body worms!
  They swarm and feed upon me. Hear me, God!
  Sin met me and embraced me on my way;
  Methought her cheeks were red, her lips had bloom;
  I kissed her bold lips, dallied with her hair:
  She sang me into slumber. I awoke--
  It was a putrid corse that clung to me,
  That _clings_ to me like memory to the damned,
  That rots into my being. Father! God!
  I cannot shake it off, it clings, it clings;--
  I soon will grow as corrupt as itself.        [_A pause._
  God sends me back my prayers, as a father
  Returns unoped the letters of a son
  Who has dishonoured him.
                          Have mercy, Fiend!
  Thou Devil, thou wilt drag me down to hell.
  Oh, if she had proclivity to sin
  Who did appear so beauteous and so pure,
  Nature may leer behind a gracious mask.
  And God himself may be----I'm giddy, blind,
  The world reels from beneath me.
                         [_Catches hold of the parapet._
  (_An outcast approaches._) Wilt pray for me?

GIRL (_shuddering_).

  'Tis a dreadful thing to pray.

WALTER.

                                Why is it so?
  Hast thou, like me, a spot upon thy soul
  That neither tears can cleanse nor fires eterne?

GIRL.

  But few request _my_ prayers.

WALTER.

                                I request them.
  For ne'er did a dishevelled woman cling
  So earnest-pale to a stern conqueror's knees,
  Pleading for a dear life, as did my prayer
  Cling to the knees of God. He shook it off,
  And went upon His way. Wilt pray for me?

GIRL.

  Sin crusts me o'er as limpets crust the rocks.
  I would be thrust from ev'ry human door;
  I dare not knock at heaven's.

WALTER.

                                Poor homeless one!
  There is a door stands wide for thee and me--
  The door of hell. Methinks we are well met.
  I saw a little girl three years ago,
  With eyes of azure and with cheeks of red,
  A crowd of sunbeams hanging down her face;
  Sweet laughter round her; dancing like a breeze.
  I'd rather lair me with a fiend in fire
  Than look on such a face as hers to-night.
  But I can look on thee, and such as thee;
  I'll call thee "Sister;" do thou call me "Brother."
  A thousand years hence, when we both are damned,
  We'll sit like ghosts upon the wailing shore,
  And read our lives by the red light of hell.
  Shall we not, Sister?

GIRL.

                        O thou strange, wild man!
  Let me alone: what would you seek with me?

WALTER.

  Your ear, my Sister. I have that within
  Which urges me to utterance. I could accost
  A pensive angel, singing to himself
  Upon a hill in heaven, and leave his mind
  As dark and turbid as a trampled pool,
  To purify at leisure.--I have none
  To listen to me, save a sinful woman
  Upon a midnight bridge.--She was so fair,
  God's eye could rest with pleasure on her face.
  Oh, God, she was so happy! Her short life,
  As full of music as the crowded June
  Of an unfallen orb. What is it now?
  She gave me her young heart, full, full of love:
  My return--was to break it. Worse, far worse;
  I crept into the chambers of her soul,
  Like a foul toad, polluting as I went.

GIRL.

  I pity her--not you. Man trusts in God;
  He is eternal. Woman trusts in man,
  And he is shifting sand.

WALTER.

                          Poor child, poor child!
  We sat in dreadful silence with our sin,
  Looking each other wildly in the eyes:
  Methought I heard the gates of heaven close,
  She flung herself against me, burst in tears,
  As a wave bursts in spray. She covered me
  With her wild sorrow, as an April cloud
  With dim dishevelled tresses hides the hill
  On which its heart is breaking. She clung to me
  With piteous arms, and shook me with her sobs,
  For she had lost her world, her heaven, her God,
  And now had nought but me and her great wrong.
  She did not kill me with a single word,
  But once she lifted her tear-dabbled face--
  Had hell gaped at my feet I would have leapt
  Into its burning throat, from that pale look.
  Still it pursues me like a haunting fiend:
  It drives me out to the black moors at night,
  Where I am smitten by the hissing rain,
  And ruffian winds, dislodging from their troops,
  Hustle me shrieking, then with sudden turn
  Go laughing to their fellows. Merciful God!
  It comes--that face again, that white, white face,
  Set in a night of hair; reproachful eyes,
  That make me mad. Oh, save me from those eyes!
  They will torment me even in the grave,
  And burn on me in Tophet.

GIRL.

                          Where are you going?

WALTER.

  My heart's on fire by hell, and on I drive
  To outer blackness, like a blazing ship.
                                      [_He rushes away._


SCENE XI.

_Night._--WALTER, _standing alone in his garden._

WALTER.

  Summer hath murmured with her leafy lips
  Around my home, and I have heard her not;
  I've missed the process of three several years,
  From shaking wind-flowers to the tarnished gold
  That rustles sere on Autumn's aged boughs.
  I went three years ago, and now return,
  As stag sore-hunted a long summer day
  Creeps in the eve to its deep forest-home. [_A pause._
  This is my home again! Once more I hail
  The dear old gables and the creaking vanes.
  It stands all flecked with shadows in the moon,
  Patient, and white, and woeful. 'Tis so still,
  It seems to brood upon its youthful years,
  When children sported on its ringing floors,
  And music trembled through its happy rooms.
  'Twas here I spent my youth, as far removed
  From the great heavings, hopes, and fears of man,
  As unknown isle asleep in unknown seas.
  Gone my pure heart, and with it happy days;
  No manna falls around me from on high,
  Barely from off the desert of my life
  I gather patience and severe content.
  God is a worker. He has thickly strewn
  Infinity with grandeur. God is Love;
  He yet will wipe away Creation's tears,
  And all the worlds shall summer in His smile.
  Why work I not? The veriest mote that sports
  Its one-day life within the sunny beam
  Has its stern duties. Wherefore have I none?
  I will throw off this dead and useless past,
  As a strong runner, straining for his life,
  Unclasps a mantle to the hungry winds.
  A mighty purpose rises large and slow
  From out the fluctuations of my soul,
  As, ghost-like, from the dim and tumbling sea
  Starts the completed moon.          [_Another pause._
                            I have a heart to dare,
  And spirit-thews to work my daring out;
  I'll cleave the world as a swimmer cleaves the sea,
  Breaking the sleek green billows into froth,
  With tilting full-blown chest, and scattering
  With scornful breath the kissing, flattering foam,
  That leaps and dallies with his dipping lip.
  Thou'rt distant, now, O World! I hear thee not;
  No pallid fringes of thy fires to-night
  Droop round the large horizon. Yet, O World!
  I have thee in my power, and as a man
  By some mysterious influence can sway
  Another's mind, making him laugh and weep,
  Shudder or thrill, such power have I on thee.
  Much have I suffered, both from thee and thine;
  Thou shalt not 'scape me, World! I'll make thee weep;
  I'll make my lone thought cross thee like a spirit,
  And blanch thy braggart cheeks, lift up thy hair,
  And make thy great knees tremble; I will send
  Across thy soul dark herds of demon dreams,
  And make thee toss and moan in troubled sleep;
  And, waking, I will fill thy forlorn heart
  With pure and happy thoughts, as summer woods
  Are full of singing-birds. I come from far,
  I'll rest myself, O World! awhile on thee,
  And half in earnest, half in jest, I'll cut
  My name upon thee, pass the arch of Death,
  Then on a stair of stars go up to God.


SCENE XII.

_An Apartment_--CHARLES _and_ EDWARD _seated._

EDWARD.

  Have you seen Walter lately?

CHARLES.

                               Very much;
  I wintered with him.

EDWARD.

                     What was he about?

CHARLES.

  He wrote his Poem then.

EDWARD.

                    That was a hit!
  The world is murmuring like a hive of bees:
  He is its theme--to-morrow it may change.
  Was it done at a dash?

CHARLES.

                        It was; each word sincere,
  As blood-drops from the heart. The full-faced moon,
  Set round with stars, in at his casement looked,
  And saw him write and write: and when the moon
  Was waning dim upon the edge of morn,
  Still sat he writing, thoughtful-eyed and pale;
  And, as of yore, round his white temples reeled
  His golden hair, in ringlets beautiful.
  Great joy he had, for thought came glad and thick
  As leaves upon a tree in primrose-time;
  And as he wrote, his task the lovelier grew,
  Like April unto May, or as a child,
  A-smile in the lap of life, by fine degrees
  Orbs to a maiden, walking with meek eyes
  In atmosphere of beauty round her breathed.
  He wrote all winter in an olden room,
  Hallowed with glooms and books. Priests who have wed
  Their makers unto Fame, Moons that have shed
  Eternal halos around England's head;
  Books dusky and thumbed without, _within_, a sphere
  Smelling of Spring, as genial, fresh, and clear,
  And beautiful, as is the rainbowed air
  After May showers. Within this pleasant lair
  He passed in writing all the winter moons;
  But when May came, with train of sunny noons,
  He chose a leafy summer-house within
  The greenest nook in all his garden green;
  Oft a fine thought would flush his face divine,
  As he had quaffed a cup of olden wine,
  Which deifies the drinker: oft his face
  Gleamed like a spirit's in that shady place,
  While he saw, smiling upward from the scroll,
  The image of the thought within his soul;
  There, 'mid the waving shadows of the trees,
  'Mong garden-odours and the hum of bees,
  He wrote the last and closing passages.
  He is not happy.

EDWARD.

                 Has he told you so?

CHARLES.

  Not in plain terms. Oft an unhappy thought,
  Telling all is not well, falls from his soul
  Like a diseasèd feather from the wing
  Of a sick eagle; a scorched meteor-stone
  Dropt from the ruined moon.

EDWARD.

                            What are these thoughts?

CHARLES.

  I walked with him upon a windy night;
  We saw the streaming moon flee through the sky,
  Pursued by all the dark and hungry clouds.
  He stopped and said: "Weariness feeds on all.
  God wearies, and so makes a universe,
  And gathers angels round him.--He is weak;
  I weary, and so wreak myself in verse,----
  Away with scrannel-pipes. Oh, for mad War!
  I'd give my next twelve years to head but once
  Ten thousand horse in a victorious charge.
  Give me some one to hate, and let me chase
  Him through the zones, and finding him at last,
  Make his accursed eyes leap on his cheeks,
  And his face blacken, with one choking gripe."

EDWARD.

                   Savage enough, i' faith!

CHARLES.

                              He often said,
  His strivings after Poesy and Fame
  Were vain as turning blind eyes on the sun.
  His Book came out; I told him that the world
  Hailed him a Poet. He said, with feeble smile,
  "I have arisen like a dawn--the world,
  Like the touched Memnon, murmurs--that is all."
  He said, as we were lying on the moss,
  (A forest sounding o'er us, like a sea
  Above two mermen seated on the sands,)
  "Our human hearts are deeper than our souls,
  And Love than Knowledge is diviner food--
  Oh, Charles! if God will ever send to thee
  A heart that loves thee, reverence that heart.
  We think that Death is hard, when he can kill
  An infant smiling in his very face:
  Harder was I than Death.--In cup of sin
  I did dissolve thee, thou most precious pearl,
  Then drank thee up." We sat one eve,
  Gazing in silence on the falling sun:
  We saw him sink. Upon the silent world,
  Like a fine veil, came down the tender gloom;
  A dove came fluttering round the window, flew
  Away, and then came fluttering back. He said,
  "As that dove flutters round the casement, comes
  A pale shape round my soul; I've done it wrong,
  I never will be happy till I ope
  My heart and take it in."--'Twas ever so;
  To some strange sorrow all his thoughts did tend,
  Like waves unto a shore. Dost know his grief?

EDWARD.

  I dimly guess it; a rich cheek grew pale,
  A happy spirit singing on her way
  Grew mute as winter. Walter, mad and blind,
  Threw off the world, God, unclasped loving arms,
  Rushed wild through Pleasure and through Devil-world,
  Till he fell down exhausted.--Do you know
  If he believes in God?

CHARLES.

                          He told me once,
  The saddest thing that can befall a soul
  Is when it loses faith in God and Woman;
  For he had lost them both. Lost I those gems--
  Though the world's throne stood empty in my path,
  I would go wandering back into my childhood,
  Searching for them with tears.

EDWARD.

                             Let him go
  Alone upon his waste and dreary road,
  He will return to the old faith he learned
  Beside his mother's knee. That memory
  That haunts him, as the sweet and gracious moon
  Haunts the poor outcast Earth, will lead him back
  To happiness and God.

CHARLES.

                       May it be so!


SCENE XIII.

_Afternoon._--WALTER _and_ VIOLET _entering the garden from the
house._

VIOLET.

  This is the dwelling you have told me of,--
  Summer again hath dressed its bloomy walls,
  Its fragrant front is populous with bees;
  This is the garden--all is very like,
  And yet unlike the picture in my heart;
  I know not which is loveliest. I see
  Afar the wandering beauty of the stream,
  And nearer I can trace it as it shows
  Its broad and gleaming back among the woods.
  Is that the wood you slept in?

WALTER.

                             That is it.
  And every nook and glade and tangled dell,
  From its wide circle to its leafy heart,
  Is as familiar to me as my soul.
  Memories dwell like doves among the trees,
  Like nymphs in glooms, like naïads in the wells;
  And some are sweet, and sadder some than death.
                                         [_A pause._
  I could have sworn the world did sing in air,
  I was so happy once. The eagle drinks
  The keen blue morning, and the morn was mine.
  I bathed in sunset, and to me the night
  Was a perpetual wonder and an awe.
  Oft, as I lay on earth and gazed at her,
  The gliding moon with influence divine
  Would draw a most delicious tide of tears
  And spill it o'er my eyes. Sadness was joy
  Of but another sort. My happiness
  Was flecked with vague and transitory griefs,
  As sweetly as the shining length of June
  With evanescent eves; and through my soul
  At intervals a regal pageant passed,
  As through the palpitating streets the corse
  Of a great chieftain, rolled in music rich,
  Moves slow towards its rest. In these young days
  Existence was to me sufficient joy;
  At once a throne and kingdom, crown and lyre.
  Now it is but a strip of barren sand,
  On which with earnest heart I strive to rear
  A temple to the Gods. I will not sadden you.
                                     [_They move on._
  This is the fountain: once it flashed and sang
  (Possessed of such exuberance of joy)
  To golden sunrise, the blue day, and when
  The night grew gradual o'er it, star by star,--
  Now it is mute as Memnon.

VIOLET.

                              Sad again!
  Its brim is written over--o'er and o'er;
  'Tis mute; but have you made its marble lips
  As sweet as Music's?

WALTER.

                        Miserable words!
  The offspring of some most unhappy hours.
  To me this fountain's brim is sad as though
  'Twere splashed with my own blood.



VIOLET (_reads_).

                                  "Nature cares not
  Although her loveliness should ne'er be seen
  By human eyes, nor praised by human tongues.
  The cataract exults among the hills,
  And wears its crown of rainbows all alone.
  Libel the ocean on his tawny sands,
  Write verses in his praise,--the unmoved sea
  Erases both alike. Alas for man!
  Unless his fellows can behold his deeds
  He cares not to be great." 'Tis very true.
  The next is written in a languid hand:
  "Sin hath drunk up my pleasure, as eclipse
  Drinks up the sunlight. On my spirit lies
  A malison and ban. What though the Spring
  Makes all the hills and valleys laugh in green,--
  Is the sea healed, or is the plover's cry
  Merry upon the moor? I now am kin
  To these, and winds, and ever-suffering things."
  Oh, I could blot these words out with my tears!

WALTER.

  So could I when I wrote them.

VIOLET.

                                What is next?
  "A sin lies dead and dreadful in my soul,
  Why should I gaze upon it day by day?
  Oh, rather, since it cannot be destroyed,
  Let me as reverently cover it
  As with a cloth we cover up the dead,
  And place it in some chamber of my soul,
  Where it may lie unseen as sound, yet _felt_,--
  Making life hushed and awful."

WALTER.

                               No more. No more.
  Let God wash out this record with His rain!
  This is the summer-house.               [_They enter._
                            It is as sweet
  As if enamoured Summer did adorn
  It for his Love to dwell in. I love to sit
  And hear the pattering footsteps of the shower,
  As he runs over it, or watch at noon
  The curious sunbeams peeping through the leaves.

VIOLET.

  I've always pictured you in such a place
  Writing your Book, and hurrying on, as if
  You had a long and wondrous tale to tell,
  And felt Death's cold hand closing round your heart.

WALTER.

  Have you read my Book?

VIOLET.

                        I have.

WALTER.

                                 It is enough.
  The Book was only written for two souls,
  And they are thine and mine.

VIOLET.

                              For many weeks,
  When I was dwelling by the moaning sea,
  Your name was blown to me on ev'ry wind,
  And I was glad; for by that sign I knew
  You had fulfilled your heart, and hoped you would
  Put off the robes of sorrow, and put on
  The singing crown of Fame. One dreary morn
  Your Book came to me, and I fondled it,
  As though it were a pigeon sent from thee
  With love beneath its wing. I read and read
  Until the sun lifted his cloudy lids
  And shot wild light along the leaping deep,
  Then closed his eyes in death. I shed no tear,
  I laid it down in silence, and went forth
  Burdened with its sad thoughts: slowly I went;
  And, as I wandered through the deepening gloom,
  I saw the pale and penitential moon
  Rise from dark waves that plucked at her, and go
  Sorrowful up the sky. Then gushed my tears--
  The tangled problem of my life was plain--
  I cried aloud, "Oh, would he come to me!
  I know he is unhappy; that he strives
  As fiercely as that blind and desperate sea,
  Clutching with all its waves--in vain, in vain.
  He never will be happy till he comes."
  As I went home the thought that you would come
  Filled my lorn heart with gladness, as the moon
  Filled the great vacant night with moonlight, till
  Its silver bliss ran o'er--so after prayer
  I slept in the lap of peace--next morn you came.

WALTER.

  And then I found you beautiful and pale--
  Pale as that moonlight night! O Violet,
  I have been undeceived. In my hot youth
  I kissed the painted bloom off Pleasure's lips
  And found them pale as Pain's,--and wept aloud.
  Never henceforward can I hope to drain
  The rapture of a lifetime at a gulp.
  My happiness is not a troubled joy;
  'Tis deep, serene as death. The sweet contents,
  The happy thoughts from which I've been estranged,
  Again come round me, as the old known peers
  Surround and welcome a repentant spirit,
  Who by the steps of sorrow hath regained
  His throne and golden prime. The eve draws nigh!
  The prosperous sun is in the west, and sees
  From the pale east to where he sets in bliss,
  His long road glorious. Wilt thou sing, my love,
  And sadden me into a deeper joy?

VIOLET _sings._

  The wondrous ages pass like rushing waves,
  Each crowned with its own foam. Bards die, and Fame
  Hangs like a pallid meteor o'er their graves.
  Religions change, and come and go like flame.

  Nothing remains but Love, the world's round mass
  It doth pervade, all forms of life it shares,
  The institutions that like moments pass
  Are but the shapes the masking spirit wears.

  Love is a sanctifier; 'tis a moon,
  Turning each dusk to silver. A pure light,
  Redeemer of all errors----
                      [_Ceases, and bursts into tears._

WALTER.

                              What ails you, Violet?
  Has music stung you like a very snake?
  Why do you weep?

VIOLET.

                      Walter! dost thou believe
  Love will redeem all errors? Oh, my friend,
  This gospel saves you! doubt it, you are lost.
  Deep in the mists of sorrow long I lay,
  Hopeless and still, when suddenly _this_ truth
  Like a slant sunbeam quivered through the mist,
  And turned it into radiance. In the light
  I wrote these words, while you were far away
  Fighting with shadows. Oh! Walter, in one boat
  We floated o'er the smooth, moon-silvered sea;
  The sky was smiling with its orbs of bliss;
  And while we lived within each other's eyes,
  We struck and split, and all the world was lost
  In one wild whirl of horror darkening down;
  At last I gained a deep and silent isle,
  Moaned on by a dim sea, and wandered round,
  Week after week, the happy-mournful shore,
  Wond'ring if you had 'scaped.

WALTER.

                               Thou noble soul,
  Teach me, for thou art nearer God than I!
  My life was a long dream; when I awoke,
  Duty stood like an angel in my path,
  And seemed so terrible, I could have turned
  Into my yesterdays, and wandered back
  To distant childhood, and gone out to God
  By the gate of birth, not death. Lift, lift me up
  By thy sweet inspiration, as the tide
  Lifts up a stranded boat upon the beach.
  I will go forth 'mong men, not mailed in scorn,
  But in the armour of a pure intent.
  Great duties are before me and great songs,
  And whether crowned or crownless, when I fall
  It matters not, so that God's work is done.
  I've learned to prize the quiet lightning-deed,
  Not the applauding thunder at its heels
  Which men call Fame. Our night is past;
  We stand in precious sunrise, and beyond
  A long day stretches to the very end.
  Look out, my beautiful, upon the sky!
  Even puts on her jewels. Look! she sets,
  Venus upon her brow. I never gaze
  Upon the evening but a tide of awe,
  And love, and wonder, from the Infinite,
  Swells up within me, as the running brine
  From the smooth-glistening, wide-heaving sea,
  Grows in the creeks and channels of a stream
  Until it threats its banks. It is not joy,
  'Tis sadness more divine.

VIOLET.

                        How quick they come,--
  World after world! See the great moon above
  Yon undistinguishable clump of trees
  Is slowly from the darkness gathering light!
  You used to love the moon!

WALTER.

                            This mournful wind
  Has surely been with Winter, 'tis so cold;
  The dews are falling, Violet! Your cloak--
  Draw it around you. Let the still night shine!
  A star's a cold thing to a human heart,
  And love is better than their radiance. Come!
  Let us go in together.




AN EVENING AT HOME.


  To-day a chief was buried--let him rest.
  His country's bards are up like larks, and fill
  With singing the wide heavens of his fame.
  To-night I sit within my lonely room,
  The atmosphere is full of misty rain,
  Wretched the earth and heaven. Yesterday
  The streets and squares were choked with yellow fogs,
  To-morrow we may all be drenched in sleet!
  Stretched like a homeless beggar on the ground,
  The city sleeps amid the misty rain.
  Though Rain hath pitched his tent above my head,
  'Tis but a speck upon the happy world.
  Since I've begun to trace these lines, Sunrise
  Has struck a land and woke its bleating hills;
  Afar upon some black and silent moor
  The crystal stars are shaking in the wind;
  An ocean gurgles, for the stooping moon
  Hath kissed him into peace, and now she smooths
  The well-pleased monster with her silver hand.
  Come, naked, gleaming Spring! great crowds of larks
  Fluttering above thy head, thy happy ears
  Loud with their ringing songs, Bright Saviour, come!
  And kill old Winter with thy glorious look,
  And turn his corse to flowers!

                                I sit to-night
  As dreary as the pale, deserted East,
  That sees the Sun, the Sun that once was hers,
  Forgetful of her, flattering his new love,
  The happy-blushing West. In these long streets
  Of traffic and of noise, the human hearts
  Are hard and loveless as a wreck-strewn coast.
  Eternity doth wear upon her face
  The veil of Time. They only see the veil,
  And thus they know not what they stand so near.
  Oh, rich in gold! Beggars in heart and soul!
  Poor as the empty void! Why, even I,
  Sitting in this bare chamber with my thoughts,
  Am richer than ye all, despite your bales,
  Your streets of warehouses, your mighty mills,
  Each booming like a world faint heard in space:
  Your ships; unwilling fires, that day and night
  Writhe in your service seven years, then die
  Without one taste of peace. Do ye believe
  A simple primrose on a grassy bank
  Forth-peeping to the sun, a wild bird's nest,
  The great orb dying in a ring of clouds,
  Like hoary Jacob 'mong his waiting sons;
  The rising moon, and the young stars of God,
  Are things to love? With _these_ my soul is brimmed;
  With a diviner and serener joy
  Then all thy heaven of money-bags can bring
  Thy dry heart, Worldling!

                            The terror-stricken rain
  Flings itself wildly on the window-panes,
  Imploring shelter from the chasing wind.
  Alas! to-night in this wide waste of streets
  It beats on human limbs as well as walls!
  God led Eve forth into the empty world
  From Paradise. Could our great Mother come
  And see her children now, what sight were worst;
  A worker woke by cruel Day, the while
  A kind dream feeds with sweetest phantom-bread,
  Him, and his famished ones; or when the Wind,
  With shuddering fingers, draws the veil of smoke,
  And scares her with a battle's bleeding face?

  Most brilliant star upon the crest of Time
  Is England. England! Oh, I know a tale
  Of those far summers when she lay in the sun,
  Listening to her own larks, with growing limbs,
  And mighty hands, which since have tamed the world,
  Dreaming about their tasks. This dreary night
  I'll tell the story to my listening heart.
  I sang 't to thee, O unforgotten Friend!
  (Who dwellest now on breezy English downs,
  While I am drowning in the hateful smoke)
  Beside the river which I long have loved.
  O happy Days! O happy, happy Past!
  O Friend! I am a lone benighted ship;
  Before me hangs the vast untravelled gloom,
  Behind, a wake of splendour, fading fast
  Into the hungry gloom from whence it came.

  Two days the Lady gazed toward the west,
  The way that he had gone; and when the third
  From its high noon sloped to a rosy close,
  Upon the western margin of the isle,
  Feeding her petted swans by tossing bread
  Among the clumps of water-lilies white,
  She stood. The fond Day pressed against her face;
  His am'rous, airy fingers, with her robe
  Fluttered and played, and trembling, touched her throat,
  And toying with her ringlets, could have died
  Upon her sweet lips and her happy cheeks!
  With a long rippling sigh she turned away,
  And wished the sun was underneath the hills.
  Anon she sang; and ignorant Solitude,
  Astonished at the marvel of her voice,
  Stood tranced and mute as savage at the door
  Of rich cathedral when the organ rolls,
  And all the answering choirs awake at once.
  Then she sat down and thought upon her love;
  Fed on the various wonders of his face
  To make his absence rich. "'Tis but three days
  Since he went from me in his light canoe,
  And all the world went with him, and to-night
  He will be back again. Oh, when he comes,
  And when my head is laid upon his breast,
  And in the pauses of the sweetest storm
  Of kisses that e'er beat upon a face,
  I'll tell him how I've pined, and sighed, and wept,
  And thought of those sweet days and nights that flew
  O'er us unheeded as a string of swans,
  That wavers down the sky toward the sea,--
  And he will chide me into blissful tears,
  Then kiss the tears away." Quick leapt she up,
  "He comes! he comes!" She laughed, and clapt her hands,
  A light canoe came dancing o'er the lake,
  And he within it gave a cry of joy.
  She sent an answer back that drew him on.
  The swans are scared,--the lilies rippled--now
  Her happy face is hidden in his breast,
  And words are lost in joy. "My Bertha! let
  Me see myself again in those dear orbs.
  Have you been lonely, love?" She raised her head,
  "You surely will not leave me so again!
  I'll grow as pale 's the moon, and my praised cheeks
  Will be as wet as April's if you do."
  As when the moon hath sleeked the blissful sea,
  A light wind wrinkles it and passes off,
  So ran a transient trouble o'er his face.
  "My Bertha! we must leave this isle to-night.
  Thy shining face is blanked! We will return
  Ere thrice the day, like a great bird of light
  Flees 'cross the dark, and hides it with his wings."
  "Ah, wherefore?" "Listen, I will tell you why.

  "I stood afar upon the grassy hills,
  I saw the country with its golden slopes,
  And woods, and streams, run down to meet the sea.
  I saw the basking ocean skinned with light.
  I saw the surf upon the distant sands
  Silent and white as snow. Above my head
  A lark was singing, 'neath a sunny cloud,
  Around the playing winds. As I went down
  There seemed a special wonder on the shore,
  Low murmuring crowds around a temple stood:
  There was a wildered music on the air,
  Which came and went, yet ever nearer grew,
  When, lo! a train came upward from the sea
  With snowy garments, and with reverend steps,
  Full in their front a silver cross they bore,
  And this sweet hymn they strewed along the winds.

  'Blest be this sunny morning, sweet and fair!
  Blest be the people of this pleasant land!
  Ye unseen larks that sing a mile in air,
  Ye waving forests, waving green and grand,
  Ye waves, that dance upon the flashing strand,
  Ye children golden-haired! we bring, we bring
  A gospel hallowing.'
  Then one stood forth and spoke against the gods;
  He called them 'cruel gods,' and then he said,
  'We have a Father, One who dwells serene,
  'Bove thunder and the stars, Whose eye is mild,
  And ever open as the summer sky;
  Who cares for everything on earth alike,
  Who hears the plovers crying in the wind,
  The happy linnets singing in the broom,
  Whose smile is sunshine.' When the old man ceased,
  Forth from the murmuring crowd there stepped a youth,
  As bright-haired as a star, and cried aloud,
  'Friends! I've grown up among the wilds, and found
  Each outward form is but a window whence
  Terror or Beauty looks. Beauty I've seen
  In the sweet eyes of flowers, along the streams,
  And in the cold and crystal wells that sleep
  Far in the murmur of the summer woods;
  Terror in fire and thunder, in the worn
  And haggard faces of the winter clouds,
  In shuddering winds, and oft on moonless nights
  I've heard it in the white and wailing fringe
  That runs along the coast from end to end.
  The mountains brooded on some wondrous thought
  Which they would ne'er reveal. I seemed to stand
  Outside of all things; my desire to know
  Grew wild and eager as a starving wolf.
  To gain the secret of the awful world,
  I knelt before the gods, and then held up
  My heart to them in the pure arms of prayer--
  They gave no answer, or had none to give.
  Friends! I will test these sour and sullen gods:
  If they are weak, 'tis well, we then may list
  Unto the strangers; but if my affront
  Draw angry fire, I shall be slain by gods,
  And Death may have no secrets. A spear! a steed!'
  A steed was brought by trembling hands, he sprang
  And dashed towards the temple with a cry.
  A shudder ran through all the pallid crowds.
  I saw him enter, and my sight grew dim,
  And on a long-suspended breath I stood,
  Till one might count a hundred beats of heart:
  Then he rode slowly forth, and, wondrous strange!
  Although an awful gleam lay on his face,
  His charger's limbs were drenched with terror-sweat.
  Amid the anxious silence loud he cried,
  'Gods, marvellously meek! Why, any child
  May pluck them by the beard, spit in their face,
  Or smite them on the mouth; they can do nought,
  But sit like poor old foolish men, and moan.
  I flung my spear.'--Here, as a singing rill
  Is in the mighty noise of ocean drowned,
  His voice was swallowed in the shout that rose,
  And touched the heavens, ran along the hills,
  Thence came on after silence, strange and dim.

  A voice rose 'mong the strangers like a lark,
  And warbled out its joy, then died away.
  And the old man that spoke before went on,
  And, oh! the gentle music of his voice
  Stirred through my heart-strings like a wind through reeds.
  He said, 'It was God's hand that shaped the world
  And laid it in the sunbeams:' and that 'God,
  With His great presence fills the universe.
  That, could we dwell like night among the stars,
  Or plunge with whales in the unsounded sea,
  He still would be around us with His care.'
  And also, 'That, as flowers come back in Spring,
  We would live after Death.' I heard no more.
  I thought of thee in this delightful isle,
  Pure as a prayer, and wished that I had wings
  To tell you swiftly, that the death we feared
  Was but a grey eve 'tween two shining days,
  That we would love for ever! Then I thought
  Our home might be in that transparent star
  Which we have often watched from off this verge,
  Stand in the dying sunset, large and clear--
  The humming world awoke me from my dream.
  I saw the old gods tumbled on the grass
  Like uncouth stones, they threw the temple wide,
  And Summer, with her bright and happy face,
  Looked in upon its gloom, and pensive grew.
  The while among the tumult of the crowds,
  Divinest hymns the white-robed strangers sang.
  I wearied for thee, Bertha! and I came.
  Wilt go and hear these strangers?" She turned on him
  A look of love--a look that richly crowned
  A moment heavenly rich, and murmured "Yes."
  He kissed her proudly, while a giddy tear,
  Wild with its happiness, ran down her cheek
  And perished in the dew. They took their seats,
  And as the paddles struck, grey-pinioned Time
  Flew through the gates of sunset into Night,
  And held through stars to gain the coasts of Morn.

  'Tis done! The phantoms of my soul have fled
  Into the night, and I am left alone
  With that sweet sadness which doth ever dwell
  On the brink of tears; I stare i' th' crumbling fire
  Which from my brooding eye takes strangest shapes.
  The Past is with me, and I scarcely hear
  Outside the weeping of the homeless rain.




LADY BARBARA.


  Earl Gawain wooed the Lady Barbara,--
  High-thoughted Barbara, so white and cold!
  'Mong broad-branched beeches in the summer shaw,
  In soft green light his passion he has told.
  When rain-beat winds did shriek across the wold,
  The Earl to take her fair reluctant ear
  Framed passion-trembled ditties manifold;
  Silent she sat his am'rous breath to hear,
  With calm and steady eyes, her heart was otherwhere.

  He sighed for her through all the summer weeks;
  Sitting beneath a tree whose fruitful boughs
  Bore glorious apples with smooth-shining cheeks,
  Earl Gawain came and whispered, "Lady, rouse!
  Thou art no vestal held in holy vows;
  Out with our falcons to the pleasant heath."
  Her father's blood leapt up unto her brows--
  He who, exulting on the trumpet's breath,
  Came charging like a star across the lists of death,

  Trembled, and passed before her high rebuke:
  And then she sat, her hands clasped round her knee:
  Like one far-thoughted was the lady's look,
  For in a morning cold as misery
  She saw a lone ship sailing on the sea;
  Before the north 'twas driven like a cloud,
  High on the poop a man sat mournfully:
  The wind was whistling thorough mast and shroud.
  And to the whistling wind thus did he sing aloud:--

  "Didst look last night upon my native vales,
  Thou Sun! that from the drenching sea hast clomb?
  Ye demon winds! that glut my gaping sails,
  Upon the salt sea must I ever roam,
  Wander for ever on the barren foam?
  O happy are ye, resting mariners.
  O Death, that thou wouldst come and take me home!
  A hand unseen this vessel onward steers,
  And onward I must float through slow moon-measured years.

  "Ye winds! when like a curse ye drove us on,
  Frothing the waters, and along our way,
  Nor cape nor headland through red mornings shone,
  One wept aloud, one shuddered down to pray,
  One howled, 'Upon the Deep we are astray.'
  On our wild hearts his words fell like a blight:
  In one short hour my hair was stricken grey,
  For all the crew sank ghastly in my sight
  As we went driving on through the cold starry night.

  "Madness fell on me in my loneliness,
  The sea foamed curses, and the reeling sky
  Became a dreadful face which did oppress
  Me with the weight of its unwinking eye.
  It fled, when I burst forth into a cry--
  A shoal of fiends came on me from the deep;
  I hid, but in all corners they did pry,
  And dragged me forth, and round did dance and leap;
  They mouthed on me in dream, and tore me from sweet sleep.

  "Strange constellations burned above my head,
  Strange birds around the vessel shrieked and flew,
  Strange shapes, like shadows, through the clear sea fled,
  As our lone ship, wide-winged, came rippling through,
  Angering to foam the smooth and sleeping blue."
  The lady sighed, "Far, far upon the sea,
  My own Sir Arthur, could I die with you!
  The wind blows shrill between my love and me."
  Fond heart! the space between was but the apple-tree.

  There was a cry of joy, with seeking hands
  She fled to him, like worn bird to her nest;
  Like washing water on the figured sands,
  His being came and went in sweet unrest,
  As from the mighty shelter of his breast
  The Lady Barbara her head uprears
  With a wan smile, "Methinks I'm but half blest:
  Now when I've found thee, after weary years,
  I cannot see thee, love! so blind I am with tears."




TO ----


  The broken moon lay in the autumn sky,
    And I lay at thy feet;
  You bent above me; in the silence I
    Could hear my wild heart beat.

  I spoke; my soul was full of trembling fears
    At what my words would bring:
  You raised your face, your eyes were full of tears,
    As the sweet eyes of Spring.

  You kissed me then, I worshipped at thy feet
    Upon the shadowy sod.
  Oh, fool, I loved thee! loved thee, lovely cheat!
    Better than Fame or God.

  My soul leaped up beneath thy timid kiss:
    What then to me were groans,
  Or pain, or death? Earth was a round of bliss,
    I seemed to walk on thrones.

  And you were with me 'mong the rushing wheels,
    'Mid Trade's tumultuous jars;
  And where to awe-struck wilds the Night reveals
    Her hollow gulfs of stars.

  Before your window, as before a shrine,
    I've knelt 'mong dew-soaked flowers,
  While distant music-bells, with voices fine,
    Measured the midnight hours.

  There came a fearful moment: I was pale,
    You wept, and never spoke,
  But clung around me as the woodbine frail
    Clings, pleading, round an oak.

  Upon my wrong I steadied up my soul,
    And flung thee from myself;
  I spurned thy love as 'twere a rich man's dole,--
    It was my only wealth.

  I spurned thee! I, who loved thee, could have died,
    That hoped to call thee "wife,"
  And bear thee, gently-smiling at my side,
    Through all the shocks of life!

  Too late, thy fatal beauty and thy tears,
    Thy vows, thy passionate breath;
  I'll meet thee not in Life, nor in the spheres
    Made visible by Death.




SONNETS.


  I cannot deem why men toil so for Fame.
  A porter is a porter though his load
  Be the oceaned world, and although his road
  Be down the ages. What is in a name?
  Ah! 'tis our spirit's curse to strive and seek.
  Although its heart is rich in pearls and ores,
  The Sea complains upon a thousand shores;
  Sea-like we moan for ever. We are weak.
  We ever hunger for diviner stores.
  I cannot say I have a thirsting deep
  For human fame, nor is my spirit bowed
  To be a mummy above ground to keep
  For stare and handling of the vulgar crowd,
  Defrauded of my natural rest and sleep.

       *       *       *       *       *

  There have been vast displays of critic wit
  O'er those who vainly flutter feeble wings,
  Nor rise an inch 'bove ground,--weak Poetlings!
  And on them to the death men's brows are knit.
  Ye men! ye critics! seems 't so very fit
  They on a storm of laughter should be blown
  O'er the world's edge to Limbo? Be it known,
  Ye men! ye critics! that beneath the sun
  The chiefest woe is this,--When all alone,
  And strong as life, a soul's great currents run
  Poesy-ward, like rivers to the sea,
  But never reach 't. Critic, let that soul moan
  In its own hell without a kick from thee.
  Kind Death, kiss gently, ease this weary one!

       *       *       *       *       *

  Joy like a stream flows through the Christmas-streets,
  But I am sitting in my silent room,
  Sitting all silent in congenial gloom.
  To-night, while half the world the other greets
  With smiles and grasping hands and drinks and meats,
  I sit and muse on my poetic doom;
  Like the dim scent within a budded rose,
  A joy is folded in my heart; and when
  I think on Poets nurtured 'mong the throes,
  And by the lowly hearths of common men,--
  Think of their works, some song, some swelling ode
  With gorgeous music growing to a close,
  Deep-muffled as the dead-march of a god,--
  My heart is burning to be one of those.

       *       *       *       *       *

  Beauty still walketh on the earth and air,
  Our present sunsets are as rich in gold
  As ere the Iliad's music was out-rolled;
  The roses of the Spring are ever fair,
  'Mong branches green still ring-doves coo and pair,
  And the deep sea still foams its music old.
  So, if we are at all divinely souled,
  This beauty will unloose our bonds of care.
  'Tis pleasant, when blue skies are o'er us bending
  Within old starry-gated Poesy,
  To meet a soul set to no worldly tune,
  Like thine, sweet Friend! Oh, dearer this to me
  Than are the dewy trees, the sun, the moon,
  Or noble music with a golden ending.

       *       *       *       *       *

  Last night my cheek was wetted with warm tears,
  Each worth a world. They fell from eyes divine.
  Last night a loving lip was pressed to mine,
  And at its touch fled all the barren years;
  And softly couched upon a bosom white,
  Which came and went beneath me like a sea,
  An emperor I lay in empire bright,
  Lord of the beating heart, while tenderly
  Love-words were glutting my love-greedy ears.
  Kind Love, I thank thee for that happy night!
  Richer this cheek with those warm tears of thine
  Than the vast midnight with its gleaming spheres.
  Leander toiling through the moonlight brine,
  Kingdomless Anthony, were scarce my peers.

       *       *       *       *       *

  I wrote a Name upon the river sands
  With her who bore it standing by my side,
  Her large dark eyes lit up with gentle pride,
  And leaning on my arm with claspèd hands,
  To burning words of mine she thus replied,
  "Nay, writ not on thy heart. This tablet frail
  Fitteth as frail a vow. Fantastic bands
  Will scarce confine these limbs." I turned love-pale,
  I gazed upon the river'd landscape wide,
  And thought how little _it_ would all avail
  Without her love. 'Twas on a morn of May,
  Within a month I stood upon the sand,
  Gone was the name I traced with trembling hand,--
  And from my heart 'twas also gone away.

       *       *       *       *       *

  Like clouds or streams we wandered on at will,
  Three glorious days, till, near our journey's end,
  As down the moorland road we straight did wend,
  To Wordsworth's "Inversneyd," talking to kill
  The cold and cheerless drizzle in the air,
  'Bove me I saw, at pointing of my friend,
  An old fort like a ghost upon the hill,
  Stare in blank misery through the blinding rain,
  So human-like it seemed in its despair--
  So stunned with grief--long gazed at it we twain.
  Weary and damp we reached our poor abode,
  I, warmly seated in the chimney-nook,
  Still saw that old Fort o'er the moorland road
  Stare through the rain with strange woe-wildered look.

       *       *       *       *       *

  Sheath'd is the river as it glideth by,
  Frost-pearl'd are all the boughs in forests old,
  The sheep are huddling close upon the wold,
  And over them the stars tremble on high.
  Pure joys these winter nights around me lie;
  'Tis fine to loiter through the lighted street
  At Christmas time, and guess from brow and pace
  The doom and history of each one we meet,
  What kind of heart beats in each dusky case;
  Whiles startled by the beauty of a face
  In a shop-light a moment. Or instead,
  To dream of silent fields where calm and deep
  The sunshine lieth like a golden sleep--
  Recalling sweetest looks of Summers dead.


London:--Printed by G. BARCLAY, Castle St. Leicester Sq.




                                           86, FLEET STREET, _London_.
                                                   _January 1854._

DAVID BOGUE'S

LATE TILT AND BOGUE,

ANNUAL CATALOGUE.

[Illustration: Logo]




New Illustrated Works.


Longfellow's Golden Legend, Illustrated.

  A New and Revised Edition, with numerous alterations and notes by
  the author. Illustrated by BIRKET FOSTER. Crown 8vo. handsomely
  bound, 12s.; morocco, 21s.

Longfellow's Poetical Works, Illustrated.

  Including "Evangeline," "Voices of the Night," "Seaside and
  Fireside," and other Poems; beautifully illustrated by BIRKET
  FOSTER, JANE BENHAM, and JOHN GILBERT. Crown 8vo, 21s. cloth; 30s.
  morocco.

  "Evangeline," separately, 10s. 6d. boards; 16s. morocco.

  "Voices of the Night," "Seaside," &c. 15s. boards; 21s. morocco.

Longfellow's Hyperion Illustrated.

  Illustrated by BIRKET FOSTER. Crown 8vo. 21s. cloth; 30s. morocco.

Christmas with the Poets:

  A collection of English Poetry relating to the Festival of
  Christmas, with Introductory Observations, explanatory of obsolete
  rites and customs, and upwards of Fifty Engravings from Drawings by
  BIRKET FOSTER, and numerous Initial Letters and Borders printed in
  gold. Super-royal 8vo. richly bound, 25s.; morocco, 35s.

Turner and his Works:

  A Biography, illustrated by Examples from his Pictures and a
  Critical Examination of his Principles and Practice. By JOHN BURNET,
  F.S.A. The Memoir by PETER CUNNINGHAM: with Plates. Demy 4to. 31s.
  6d.; Autograph Proofs (only 25 printed), folio, £5. 5s.

Bunyan's Pilgrim's Progress.

  Profusely illustrated by WILLIAM HARVEY; with Life by the Rev.
  GEORGE CHEEVER, D.D. Cr. 8vo. 12s. cloth; 17s. mor.; large paper,
  42s. cloth; 60s. morocco.

The Landscape Painters of England:

  Sketches after English Landscape Painters: Twenty Etchings of their
  most characteristic works, by LOUIS MARVY, with short Notices by
  W.M. THACKERAY. Royal 4to. 31s. 6d.; coloured, 52s. 6d.

The Christian Graces in Olden Time:

  A series of Female Portraits, beautifully engraved by the best
  Artists, with Poetical Illustrations by HENRY STEBBING, D.D.
  Imperial 8vo. 21s. richly bound and gilt; 42s. coloured.

The Heroines of Shakspeare:

  Forty-five Portraits of the principal Female Characters. Engraved
  under the superintendence of Mr. CHARLES HEATH, from Drawings by the
  best Artists. Imperial 8vo. handsomely bound in morocco, 42s.;
  coloured Plates, £3. 13s. 6d.; proofs, imperial folio, half-morocco,
  £3. 13s. 6d.; India proofs, £5. 5s.

The Book of Beauty.

  The Court Album, or Book of Beauty. A series of charming Portraits
  of the young Female Nobility, with Historical and Biographical
  Memoirs. 4to. richly gilt, 21s.; coloured, 42s.

Heath's Keepsake.

  The Keepsake. Edited by Miss M.A. POWER, (LADY BLESSINGTON'S niece),
  assisted by the most popular writers of the day. Royal 8vo. 21s.;
  India proofs, 52s. 6d.

Rembrandt and his Works;

  with a Critical Examination into his Principles and Practice. By
  JOHN BURNET, F.R.S. 15 Plates, 4to. 31s. 6d.; Artist's Autograph
  Proofs, imperial 4to. £5. 5s. (only 50 printed).

Curiosities of Glass-making:

  a History of the Art, Ancient and Modern. By APSLEY PELLATT, Esq.
  With Six beautifully coloured Plates of Antique Vases, &c. Small
  4to. cloth, 12s.

The Cartoons of Raffaelle,

  from Hampton Court Palace. Engraved by JOHN BURNET. With Descriptive
  Letterpress and Critical Remarks. Seven large Plates (24 inches by
  34). In wrapper, 31s. 6d.; or coloured, 63s.

Vestiges of Old London:

  A series of finished Etchings from original drawings, with
  descriptions, historical associations, and other references; by J.
  WYKEHAM ARCHER. Imperial 4to. 42s. bound; proofs, 50s.; coloured,
  63s.

Views in Rome;

  comprising all its principal Edifices, and its surrounding Scenery.
  Engraved by W.B. COOKE. 38 Plates, with a Panoramic View of the
  City. 4to. 21s.; India proofs, £2. 2s.

The Bible Gallery:

  Eighteen Portraits of the Women mentioned in Scripture, beautifully
  engraved from Original Drawings, with letterpress Descriptions. Imp.
  8vo. handsomely bound, 21s.; with Plates beautifully coloured, 42s.

The Women of the Bible.

  Eighteen Portraits (forming a Second Series of THE BIBLE GALLERY).
  Handsomely bound, 21s.; coloured, 42s.

The Gallery of Byron Beauties:

  Portraits of the Heroines of Lord Byron's Poems, from Drawings by
  the most eminent Artists. Super-royal 8vo. morocco, 31s. 6d.; highly
  coloured, £3.

Heath's Waverley Gallery.

  Portraits of the principal Female Characters in the Writings of
  SCOTT. 36 highly-finished Plates, super-royal 8vo. splendidly bound
  in morocco, 31s. 6d.; with coloured plates, £3.

Gallery of the Graces;

  or, Beauties of British Poets: 36 beautiful Female Heads by
  Landseer, Boxall, F. Stone, &c., illustrating Tennyson, Campbell,
  Rogers, Landon, &c. Super-royal 8vo. 31s. 6d. morocco; with coloured
  Plates, £3.

Milton's Poetical Works.

  Paradise Lost and Regained, Comus, Samson Agonistes, L'Allegro, &c.:
  with Essay on Milton's Life and Writings, by JAMES MONTGOMERY;
  illustrated with One Hundred and Twenty Engravings, by THOMPSON,
  WILLIAMS, ORRIN SMITH, &c. from Drawings by WILLIAM HARVEY. Two
  volumes, crown 8vo. 24s. cloth; 34s. morocco.

Thomson's Seasons and Castle of Indolence.

  With Life and Critical Remarks by ALLAN CUNNINGHAM; and 48
  Illustrations by Samuel Williams. 12s. cloth; 17s. morocco.

Beattie and Collins' Poetical Works.

  With an Essay on their Lives and Writings, and Illustrations,
  engraved by S. WILLIAMS, &c. from Drawings by JOHN ABSOLON. Crown
  8vo. cloth, 12s.; morocco, 17s.

The Language of Flowers;

  or, the Pilgrimage of Love. By THOMAS MILLER. With Twelve
  beautifully coloured Plates. Fcp. 8vo. silk, 10s. 6d.; morocco, 12s.

The Romance of Nature;

  or, the Flower Seasons Illustrated. By L.A. TWAMLEY. With
  Twenty-seven coloured Plates, 3d Edition, 31s. 6d. morocco.

Flora's Gems:

  Twelve splendid Groups of Flowers, drawn and coloured by JAMES
  ANDREWS; with Poetical Illustrations by L.A. Twamley. Imp. 4to 21s.
  handsomely bound.

Sir Walter Scott's most Popular Works--

  _Tilt's Illustrated Editions._
  1. THE LAY OF THE LAST MINSTREL.
  2. THE LADY OF THE LAKE.
  3. MARMION: A TALE OF FLODDEN FIELD.
  4. ROKEBY.

  These elegant volumes are uniformly printed in fcp. 8vo. and
  illustrated with numerous Engravings on Steel, price 7s. cloth; 10s.
  6d. morocco elegant.

Cowper's Poems.

  With Life and Critical Remarks, by the Rev. THOMAS DALE: and 75 fine
  Engravings by J. Orrin Smith, from Drawings by J. Gilbert. Two vols.
  crown 8vo. 24s. cloth; 34s. morocco.

  "The handsomest of the editions of Cowper."--SPECTATOR.

Pictures of Country Life;

  or, Summer Rambles in Green and Shady Places. By THOS. MILLER,
  Author of "Beauties of the Country." With Illustrations by Samuel
  Williams. Crown 8vo. cloth, 6s.

Sketches at Home and Abroad.

  By J.D. HARDING. Sixty Views of the most interesting Scenes, Foreign
  and Domestic, printed in tints, in exact imitation of the Original
  Drawings. Imperial folio, half-morocco, £6. 6s.

  "A treasure-house of delight. Here northern Italy yields up its
  architectural glories and its lake scenery--Venice its palaces--the
  Tyrol its romantic valleys and villages--the Rhenish cities their
  picturesque beauty--and France and England their greenest spots of
  remembrance."--ATHEN.

The Beauty of the Heavens.

  In One Hundred and Four Coloured Plates, representing the principal
  Astronomical Phenomena; and an Elementary Lecture, expressly adapted
  for Family Instruction and Entertainment. By CHARLES F. BLUNT. New
  Edition, 4to. cloth, 28s.

Le Keux's Memorials of Cambridge.

  Views of the Colleges, Halls, Churches, and other Public Buildings
  of the University and Town, engraved by J. Le Keux; with Historical
  and Descriptive Accounts, by THOMAS WRIGHT, B.A., and the Rev. H.L.
  JONES. Two volumes, demy 8vo. cloth, 24s.; India proofs, 63s.

Pearls of the East:

  Beauties from "Lalla Rookh." Twelve large-sized Portraits, by FANNY
  CORBAUX. Imp. 4to. 31s. 6d. tinted; plates highly coloured, 52s. 6d.

Walton and Cotton's Complete Angler.

  Edited by JOHN MAJOR, with Illustrations by ABSOLON. New Edition,
  fcp. 8vo. cloth, 12s.; morocco, 18s.; large paper, boards, 24s.;
  morocco, 31s. 6d.




PRACTICAL WORKS ON

Drawing and Painting.


JOHN BURNET, F.R.S.

Landscape Painting in Oil Colours

  explained, in Letters on the Theory and Practice of the Art.
  Illustrated by 14 Plates of Examples from the several Schools. By
  JOHN BURNET, F.R.S. Author of "Practical Hints on Painting." Quarto,
  21s. cloth.

Practical Hints on Portrait Painting.

  Illustrated by Examples from the Works of the best Masters. By JOHN
  BURNET. Demy 4to. 21s.

Practical Essays on the Fine Arts;

  with a Critical Examination into the Principles and Practice of the
  late Sir David Wilkie. By JOHN BURNET. Post 8vo. 6s.


J.D. HARDING.

Lessons on Art:

  a complete Course of Instruction, with Examples for Practice. By
  J.D. HARDING. 4to. 25s. cloth; or in separate Numbers, 21s.

  *** This work is dedicated to _His Royal Highness the Prince of
  Wales_, by special permission of _Her Majesty the Queen_.

Elementary Art;

 or, the Use of the Chalk and Lead Pencil advocated and explained. By
 J.D. HARDING. With numerous Plates. Third Edition, imp. 4to. 42s.


Lessons on Trees.

 A progressive series of examples; by J.D. HARDING. Imp. 4to. 25s.
 cloth; or in separate Numbers, 21s.

 *** For List of Mr. HARDING'S DRAWING BOOKS, see page 21.

       *       *       *       *       *

Fielding's Works on Painting.

  I. Treatise on Painting in Water Colours in Theory and Practice. By
     T.H. FIELDING, late Professor of Painting at the H.E.I. College at
     Addiscombe. With Plates, plain and coloured. Fourth Edition. 10s. 6d.

 II. The Theory and Practice of Painting in Oil and Water Colours.
     With an Appendix on Lithography. Fifth Edition. With numerous
     Plates, plain and coloured, 16s.


Harry Willson on Water Colours.

 A Practical Treatise on Composition, Light and Shade, and Colour.
 Illustrated by coloured Plates. New Edition, imp. 8vo. 16s. cloth.


The Elements of Art:

  a Manual for the Amateur, and Basis of Study for the Professional
  Artist. By J.G. CHAPMAN. Many Woodcuts. 4to. 10s. 6d.

The Art of Painting Restored

  to its simplest and surest principles. By L. HUNDERTPFUND. 24
  coloured Plates. Post 8vo. 9s. 6d.

  --> MANUALS OF ART, see page 15.----DRAWING BOOKS, page 21.




Architectural Works.


RAPHAEL AND J. ARTHUR BRANDON.

An Analysis of Gothic Architecture.

  Illustrated by a series of upwards of Seven Hundred Examples of
  Doorways, Windows, &c.; accompanied with Remarks on the several
  Details of an Ecclesiastical Edifice. By R. and J.A. BRANDON,
  Architects. 2 large vols. royal 4to. £5. 5s.

The Open Timber Roofs of the Middle Ages.

  Illustrated by Perspective and Working Drawings of some of the best
  varieties of Church Roofs; with descriptive Letterpress. By R. and
  J.A. BRANDON. Royal 4to. uniform with the above, £3. 3s.

Parish Churches;

  being Perspective Views of English Ecclesiastical Structures;
  accompanied by Plans drawn to a Uniform Scale, and Letterpress
  Descriptions. By R. and J.A. BRANDON, Architects. 2 vols. large 8vo.
  containing 160 Plates, £2. 2s.

       *       *       *       *       *

Winkles's English Cathedrals.

  ARCHITECTURAL AND PICTURESQUE ILLUSTRATIONS OF THE CATHEDRAL
  CHURCHES OF ENGLAND AND WALES. New Edition, with the MANCHESTER
  CATHEDRAL. 186 Plates, beautifully engraved by B. WINKLES; with
  Historical and Descriptive Accounts of the various Cathedrals. In
  three handsome vols. imp. 8vo. cloth, £2. 8s.; roy. 4to. India
  proofs (_very few left_), £6. 6s.

  *** The Third Volume, comprising Lichfield, Gloucester, Hereford,
  Worcester, Durham, Carlisle, Chester, Ripon, Manchester, and the
  Welsh Cathedrals, may still be had separately, to complete sets,
  price 24s. in 8vo., 48s. 4to.

Winkles's French Cathedrals.

  From Drawings by R. GARLAND; with Historical and Descriptive
  Accounts. Containing Fifty large Plates. Cloth, 21s.; royal 4to.
  India proofs, £2. 2s.

Glossary of Architecture.

  Explanation of the Terms used in Grecian, Roman, Italian, and Gothic
  Architecture, exemplified by many Hundred Woodcuts. Fifth Edition,
  much enlarged. 3 vols. 8vo. 48s.

Introduction to Gothic Architecture.

  By the Editor of the "Glossary;" with numerous Illustrations, 4s.
  6d. cl.

Principles of Gothic Ecclesiastical Architecture.

  By M.H. BLOXAM. With an Explanation of Technical Terms. Ninth
  Edition, enlarged, with 260 Woodcuts, 6s. cloth.

Stuart's Antiquities of Athens,

  And other Monuments of Greece. With Seventy Plates, accurately
  reduced from the great work of Stuart and Revett; and a
  Chronological Table, forming a valuable Introduction to the Study of
  Grecian Architecture. 10s. 6d. cloth.

Domestic Architecture.

  Illustrations of the Ancient Domestic Architecture of England, from
  the XIth to the XVIIth Century. Arranged by JOHN BRITTON, F.S.A.
  With an Historical and Descriptive Essay. Fcp. 8vo. 5s. cloth.

Suggestions in Design.

  For the use of Artists and Art-workmen. Many Hundred subjects drawn
  by LUKE LIMNER. 4to. cloth, 16s.




Books of Travel, &c.


MR. ANGUS B. REACH'S NEW WORK.

The Loire and the Rhone,

  with a Dash into Normandy: the Journal of a Summer Tour. By A.B.
  REACH, Author of "Claret and Olives." Post 8vo. with
  Illustrations.--_Nearly ready._

Albert Smith's Story of Mont Blanc

  and the various Ascents thereof, from the time of Saussure to the
  present day. With Illustrations. Crown 8vo. 10s. 6d. cloth.

A Month in Constantinople.

  By ALBERT SMITH. With numerous Illustrations on Steel and Wood.
  Third Edition, fcp. 8vo. 5s. cloth.

Prince Adalbert.

  Travels of H.R.H. Prince Adalbert, of Prussia, in the South of
  Europe and in Brazil; with a Voyage up the Amazon and the Xingú.
  Translated by Sir R.H. SCHOMBURCK and J.E. TAYLOR. 2 vols. 8vo. Maps
  and Plates, 16s.

Travels in Peru,

  during the years 1838-42, across the Cordilleras and the Andes into
  the Primeval Forests. By Dr. J.J. VON TSCHUDI. Translated by Miss
  Ross. 8vo. 12s.

The Boat and the Caravan:

  a Family Tour in Egypt and Syria. With Engravings on Steel from
  Original Drawings. Fourth Edit. Fcp. 8vo. cloth, 7s.; morocco, 10s.
  6d.

Tour on the Prairies.

  Narrative of an Expedition across the Great South Western Prairies,
  from Texas to Santa Fé. By GEORGE W. KENDALL. 2 vols. fcp. 8vo, with
  Map and Plates, 12s.

The Wonders of Travel;

  containing choice Extracts from the best Books of Travel. Fcp. 8vo.
  Plates, 3s. 6d.




Fiction and Amusement.


Leonard Lindsay.

  The Story of a Buccaneer. By ANGUS B. REACH. 2 vols. post 8vo. 21s.

Reveries of a Bachelor.

  By IK. MARVEL. Fcp. 8vo. 4s. 6d. cloth.


THE BROTHERS MAYHEW.

The Greatest Plague of Life;

  or, The Adventures of a Lady in Search of a Servant, by One who has
  been almost Worried to Death. Edited by the Brothers MAYHEW.
  Illustrated by George Cruikshank. Crown 8vo. 7s. cloth.

The Magic of Industry;

  or, The Good Genius that turned Everything to Gold: a Fairy Tale. By
  the Brothers MAYHEW. With Plates by George Cruikshank. 2s. 6d.
  cloth.

Acting Charades;

  or, Deeds not Words. A Christmas game to make a long evening short.
  By the Brothers MAYHEW. Illustrated with many hundred woodcuts. 5s.
  cloth.

Round Games

  for all Parties, containing an inexhaustible Budget of Amusement for
  the Fireside, &c. 5s. cloth.

       *       *       *       *       *

The Sandboys' Adventures;

  or, London in 1851, during the Great Exhibition. By HENRY MAYHEW and
  G. CRUIKSHANK. 8vo. cloth, 8s. 6d.

Cracker Bon-Bon for Christmas Parties:

  A Collection of Humorous Dramas, Poems, and Sketches. By R.B.
  BROUGH. Profusely illustrated by Hine. Cloth, 3s. 6d.

Christopher Tadpole:

  his Struggles and Adventures. By ALBERT SMITH. With 42 Illustrations
  on Steel, by JOHN LEECH, and a Portrait of the Author. 8s.

  *** See also COMIC NATURAL HISTORIES, &c. page 10.

Gavarni in London.

  Scenes and Sketches of London Life and Manners. By Mons. GAVARNI.
  Beautifully engraved and tinted. Imp. 8vo. handsomely bound, 6s.

The Pentamerone;

  or, Story of Stories: an admirable Collection of Fairy Tales. By
  GIAM. BASILE. Translated from the Neapolitan by J.E. TAYLOR. With
  Illustrations by George Cruikshank. New Edition Revised. Crown 8vo.
  6s. cloth.

Village Tales from the Black Forest.

  By BERTHOLD AUERBACH. Translated by META TAYLOR. With Illustrations
  by Absolon. Post 8vo. 6s. cloth.

Adventures of Robinson Crusoe, complete.

  Reprinted from the Original Edition, with Illustrations by Stothard.
  Crown 8vo cloth, 7s. 6d.

Robinson Crusoe,

  with numerous Woodcuts by George Cruikshank and others. Fcp. 8vo.
  3s. 6d. cloth.

Pen and Ink Sketches of Poets, Preachers, and

  Politicians. Second Edition. Post 8vo. 5s.

The Young Lady's Oracle:

  A Fireside Amusement, with coloured Plate. 2s. 6d. cloth.




Comic Works.


GEORGE CRUIKSHANK'S WORKS.

My Sketch-book;

  containing more than Two Hundred laughable Sketches. By GEORGE
  CRUIKSHANK. In 9 Numbers, 2s. 6d. each plain; 3s. 6d. coloured.

Scraps and Sketches.

  In 4 Parts, each 8s. plain; 12s. coloured.

Illustrations of Time.

  8s. plain; 12s. coloured.

Illustrations of Phrenology.

  8s. plain; 12s. coloured.

The Bottle.

  In 8 large Plates, 1s.; or printed in tints, 6s.

The Drunkard's Children: a Sequel to the Bottle.

  8 large Plates, 1s.; printed in tints, 6s.

  *** These two works may be had stitched up with Dr. Charles Mackay's
  illustrative Poem, price 3s.--The Poem separate, 1s.

The Comic Alphabet.

  Twenty-six Humorous Designs. In case, 2s. 6d. plain; 4s. coloured.

The Loving Ballad of Lord Bateman.

  With Twelve Humorous Plates. Cloth, 2s.

The Bachelor's Own Book:

  being Twenty-four Passages in the Life of Mr. Lambkin in the Pursuit
  of Pleasure and Amusement. 5s. sewed; coloured, 8s. 6d.

The Comic Almanack, since its commencement

  in 1835 to 1853. Illustrated with numerous large Plates by George
  Cruikshank, and many hundred amusing Cuts.

  *** Any of the separate Years (except that for 1835) may be had at
  One Shilling and Threepence each.

John Gilpin:

  Cowper's humorous Poem. With Six Illustrations by G. Cruikshank.
  Fcp. 8vo. 1s.

The Epping Hunt.

  The Poetry by THOMAS HOOD, the Illustrations by George Cruikshank.
  New Edition, fcp. 8vo. 1s. 6d.

The Toothache,

  imagined by HORACE MAYHEW, and realized by George Cruikshank: a
  Series of Sketches. In case, 1s. 6d. plain; 3s. coloured.

Mr. Bachelor Butterfly:

  his Veritable History; showing how, after being Married, he narrowly
  escaped Bigamy, and became the Stepfather of Eight Hopeful Children.
  By the Author of "Mr. Oldbuck." 5s. cloth.

Comic Adventures of Obadiah Oldbuck:

  wherein are duly set forth the Crosses, Chagrins, Changes, and
  Calamities, by which his Courtship was attended; showing, also, the
  Issue of his Suit, and his Espousal to his Ladye-love. Large 8vo.
  with 84 Plates, 7s. cloth.

The History of Mr. Ogleby:

  shewing how, by the polish of his manners, the brilliancy of his
  repartees, and the elegance of his attitudes, he attained
  distinction in the fashionable world. 150 Designs, 6s. cloth.

The Comic Latin Grammar:

  A New and Facetious Introduction to the Latin Tongue. Profusely
  illustrated with Humorous Engravings by Leech. New Edition, 5s.
  cloth.

  "Without exception the most richly comic work we have ever
  seen."--TAIT'S MAG.

New Readings from Old Authors.

  Illustrations of Shakspeare, by ROBERT SEYMOUR. 4s. cloth.

Tale of a Tiger.

  With Six Illustrations. By J.S. COTTON. Fcp. 8vo. 1s.

Table-Wit, and After-dinner Anecdote.

  By the Editor of "Hints for the Table." Fcp. 8vo. 1s. 6d. cloth.


Comic Natural Histories.

By ALBERT SMITH, A.B. REACH, HORACE MAYHEW, &c. &c.

_Profusely Illustrated by the best Comic Artists of the day_.

Price One Shilling each.

ALBERT SMITH.

  The Gent.
  The Ballet Girl.
  Stuck-up People.
  Idler upon Town.
  The Flirt.
  Evening Parties.
  A Bowl of Punch.

A.B. REACH.

  Bores.
  Humbugs.
  Romance of a Mince Pie.

HORACE MAYHEW.

  Model Men.
  Model Women.
  Change for a Shilling.

_Also, in same style,_

  Hearts are Trumps. By James Hannay.
  Natural History of Tuft-hunters and Toadies.
     "       "       the Hawk Tribe (Swindlers, Blacklegs, &c.).
     "       "       a Bal Masqué. By the Count Chicard.




Miscellaneous Works.


Alexander Smith's Poems.

  A Life Drama, and other Poems. By ALEXANDER SMITH. _Third Edition._
  Fcp. 8vo. cloth, 5s.

Life and Times of Madame de Staël.

  By MARIA NORRIS. Post 8vo. 9s. cloth.

My Life and Acts in Hungary:

  Being a Personal Narrative of his Career in connection with the
  Revolution. By ARTHUR GÖRGEI, Commander-in-Chief of the Hungarian
  Army. 2 vols. post 8vo. 21s.

Men of the Time:

  A Series of Succinct Biographies of the most Eminent Living
  Notables:--Authors, Artists, Engravers, Poets, Preachers,
  Travellers, &c. &c. Small 8vo. 6s. cloth.

Lectures on the Great Exhibition

  and its Results on the Arts and Manufactures, delivered before the
  Society of Arts, by some of the most EMINENT MEN of the day. In Two
  Series, price 7s. 6d. each, neatly bound in cloth.

Lectures on Gold,

  delivered at the Government School of Mines, for the Use of
  Emigrants to Australia. Crown 8vo. with illustrations, 2s. 6d.

BOGUE'S GUIDES _for Travellers_,

  in compact and convenient volumes, pocket size;--

    I. BELGIUM and the RHINE, maps and plans.
   II. SWITZERLAND and SAVOY, map.
  III. FRANCE: with a complete Guide to Paris.

  *** Others _in preparation_.

The Pocket Peerage and Baronetage of Great

  Britain and Ireland. By HENRY R. FORSTER, of "The Morning Post."
  Neatly bound, 6s.

Webster's Quarto Dictionary, unabridged;

  containing all the Words in the English Language, with their
  Etymologies and Derivations. By NOAH WEBSTER, LL.D. Revised by
  Professor GOODRICH. With Pronouncing Vocabularies of Scripture,
  Classical, and Geographical Names. New Edition, carefully printed in
  a large 4to. volume, 31s. 6d. cloth; 42s. calf.

  *** The only _complete work_. _All_ the octavo editions are
  Abridgments.

Webster's Octavo Dictionary.

  Abridged from the above. Cloth, 7s. 6d.

The Fourth Estate.

  A History of Newspapers and the Liberty of the Press. By F.K. HUNT.
  Two vols. post 8vo. 21s. cloth.

The Religion of Geology,

  and its Connected Sciences. By EDWARD HITCHCOCK, D.D., of Amherst
  College. Crown 8vo. 7s. cloth.

Longfellow's Poems.

  The Poetical Works of H.W. LONGFELLOW. New Edition, with plates and
  portrait, fcp. 8vo. cloth, 4s. 6d.; morocco, 9s.

Longfellow's Prose Works.

  Uniform with the above. Fcp. 8vo, cloth, 4s. 6d.; morocco, 9s.

Longfellow's Golden Legend.

  The Golden Legend. By H.W. LONGFELLOW. Second Edition, fcp. 8vo. 5s.
  cloth; 9s. morocco.

  *** This volume is necessary to complete _all_ editions of the
  author's works.

The Happy Home:

  a Series of Papers affectionately ascribed to the Working People. By
  the Author of "Life in Earnest." Sewed, 1s.; cloth gilt, 1s. 6d.

The Fountain of Living Waters:

  2s. cloth gilt.

The Angel's Song.

  By the Rev. C.B. TAYLER, M.A. With Illustrations by Harvey. Fcp.
  bds. 5s.

French Domestic Cookery,

  combining Elegance with Economy; in 1200 Receipts. With numerous
  Engravings, Fcp. 8vo. 4s. cloth.

The Stowe Catalogue

  Priced and Annotated, by HENRY RUMSEY FORSTER, of the "Morning Post"
  newspaper. With numerous Illustrations of the principal Objects.
  4to. half-morocco, 15s.

Emma de Lissau;

  or, Memoirs of a Converted Jewess. With Illustrations by Gilbert.
  New Edition, 7s. cloth; 10s. 6d. morocco.

Miriam and Rosette;

  or, The Twin Sisters: a Jewish Narrative of the XVIIIth Century. By
  the Author of "Emma de Lissau." Illustrated by Gilbert. 3s. 6d.
  cloth.

Rev. Thomas Dale's Poetical Works.

  Including The Widow of Nain, The Daughter of Jairus, &c. New and
  Enlarged Edition, fcp. 8vo. 7s. cloth; 10s. 6d. morocco.

Windsor in the Olden Time:

  its Historical and Romantic Annals, from the earliest Records. By
  JOHN STOUGHTON. Crown 8vo. 6s.

The Whaleman's Adventures in the Southern Ocean.

  Edited by the Rev. W. SCORESBY, D.D. Fcp. 8vo. cloth, 6s.

The Maid of Honour;

  or, Massacre of St. Bartholomew: an Historical Tale of the Sixteenth
  Century. With Illustrations by ABSOLON. Fcp. 8vo. 3s. 6d.

Madame Guizot's Young Student;

  or, Ralph and Victor: a Tale for Youth, by Madame GUIZOT. Translated
  by SAMUEL JACKSON. With Engravings. New Edition, fcp. 8vo. 3s. 6d.
  cloth.

The London Anecdotes for all Readers,

  on the Plan of the Percy Anecdotes. 2 vols. 6s. cloth.

The Glory of Christ

  illustrated in his Character and History, and in the last things of
  his Mediatorial Government. By GARDINER SPRING, D.D. Fcp. 8vo. 7s.
  cloth.

The Singing-Book.

  The art of Singing at Sight taught by Progressive Exercises. By
  JAMES TURLE, Organist of Westminster Abbey; and EDWARD TAYLOR,
  Gresham Professor of Music. 4s. 6d. cloth.

Egeria; or, the Spirit of Nature.

  By CHARLES MACKAY, LL.D. Fcp. 8vo. 5s. cloth.

Town Lyrics.

  By CHARLES MACKAY. Crown 8vo. sewed, 1s.

The Book of the Months,

  and CIRCLE of the SEASONS. Embellished with Twenty-eight Engravings
  from Drawings by WILLIAM HARVEY. Beautifully printed in fcp. 8vo.
  3s. 6d. cloth.

Miniature French Dictionary,

  in French and English, and English and French: comprising all the
  words in general use. The remarkably comprehensive nature and
  compact size of this little dictionary admirably fit it for the
  student and tourist. Neatly bound in roan, 4s. morocco, gilt edges,
  5s. 6d.

Sharpe's Diamond Dictionary

  of the ENGLISH LANGUAGE. A very small volume, beautifully printed in
  a clear and legible type. Roan neat, 2s. 6d.; morocco, 3s. 6d.

May You Like It:

  a Series of Tales and Sketches. By the Rev. CHARLES B. TAYLER,
  Author of "Records of a Good Man's Life." Fcp. 8vo. 7s. 6d. cloth;
  10s. 6d. morocco.

Sketches of Canadian Life,

  Lay and Ecclesiastical, illustrative of Canada and the Canadian
  Church. By a PRESBYTER of the DIOCESE of TORONTO. Post 8vo. 6s.

Panorama of Jerusalem

  and the surrounding Scenery, from a Drawing by the Librarian of the
  Armenian Convent: with Historical and Descriptive Notices from the
  works of Robinson, Keith, Rae Wilson, Buckingham, &c. In cloth case,
  2s. 6d.

Recollections of the Lakes;

  and OTHER POEMS. By the Author of "Moral of Flowers," "Spirit of the
  Woods," &c. Fcp. 8vo. with Frontispiece, 7s. cloth; 10s. 6d. mor.

Year-Book of Facts in Science and Art;

  exhibiting the most important Discoveries and Improvements of the
  Year, and a Literary and Scientific Obituary. By the Editor of "The
  Arcana of Science." Illustrated with Engravings, fcp. 8vo. 5s.
  cloth.

  *** This work is published annually, and contains a complete and
  condensed view of the progress of discovery during the year,
  systematically arranged, with engravings illustrative of novelties
  in the arts and sciences, &c. The volumes, from its commencement in
  1839, may still be had, 5s. each.

  "Ably and honestly compiled."--ATHENÆUM.

Life's Lessons:

  a Domestic Tale. By the Author of "Tales that Might be True." New
  Edition, with Frontispiece, fcp. 8vo. 4s, cloth.

Williams's Symbolical Euclid,

  chiefly from the Text of Dr. Simson. Adapted to the Use of Students
  by the Rev. J.M. WILLIAMS, of Queen's College, Cambridge. New
  Edition, 6s. 6d. cloth; 7s. roan.--An 8vo. Edition may also be had,
  7s. cloth.

  ++§++ This edition is in use at many of the Public Schools.

King's Interest Tables,

  on Sums from One to Ten Thousand Pounds. Enlarged and improved, with
  several useful Additions. By JOSEPH KING, of Liverpool. In 1 large
  vol. 8vo. 21s.

Seven Hundred Domestic Hints,

  combining Elegance and Economy with the Enjoyment of Home. By a
  LADY. Neatly bound in cloth, 2s. 6d.

Floral Fancies;

  or, Morals from Flowers. With Seventy Illustrations. Fcp. 8vo. 7s.
  cloth.

The Game of Whist;

  its Theory and Practice, by an Amateur. With Illustrations by KENNY
  MEADOWS. New Edition, fcp. 8vo. 3s. cloth.

Backgammon:

  its History and Practice, by the Author of "Whist." Illustrated by
  MEADOWS. Fcp. 8vo. 2s. cloth.

The Dream of Eugene Aram.

  By THOMAS HOOD, Author of "The Song of a Shirt." With Illustrations
  by Harvey. Crown 8vo. 1s. sewed.


WORKS WITH ILLUMINATED TITLES.

IN THE STYLE OF THE OLD ROMISH MISSALS.

Books of Poetry.

  THE POETRY OF FLOWERS.
  POETRY OF THE SENTIMENTS.
  THE LYRE.--Fugitive Poetry of the Nineteenth Century.
  THE LAUREL.--a Companion Volume to the Lyre.

  3s. 6d. neatly bound in French morocco elegant.

Elegant Miniature Editions.

  COWPER'S POEMS. 2 vols.
  THOMSON'S SEASONS.
  SCOTT'S LADY OF THE LAKE.
  SCOTT'S MARMION.
  SCOTT'S LAY AND BALLADS.
  SCOTT'S ROKEBY.
  SCOTT'S SELECT POETICAL WORKS.
    4 vols. containing the above Poems uniformly bound.
  VICAR OF WAKEFIELD.
  COTTAGERS OF GLENBURNIE.
  SACRED HARP.

  *** Each volume, very neatly bound and gilt, 2s. 6d. cloth; 4s.
  morocco.


USEFUL WORKS.

_One Shilling each, neatly bound._

  ETIQUETTE FOR THE LADIES.--_Fortieth Edition._
  ETIQUETTE FOR THE GENTLEMEN.--_Thirty-fourth Edition._
  ETIQUETTE OF COURTSHIP AND MATRIMONY, with a complete Guide to the
    Forms of a Wedding.
  HAND-BOOK OF PENCIL DRAWING (Plates).
  A SHILLING'S WORTH OF SENSE.
  THE WEATHER BOOK: 300 Rules for Telling the Weather.
  THE BALL ROOM PRECEPTOR AND POLKA GUIDE.
  LANGUAGE OF FLOWERS, with illuminated covers and coloured Frontispiece.
  BALL ROOM POLKA, with Music and Figures.


Manuals of Instruction and Amusement.

Price One Shilling each, neatly printed and illustrated.

  1. Manual of Flower Gardening for Ladies. By J.B. Whiting,
       Practical Gardener. 2d Edition.
  2. --------- Chess. By Charles Kenny.
  3. --------- Music. By C.W. Manby.
  4. --------- Domestic Economy. By John Timbs.
  5. --------- Cage Birds. By a Practical Bird-keeper.
  6. --------- Oil Painting; with a Glossary of Terms of Art.
  7. --------- for Butterfly Collectors. By Abel Ingpen. Plates.
  8. --------- Painting in Water Colours.


Tilt's Cabinet Library Editions.

  1. DR. JOHNSON'S LIVES of the ENGLISH POETS.
  2. BOSWELL'S LIFE of JOHNSON.
  3. OLIVER GOLDSMITH'S WORKS.
  4. HERVEY'S MEDITATIONS and CONTEMPLATIONS.

  ++§++ These Works are clearly and beautifully printed by
  Whittingham, and each comprised in a handsome fcp. 8vo. vol. Their
  elegance and cheapness render them very suitable for Presents,
  School Prizes, or Travelling Companions. Price 6s. each, neatly
  half-bound morocco; or 9s. calf extra.

  "TILT'S EDITION" must be specified in ordering the above.




Juvenile Works.


Captain Mayne Reid's Books for Boys.

    I. The Desert Home; or, English Family Robinson. With numerous
       Illustrations by W. HARVEY. Third Edition, cloth, 7s.; with
       coloured plates, 10s. 6d.

   II. The Boy Hunters; or, Adventures in Search of a White Buffalo.
       With numerous Plates by HARVEY. Third Edition, cloth, 7s.;
       coloured, 10s. 6d.

  III. The Young Voyageurs; or, Adventures in the Fur Countries of the
       Far North. Plates by Harvey. Fcp. 8vo. 7s.; with coloured plates,
       10s. 6d.

The Boyhood of Great Men.

  As an Example to Youth. By JOHN G. EDGAR. With Cuts by B. Foster.
  Third Edition, 3s. 6d. cloth; with gilt edges, 4s.

Footprints of Famous Men;

  or, Biography for Boys. By J.G. EDGAR. Cuts by Foster. 3s. 6d.
  cloth; 4s. gilt edges.

Memorable Women;

  The Story of their Lives. By Mrs. NEWTON CROSLAND. Illustrated by B.
  Foster. Fcp. 8vo. 6s.

The Boy's Own Book:

  a complete Encyclopædia of all the Diversions--Athletic, Scientific,
  and Recreative--of Boyhood and Youth. With several hundred Woodcuts.
  New Edition, greatly enlarged and improved. Handsomely bound, 8s.
  6d.

Picture Book for Young People.

  Fifty quarto Plates, with Descriptions, cloth, 5s.; coloured, 10s.
  6d.

George Cruikshank's Fairy Library.

  Edited and Illustrated by George Cruikshank.

   I. Hop o' My Thumb, 1s.
  II. Jack and the Bean-stalk, 1s.

The Comical Creatures from Wurtemberg:

  from the Stuffed Animals in the Great Exhibition. Square cloth, 3s.
  6d.; coloured, 6s.

Comical People

  met with at the Great Exhibition, from Drawings by J.J. GRANDVILLE.
  Small quarto, 3s. 6d.; coloured, 6s.

Comical Story Books,

  With Coloured Plates. Price One Shilling each.

  1. The Weasels of Holmwood.
  2. The Wonderful Hare Hunt.
  3. Story of Reynard the Fox.
  4. Lady Chaffinch's Ball.
  5. Alderman Gobble.
  6. A Comical Fight.

Original Poems for my Children.

  By THOMAS MILLER. Profusely Illustrated. 2s. 6d. cloth.

The Young Islanders;

  a Tale of the Seaward-House Boys. By JEF. TAYLOR. Tinted plates, 6s.
  cl.

History of England,

  for Young Persons. By ANNE LYDIA BOND. 80 illustrations, 3s. 6d.

Little Mary's Books for Children.

  Price 6d. each, profusely illustrated:--

  Primer; Spelling Book; Reading Book; History of England; Scripture
  Lessons; First Book of Poetry; Second Book of Poetry; Babes in the
  Wood; Picture Riddles; Little Mary and her Doll.

Little Mary's Treasury,

  Being Eight of the above bound in one volume, cloth, 5s.

Little Mary's Lesson Book;

  containing "Primer," "Spelling," and "Reading," in One Volume.
  Cloth, gilt, 2s. 6d.

Harry's Ladder to Learning.

  Picture Books for Children. Price 6d. each, plain; 1s. coloured:--
  HARRY'S HORN BOOK.
    "     PICTURE BOOK.
    "     COUNTRY WALKS.
    "     NURSERY SONGS.
    "     SIMPLE STORIES.
    "     NURSERY TALES.

  Or the Six bound in one volume, 3s. 6d. cloth; or with col'd plates,
  6s.

The Playmate;

  a Pleasant Companion for Spare Hours. With numerous illustrations.
  Complete in One Volume, cloth gilt, 5s.

The Church Catechism Illustrated:

  With the Order of Confirmation. With numerous Engravings on wood.
  Neatly done up in gilt cover as a gift or reward book. 1s.

Home Lesson Books.

  The Home Primer, nearly 200 cuts, cloth, 1s.
  The Home Natural History, cuts, cloth, 1s.

  Each may be had with Coloured Plates, 2s. 6d.

Home Story Books.

  The Well-bred Doll, cuts, cloth, 1s.
  Discontented Chicken, cloth, 1s.;

  Or, with Coloured Plates, 2s. 6d.

Bertie's Indestructible Books.

  Printed on Calico, 6d. each.

  1. HORN BOOK.
  2. WORD BOOK.
  3. FARM YARD.
  4. WOODSIDE.
  5. WILD BEASTS.
  6. BIRD BOOK.

       *       *       *       *       *

                                                              _s._  _d._
  ABBOTT'S CALEB IN THE COUNTRY (Plates)                       1     0
  ARABIAN NIGHTS, as related by a Mother (many Plates)         3     6
  BARBAULD'S LESSONS FOR CHILDREN (Coloured Plates)            1     0
  BINGLEY'S STORIES ABOUT DOGS (Plates)                        4     0
  BINGLEY'S STORIES ABOUT INSTINCT (Plates)                    4     0
  BINGLEY'S TALES OF SHIPWRECK (Plates)                        4     0
  BINGLEY'S STORIES ABOUT HORSES (Plates)                      4     0
  BINGLEY'S TALES ABOUT BIRDS (Plates)                         4     0
  BINGLEY'S TALES ABOUT TRAVELLERS (Plates)                    4     0
  BINGLEY'S BIBLE QUADRUPEDS (Plates)                          4     0
  BOY'S TREASURY OF SPORTS AND PASTIMES (300 Engravings by S.
    Williams) fcp. 8vo. cloth                                  6     0
  CHILD'S FIRST LESSON BOOK (many Cuts) square, cloth          3     6
  FAMILY POETRY, by the Editor of "Sacred Harp," silk          2     6
  FIGURES OF FUN; Two Parts (Coloured Plates)                  1     0
  FLOWERS OF FABLE (180 Engravings)                            4     0
  HEROES OF ENGLAND: Lives of celebrated Soldiers and Sailors
    (Plates) cloth gilt                                        4     0
  HERVEY'S REFLECTIONS IN A FLOWER GARDEN (12 Coloured Plates) 4     0
  HISTORY OF MY PETS, by Grace Greenwood (Coloured Plates)     2     6
  LIFE OF CHRIST, New Edition (28 Plates)                      4     0
  MOTHER'S PRESENT TO HER DAUGHTER, silk                       2     6
  PARLEY'S VISIT TO LONDON (Col'd Plates), cloth               4     0
  PARLOUR MAGIC, Amusing Recreations (many Plates)             4     6
  PICTORIAL BIBLE HISTORY, complete in 1 volume, cloth         3     6
  RURAL AMUSEMENTS FOR SCHOOLBOYS DURING THE HOLIDAYS
    (Cuts) cloth                                               3     6
  SEDGWICK'S STORIES FOR YOUNG PERSONS (Plates), cloth         3     6




The European Library.

A COLLECTION OF THE BEST WORKS OF THE BEST AUTHORS.

_At the low price of 3s. 6d. per Volume._


=Miller (Thomas).=--History of the Anglo-Saxons. 12 plates, 3s. 6d.

=Thierry.=--History of the CONQUEST of ENGLAND by the Normans. By
AUGUSTIN THIERRY. Two vols.

=Guizot.=--History of the ENGLISH REVOLUTION of 1640, from the
Accession to the Death of Charles I. By F. GUIZOT. One vol.

=Guizot.=--History of CIVILIZATION in EUROPE and in FRANCE; comprising
the _Cours d'Histoire Moderne_ complete, and now translated _entire_
for the first time. Three vols.

=Michelet.=--Life of LUTHER: written by Himself. Collected and
arranged by J. MICHELET; with additions from AUDIN. One vol.

=Luther.=--TABLE-TALK. Translated by W. HAZLITT. One vol.

=Michelet.=--History of the ROMAN REPUBLIC. By J. MICHELET. One vol.

=Berington.=--LITERARY HISTORY of the MIDDLE AGES, from the Reign of
Augustus to the Revival of Learning. By the Rev. JOSEPH BERINGTON. One
vol.

=Carrel=} History of the COUNTER REVOLUTION, for the re-establishment
and     } of Popery in England under Charles II. and James II.,
=Fox.=  } by ARMAND CARREL; and History of the EARLY PART of the
          REIGN of JAMES II., by C.J. Fox. One vol.

=De Vigny.=--CINQ MARS; or, a Conspiracy under Louis XIII.: an
Historical Romance. By Count ALFRED DE VIGNY. One vol.

=Duppa=     } Lives of the ITALIAN PAINTERS.--Michael Angelo, by
and         } R. DUPPA, LL.B.; and Raffaello, by Q. DE QUINCY.
=De Quincy.=}

=Galt=      } Life of CARDINAL WOLSEY. By JOHN GALT. With
and         } additions from CAVENDISH. One vol.
=Cavendish.=}

=Roscoe.=--Life of LORENZO DE MEDICI. By WILLIAM ROSCOE. Edited by W.
HAZLITT. One vol.

=Roscoe.=--Life and Pontificate of LEO X. By WILLIAM ROSCOE. Edited by
W. HAZLITT. Two vols.

=Dumas.=--MARGUERITE DE VALOIS: an Historical Romance. By ALEXANDER
DUMAS. One vol.

=Bouterwek.=--History of SPANISH LITERATURE. By FREDERICK BOUTERWEK.
One vol.

=Mignet.=--History of the FRENCH REVOLUTION--1789, 1814. By F.A.
MIGNET. One vol.




MINIATURE CLASSICS:


A Choice Collection of Standard Works, elegantly printed, illustrated
with Frontispieces, and published at extremely low prices, with a view
to extensive circulation. The binding is executed in a superior
manner, and very tastefully ornamented.

Any work may be purchased separately. The prices per volume are--

  Ornamented cloth, gilt edges      1s. 6d.
  Prettily bound in silk            2s.
  Very handsome in morocco          3s.

Those to which a star is prefixed, being much thicker than the others,
are 6d. per vol. extra.

   Bacon's Essays.
   Beattie's Minstrel.
   Channing's Essays. 2 vols.
   Chapone's Letters on the Mind.
   Coleridge's Ancient Mariner, &c.
  *Cowper's Poems. 2 vols.
   Elizabeth, or the Exiles of Siberia.
   Falconer's Shipwreck.
   Fenelon's Reflections.
  *Gems of Anecdote.
  *Gems of Wit and Humour.
  *Gems from American Poets.
  *Gems from Shakspeare.
  *Gems of American Wit.
  *Gems of British Poets--
     1st Ser. Chaucer to Goldsmith.
     2d   "   Falconer to Campbell.
     3d   "   Living Authors.
     4th  "   Sacred.
  *Goldsmith's Vicar of Wakefield.
   Goldsmith's Essays.
   Goldsmith's Poetical Works.
   Gray's Poetical Works.
   Guide to Domestic Happiness.
   Gregory's Legacy to his Daughters.
  *Hamilton's Cottagers of Glenburnie.
  *Hamilton's Letters on Education. 2 v.
   Lamb's Tales from Shakspeare. 2 v.
   Lamb's Rosamund Gray.
  *Irving's Essays and Sketches.
   Johnson's Rasselas.
   Lewis's Tales of Wonder.
   Mason on Self-knowledge.
   Milton's Paradise Lost. 2 vols.
  *More's Coelebs. 2 vols.
   More's Practical Piety. 2 vols.
  *Pious Minstrel.
   Paul and Virginia.
   Pure Gold from Rivers of Wisdom.
  *Sacred Harp.
   Scott's Ballads, &c.
  *Scott's Lady of the Lake.
   Scott's Lay of the Last Minstrel.
  *Scott's Marmion.
  *Scott's Rokeby.
  *Shakspeare's Works. 8 vols.
  *Thomson's Seasons.
   Talbot's Reflections and Essays.
   Walton's Angler. 2 vols.
   Warwick's Spare Minutes.
   Young's Night Thoughts. 2 vols.

As there are several inferior imitations of this popular series, it is
necessary, in ordering, to specify--"TILT'S EDITION."

The whole Series may be had in a Case, representing two handsome
Quarto Volumes, lettered "LONDON LIBRARY OF BRITISH CLASSICS," which,
when shut, is secured by a patent spring lock, for £5. 5s., forming a
very useful and acceptable

BIRTHDAY AND WEDDING PRESENT.

       *       *       *       *       *

The Edition of Shakspeare included in the above may also be had
IN LEATHER CASE, WITH GLASS FRONT.

SHAKSPEARE'S DRAMATIC WORKS.

COMPLETE IN EIGHT VOLUMES.

Beautifully printed by Whittingham; uniform in size with "Tilt's
Classics." Each volume embellished with a Frontispiece, designed by
HARVEY, and numerous other Engravings, amounting in all to
Fifty-three.

This elegant Edition of the first of English Poets may be had in
various styles of binding, at the following very low prices:--Cloth,
gilt edges, and ornamented, 16s.; Silk, 20s.; Morocco, very elegant,
28s.




Drawing Books.


J.D. HARDING.

EARLY DRAWING BOOK:

  Elementary Lessons. 6 Numbers, 1s. 6d.; or in cloth, 10s. 6d.

DRAWING BOOK FOR 1847.

  6 Nos. 1s. 6d.; or cloth, 10s. 6d.

HARDING'S "LESSONS ON ART"--_see_ page 5.


SAMUEL PROUT, F.S.A.

PROUT'S MICROCOSM;

  Or, Artist's Sketch-book: many Hundred Groups of Figures, Boats, &c.
  Imperial 4to. 24s. neatly bd.

ELEMENTARY DRAWING BOOK

  of Landscapes, Buildings, &c. Six Numbers, 1s. 6d.; cloth, 10s. 6d.


MONS. JULIEN.

STUDIES OF HEADS:

  By Mons. JULIEN, Professor of Drawing in the Military School of
  Paris. Lithographed by T. FAIRLAND. Six Numbers, 2s. each; or cloth,
  14s.

THE HUMAN FIGURE:

  a Series of Progressive Studies, by Mons. JULIEN. With Instructions.
  Six Numbers, 2s.; or cloth, 14s.


GEORGE CHILDS.

DRAWING BOOK OF OBJECTS:

  Nearly 500 Subjects for young Pupils, and Drawing-classes in
  Schools. Six Nos. 1s.; cloth, 7s. 6d.

LITTLE SKETCH BOOK:

  Easy Studies in Landscapes, Figures, &c. Improved Edition. Fourteen
  Nos. 6d.; or 2 vols. cloth, 4s. each.

ENGLISH LANDSCAPE SCENERY:

  Sketches from Nature for finished Copies. Six Numbers, 1s. each;
  cloth, 7s. 6d.

DRAWING BOOK OF FIGURES:

  Sketches from Life at Home and Abroad. Several hundred Figures. Six
  Nos. 1s.; or bd. 7s. 6d.

DRAWING COPY BOOKS.

  A New Method of Teaching Drawing by means of Pencilled Copies, in
  progressive lessons. In 12 Nos. 6d. each.

  "It is not too much to say that if this method were universally
  adopted in out schools it would be attended with complete success."

       *       *       *       *       *

  ANDREWS' ART OF FLOWER-PAINTING. Col. Plates. 6 Nos. 2s. 6d.; cl. 16s.
  BARNARD'S (GEORGE) DRAWING BOOK OF TREES. 6 Nos. 1s.
  BARRAUD'S STUDIES OF ANIMALS. Six Nos. 3s.; coloured, 5s.
  COOPER'S (T.S.) DRAWING BOOK OF ANIMALS. 8 Nos. 1s. each; bd. 10s. 6d.
  DIBDIN'S EASY DRAWING BOOK, AND GUIDE TO SKETCHING. 6 Nos.
             2s. 6d.; bound, 18s.
  -------- LESSONS IN WATER COLOURS. 4 Nos. 4s.
  FAIRLAND'S JUVENILE ARTIST. 8 Nos. 1s.; cloth, 8s.
  FORD'S EASY LESSONS IN LANDSCAPE. 8 Nos. 9d.; cloth, 7s. 6d.
  GREENWOOD'S STUDIES OF TREES. 6 Nos. 1s.; cloth, 7s. 6d.
  GRUNDY'S SHIPPING AND CRAFT. 6 Nos. 1s.; cloth, 7s. 6d.
  HAND-BOOK OF PENCIL DRAWING; or, Self-Instructor in Art. 2 Plates,
             cl. 1s.
  PHILLIPS'S ETCHINGS OF FAMILIAR LIFE. 3 Nos. 1s. 6d.
  RAWLINS'S ELEMENTARY PERSPECTIVE. Royal 4to. sewed, 4s.
  SUTCLIFFE'S DRAWING-BOOK OF HORSES, 6 Nos. 1s.; cloth, 7s. 6d.
  WORSLEY'S LITTLE DRAWING BOOK OF LANDSCAPES, &c. 14 Nos. 6d.; or
             2 vols. cloth, 4s. each.




Books Reduced in Price.


Roman Art.--Il Vaticano:

  an Historical and Descriptive Account of the Church of St. Peter,
  and the Vatican Museum, and Galleries. By ERASMO PISTOLESI. In Eight
  Volumes folio, containing upwards of Nine Hundred Plates. Half-bound
  in morocco, gilt tops, _Thirty Guineas._

Authors of England:

  Portraits of the Principal Literary Characters, engraved in
  Basso-relievo by Mr. COLLAS; with Lives by H.F. CHORLEY. Royal 4to.
  cloth gilt, _published at_ 31s. 6d.; _reduced to_ 10s. 6d.

The Georgian Era:

  Modern British Biography since the Reign of Queen Anne. Handsomely
  bound in cloth. _Published at_ 34s. 6d.; _now reduced to_ 14s.

The Noble Science--Fox-hunting.

  By F.P. DELME RADCLIFFE, Esq. Master of the Hertfordshire Hounds.
  Royal 8vo. _Originally published at_ 28s.; _reduced to_ 12s.

Water-colour Gallery;

  containing large and highly-finished Engravings of the Works of the
  most distinguished Painters in Water-colours &c. 18 Plates, imperial
  4to. cloth. _Originally published at_ £3. 3s.; _reduced to_ 21s.

Museum of Painting and Sculpture:

  a Collection of the principal Pictures, Statues, and Bas-Reliefs in
  the Public and Private Galleries of Europe. This work, which
  contains Engravings of all the chief works in the Italian, German,
  Dutch, French, and English Schools, includes TWELVE HUNDRED PLATES,
  and is an indispensable _vade-mecum_ to the Artist or Collector. In
  17 handsome vols. small 8vo. neatly bound, with gilt tops.
  _Originally published at_ £17. 17s.; _reduced to_ £4. 14s. 6d.

Laconics;

  or, the Best Words of the Best Authors. 3 vols. cloth, _published
  at_ 12s.; _reduced to_ 7s. 6d.

Travels in S.E. Asia, Malaya, Burmah,

  and HINDUSTAN. By the Rev. H. MALCOM. 2 vols. 8vo. _published at_
  16s.; _reduced to_ 8s.

Puckle's Club;

  or, a Grey Cap for a Green Head. Many first-rate Wood Engravings,
  cloth. _Published at_ 7s. 6d.; _reduced to_ 2s. 6d.

The English School of Painting:

  a Series of Engravings of the most admired Works in Painting and
  Sculpture executed by British Artists, from the days of Hogarth:
  with Descriptive and Explanatory Notices, by G. HAMILTON. Four
  volumes, containing nearly Three Hundred Plates, neatly bound, with
  gilt tops. _Originally published at_ £3. 12s.; _reduced to_ 28s.

Martin's Illustrations of the Bible;

  consisting of Twenty large and magnificent Plates, designed and
  engraved by John Martin, Author of "Belshazzar's Feast," &c. In a
  large folio volume, cloth. _Originally published at_ £10. 10s.;
  _reduced to_ £2. 2s.




INDEX.


  Adalbert's (Prince) Travels, 7

  Acting Charades, 8

  Andrews' Flower Painting, 21

  Aram, Eugene, Dream of, 14

  Architectural Works, 5

  Art of Painting Restored, 5

  Auerbach's Village Tales, 8

  Authors of England, 22


  Backgammon, 14

  Beattie and Collins, 3

  Berington's Middle Ages, 19

  Bertie's Indestructible Books, 18

  Bible Gallery, 2

  ----- Women of the, 3

  Bingley's Tales, 18

  Bloxam's Gothic Architecture, 6

  Blunt's Beauty of the Heavens, 4

  Boat (The) and the Caravan, 7

  Bond's History of England, 17

  Book of Beauty, 2

  ------- the Months, 13

  Boswell's Johnson, 16

  Boyhood of Great Men, 16

  Boy's Own Book, 16

  ----- Treasury, 18

  Bouterwek's Spanish Literature, 19

  Brandon's Architectural Works, 5, 6

  Bunyan's Pilgrim's Progress, 2

  Burnet on Painting, 4, 5

  ------'s Essays, 5

  -------- Life of Turner, 1

  ---------------- Rembrandt, 2

  Butterfly (Bachelor), 10

  Byron Gallery, 3


  Canadian Life, Sketches of, 13

  Carrel's Counter Revolution, 19

  Chapman's Elements of Art, 5

  Cheever's Whaleman's Adventures, 12

  Child's Drawing Books, 21

  ------- First Lesson Book, 18

  Christian Graces in Olden Time, 2

  Christmas with the Poets, 1

  Church Catechism Illustrated, 18

  Comic Works, 9

  ----- Latin Grammar, 10

  ----- Natural Histories, 10

  ----- Almanack, 9

  Comical Creatures from Wurtemberg, 17

  ------- People, 17

  ------- Story Books, 17

  Cooke's Rome, 2

  Cooper's (T.S.) Animals, 21

  Cowper's Poems, 4, 15, 20

  Cracker Bon Bon for Christmas, 8

  Crosland's Memorable Women, 16

  Cruikshank's (Geo.) Works, 9

  ------------------- Fairy Lib., 16


  Dale's Poems, 12

  De Staël's (Mad.) Life and Times, 11

  De Vigny's Cinq Mars, 19

  Domestic Architecture, 6

  -------- Hints, 14

  Drawing Books, 21

  ------- Copy Books, 21

  Dumas' Marguerite de Valois, 19


  Edgar's Biographies for Boys, 16

  ------- Boyhood of Great Men, 16

  Emma de Lissau, 12

  English School of Painting, 22

  Etiquette for the Ladies, 15

  ------------- Gentlemen, 15

  --------- of Courtship, 15

  Euclid, Symbolical, 14

  European Library, 19


  Fielding's Works on Painting, 5

  Floral Fancies, 14

  Flora's Gems, 3

  Footprints of Famous Men, 16

  Forster's Pocket Peerage, 11

  Fountain of Living Waters, 12

  Fox-hunting, Noble Science of, 22

  French Domestic Cookery, 12

  ------ Dictionary, Miniature, 13


  Galt's Life of Wolsey, 19

  Games for Christmas, 8

  Gavarni in London, 8

  Georgian Era (The), 22

  Glossary of Architecture, 6

  Goldsmith's Works, 16

  Görgei's Life in Hungary, 11

  Graces, Gallery of the, 3

  Guides for Travellers, 11

  Guizot's English Revolution, 19

  -------- Civilization, 19

  -------- (Mad.) Young Student, 13


  Happy Home (The), 12

  Harding's Works on Art, 5

  --------- Drawing Books, 21

  --------- Sketches at Home, 4

  Harry's Ladder to Learning, 17

  Heroes of England, 18

  Heroines of Shakspeare, 2

  Hervey's Meditations, 16

  Hitchcock's Religion of Geology, 11

  Home Lesson Books, 18

  ---- Story Books, 18

  Hood's Epping Hunt, 9

  ------ Eugene Aram, 14

  Hunt's Fourth Estate, 11


  Introd. to Gothic Architecture, 6


  Johnson's Lives of the Poets, 16

  Julien's Studies of Heads, 21

  -------- Human Figure, 21

  Juvenile Books, 17


  Keepsake (The), 2

  Kendall's Travels, 7

  King's Interest Tables, 14

  Laconics, 22

  Landscape Painters of England, 2

  Language of Flowers, 3

  Laurel and Lyre, 15

  Lectures on Great Exhibition, 11

  ----------- Gold, 11

  Le Keux's Cambridge, 4

  Life's Lessons, 14

  Little Mary's Books, 17

  ------------- Treasury, 17

  ------------- Lesson Book, 17

  Lives of Italian Painters, 19

  London Anecdotes, 13

  Longfellow's Poems, 1, 12

  ------------ Hyperion, 1

  ------------ Golden Legend, 1, 12

  ------------ Prose Works, 12

  Luther's Life, 19

  -------- Table Talk, 19


  Mackay's (Charles) Egeria, 13

  ------------------ Town Lyrics, 13

  Maid of Honour, 13

  Malcom's Travels in Hindustan, 22

  Manuals of Instruction, &c., 15

  Martin's (John) Bible, 22

  Mayhew's Greatest Plague, 7

  -------- Acting Charades, 8

  -------- Magic of Industry, 8

  -------- Sandboys' Adventures, 8

  -------- Toothache, 9

  -------- Model Men & Women, 10

  Men of the Time, 11

  Michelet's Life of Luther, 19

  ---------- Roman Republic, 19

  Miguet's French Revolution, 19

  Miller's (T.) Poems for Children, 17

  ------------- Anglo-Saxons, 19

  ------------- Pictures of Country Life, 4

  Milton's Poetical Works, 3

  Miniature Classics, 20

  Miriam and Rosette, 12

  Museum of Painting & Sculpture, 22


  Ogleby's Adventures, 10

  Oldbuck's Adventures, 10


  Painting, Drawing, &c. Works on, 4

  Panorama of Jerusalem, 14

  Parlour Magic, 18

  Pearls of the East, 4

  Pellatt on Glass-making, 2

  Pen and Ink Sketches, 8

  Pentamerone (The), 8

  Pictorial Bible History, 18

  Picture Book for the Young, 16

  Playmate (The), 17

  Poetry of Flowers, 15

  --------- the Sentiments, 15

  Prout's (Sam.) Microcosm, &c., 21

  Puckle's Club, 22


  Raffaelle's Cartoons, 2

  Reach's (A.B.) Loire and Rhone, 7

  -------------- Leonard Lindsay, 7

  -------------- Comic. Nat. Hists., 10

  Recollections of the Lakes, 14

  Reid's (Capt. M.) Desert Home, 16

  ----------------- Boy Hunters, 16

  ----------------- Young Voyag., 16

  Rembrandt and his Works, 2

  Reveries of a Bachelor, 7

  Robinson Crusoe, 8

  Romance of Nature, 3

  Roscoe's Lorenzo de Medici, 19

  -------- Leo X., 19

  Round Games, 8


  Scott's Poems, 3, 15, 20

  Seymour's New Readings, 10

  Shakspeare Heroines, 2

  ----------'s Works, 20

  Sharpe's Diamond Dictionary, 13

  Singing Book, 13

  Smith's (Alexander) Poems, 11

  ------- (Albert) Mont Blanc, 7

  ---------------- Constantinople, 7

  ---------------- Christ. Tadpole, 8

  ---------------- Comic Natural Histories, 10

  Spring's Glory of Christ, 13

  Stowe Catalogue, 12

  Stuart's Antiquities of Athens, 6

  Suggestions in Design, 6


  Tayler's (C.B.) Angel's Song, 12

  --------------- May You Like It, 13

  Taylor's Young Islanders, 17

  Thierry's Norman Conquest, 19

  Thomson's Seasons, 3, 15

  Tschudi's Travels in Peru, 7

  Turner and his Works, 1


  Vaticano (Il), 22

  Vestiges of Old London, 2


  Walton's Angler, 4, 20

  Water Colour Gallery, 22

  Waverley Gallery, 3

  Webster's Quarto Dictionary, 11

  --------- Octavo Dictionary, 11

  Whist, Game of, 14

  Willson on Water Colours, 5

  Windsor in Olden Time, 12

  Winkles's Cathedrals, 6

  Women of the Bible, 3

  Wonders of Travel, 7


  Year Book of Facts, 14

  Young Lady's Oracle, 8




      *      *      *      *      *




Transcriber's note:

Obvious punctuation and printer's errors have been corrected. Other
punctuations and spellings have been left as printed in the book,
including:

- inconsistent use of hyphen (e.g. "dew-drop" and "dewdrop");
- inconsistent use of accents (e.g. "fringèd" and "fringed");
- inconsistent use of apostrophe (e.g. "would'st" and "wouldst");
- inconsistent use of archaic forms (e.g. "goes" and "goeth");
- and any other variable spellings.

Index entries that do not match their referred text are corrected,
including:

- Index entry "Foxhunting" corrected to be "Fox-hunting."
- Index entry "Gorgei" corrected to be "Görgei."
- Index entry "Rafaelle" corrected to be "Raffaelle."
- Index entry "Winkle" corrected to be "Winkles."
- Index entry "Wurtemburg" corrected to be "Wurtemberg."



***END OF THE PROJECT GUTENBERG EBOOK POEMS***


******* This file should be named 42301-8.txt or 42301-8.zip *******


This and all associated files of various formats will be found in:
http://www.gutenberg.org/dirs/4/2/3/0/42301



Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License available with this file or online at
  www.gutenberg.org/license.


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation information page at www.gutenberg.org


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at 809
North 1500 West, Salt Lake City, UT 84116, (801) 596-1887.  Email
contact links and up to date contact information can be found at the
Foundation's web site and official page at www.gutenberg.org/contact

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:  www.gutenberg.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For forty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.