The Project Gutenberg EBook of The Dales of Arcady, by Dorothy Una Ratcliffe This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Dales of Arcady Author: Dorothy Una Ratcliffe Release Date: August 14, 2011 [EBook #37086] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE DALES OF ARCADY *** Produced by Al Haines THE DALES OF ARCADY BY DOROTHY UNA RATCLIFFE ERSKINE MACDONALD, LTD. LONDON, W.C.1 _All Rights Reserved_ _First published November 1918_ DEDICATED TO THE FIRST YORKSHIREMAN I SET EYES ON DADDY CONTENTS Prologue Daleshire On Otley Chevin The Song of Nidderdale Song of the Mists Wander-Thirst The Road The Swaling of the Moor The Moors in Summer My Herbary Rushes Satan and I To the Wind Saadi and the Rose The Difference Song of the Primroses Lilies The Pear-Tree Beggar's Gold On Early Rising Jewels Bargaining Song of Good-Bye King Yesterday Kissing Philosophy A Thrush's Song A February Day Laus Deo "Past-Ten-O'Clock-Land" To Memory A War Prayer for a Little Boy Star-Scandal The First of July "The Ideal Man" To the Coming Spring Question The Dales of Arcady A War-time Grace Queen Mab's Awakening PROLOGUE _The youngest Goddess sat in a corner of the Universe and sulked. For æons, she had watched the older Goddesses play each in turn with the Earth-Ball, and every time the Ball passed her way, someone said, "She is too young, and, if she played with the Ball, might injure it." Another added, "Even our honourable Sister E---- created baleful Etna in her ardent desire to give a beauteous mountain to flowering Sicily, and C----, when she designed the azure Mediterranean, raised her little finger all too hurriedly, causing the whirlpool so dreaded by Grecian sailors." But the youngest Goddess had waited long and was becoming mutinous. Her great grey eyes, like silent moorland tarns fringed with shadowy larches, were fixed on the handiwork of the Goddess who at that moment held the Ball. She noticed the blue line thoughtfully traced across a vast tract of land, the line men call the River Amazon, and she watched the Designer proudly hold the Ball aloft to show her handiwork to her sisters. "Surely it is the finest river we have yet traced!" "Nay! let me see it." "Can it be greater than that which Mortals call the Ganges?" Then, as the Designer of the Amazon threw the Ball above the head of the youngest Goddess toward the lap of a weary, responsible-looking sister, the youngest Goddess leapt above the little silvern stars, and caught it in her lithe white arms. A look of consternation went round the Universe. "She is too young to play!" But the youngest Goddess claspt the Ball to her breast. "Let me play, just once," she pleaded. "I will make no earthquakes, no volcanoes, no geysers, nothing that could spoil the beauty of the Ball." Then an old Goddess--so old that she could remember God calling order out of chaos, hobbled towards her. "Child! thou hast seized the Ball, and play with it thou wilt, but disturb not the handiwork of thine elder sisters. Thou canst pattern only where they have not worked." So the youngest Goddess held the Ball up to the glance of God to get a great light upon it, and by chance found one small space covered with heather and bilberry, a wild sad waste. "Here, I may play! Oh! my sisters, I would make something rarer and more beautiful of my little wild heath than any of you have dreamed of for other parts of the Ball." Lovingly she laid her outstretched hand upon the bosom of the moorland, and when she lifted it the uplands bore the soft imprint, and a little river flowed where each finger had rested. Thus were created Airedale, Wharfedale, Nidderdale, Wensleydale, and Swaledale. And because the fingers of the youngest Goddess quivered with pleasure they are merry little dancing rivers, and even play underground as they ripple to the Ouse. In this wise she fulfilled her desire to make something rarer and more beautiful of her moorland waste than her sisters had ever dreamed of for any other part of the Ball. But, being very young, she boasted of her wondrous achievement, and, as a punishment, the other Goddesses prevented her from ever playing with the Ball again. That is the reason there is only one Daleshire._ DALESHIRE To E. A. B. When sad home-longings, like little waifs, Come to my heart, in a stranger-land, No thought of a house sweeps over me, No pleasant thorp does my heart demand; For the great blue open wold it cries, For the road that over the moorland lies. For heather lands where the plovers wing, Where frail mists gather about the hills Like mystic shapes that eerily cling, Where the air is hushed for the snipe-loved rills: All these my tired heart greets as "Home," When and wherever I'm forced to roam. In the dales the pollarded willows flower: I hear the wings of a mating thrush; The river has gained its spated hour, Its mad, magnificent, tumbling rush; Ready to break their hearts or sing, My own sweet dales are expecting spring. No flower-girt cottage means home to me, No stately, splendid ancestral pile, No cosy house builded pleasantly Does my wandering-weary heart beguile, But the homesick heart of me longs to hail My county of lovering moor and dale! BEAMSLEY BEACON. ON OTLEY CHEVIN Over the rough-hewn limestone wall, I watched the serpenting river crawl Adown the dale, thro' dimpled fields, Daisy-brimmed, where Almscliffe shields With rocky crest The lambs that play on the old Earth's breast. Gently I felt God's hand in mine, As the sun came forth with a strength benign: "_I have one request to make, dear God: That when my body is 'neath the sod, My spirit still May over this country roam at will._" On the wings of the wind I heard Him sigh: "Unheedingly many--so many--pass by, Tho' the world is full of My fairest thought, Of all that My servant Time hath wrought, It is so rare To hear that My work is surpassing fair." "_O! Grant my prayer, and let me stay In this land where Thy little rivers stray, For I love them, God, with a love so true, Remembering they are a part of You. O! Speak and bless!_" And the wind from the uplands echoed "Yes." WHARFEDALE. THE SONG OF NIDDERDALE As I came past the Brimham Rocks I heard the thrushes calling, And saw the pleasant, winding Nidd In peaty ripples falling. Its banks were gay with witching flowers, And all the folk did hail Me back again so cheerily To bonnie Nidderdale. The blackbirds in the birchen holts The live-long day were singing, Where countless azure hyacinths Their perfumed bells were ringing. And Guisecliff stands in loneliness Between the moor and vale, Protecting with its rocky scaur My bonnie Nidderdale. And as I passed thro' Pateley Brigg, A woman carolled blithely, And up and down the cobbled streets The bairnies skipped so lithely. The sky was blue, and silken clouds, Each like an elfin sail, Swept o'er the waking larchen woods Of bonnie Nidderdale. Where grey-stone dykes, and greyer garths Look down on Ramsgill village, The thieving, gawmless, gay tomtits The little gardens pillage. Grey Middlesmoor is perched upon The fellside azure pale, A mist-girt, lonely sentinel O'er bonnie Nidderdale. Above the dowly intake lands The great wide moor is calling, Of heathered bens and brackened glens, Where peat-born rills are brawling. O! land of ever-changing skies, Where wild winds storm and wail, There is nowhere a land more loved Than bonnie Nidderdale. NIDDERDALE. SONG OF THE MISTS When Twilight beckons from the ghyll We follow, follow up the hill; Garth, holt, and meadow we caress, Enwreathing all with loveliness; Small, silver, mauve-blue butterflies Are born of our brief summer sighs; Frail harebells in our arms we bring, To curtsey to the reigning ling; Bairnies who watch for us to rise Steal azure from us for their eyes; And poets find their Land of Dreams Lost in the moonlight of our streams. THE HOLE OF HORCUM, NEAR WHITBY. WANDER-THIRST There's a drop of Romany blood in me, And days there are when it swirls and leaps Like a river's race or a surging sea, Stirring to life all my calmer deeps. Then wandering, wandering must I go And the great, wide, open places know. For out in the world the woods are awake, And I hear the voice of the calling Wind, My wonderful wooer, my rough, sweet mate, And follow I must! Perchance I'll find His whip that drives the clouds o'er the fells, And cracks in the corrie, like short, sharp bells. The wild Ever-during is calling for me, A missel's song and a curlew's cry, Blent with a rivulet's minstrelsy, And the crooning voice of the fir-top's sigh. 'Tis the great god Pan that I seek to find Borne on the wings of my lover Wind. "O! make me one with the wondrous earth, God of the woods and the laughing rills! Make me one with the lucent mirth Of the Sun as he rides o'er the gorse-loved hills. When I am gone and my singing is mute Give to my Lover my silent lute." ROSEBERRY TOPPING. THE ROAD Over the moor in the velvet dusk Mysteriously it lies. White thro' the heath and the swart fir woods White 'neath the twilit skies. 'Tis hid in the folds of the purple hills, Seeking a fern-fringed burn: But it mounts again, then is lost once more, With a tremulous, misting turn. Where blue mists gather beneath the moon It shows as a silvern stream. O Path of Life, you are out of sight, And lost in a wistful dream. JUGGER HOWE DALE. THE SWALING* OF THE MOOR Oh! Moorland in September To love and to remember. The air is still and sunlit, The moor's a russet bed, The bracken's turning beryl, The whortle leaves are red. Here stand five sister pine-trees, Gold-nimbussed by the sun; And near, a slender rowan, Its scarlet reign begun. A runnel near is singing A song of liquid glee, A saucy, joyous blackbird Tilts bubbling notes at me. Then in a magic circle Seven thick white smokes upcurl, And forks of flame triumphant Like crimson flags unfurl. They rise with grace, and slowly-- Flower incense from the ling, Repaying summer splendour By an autumn offering. Oh! Moorland in September To love and to remember. WEST END, BLUBBERHOUSES. * The annual burning of the heather. THE MOORS IN SUMMER Up to the moorlands a lingtit has flown-- (Another meadow has yet to be mown Before the sun goes under the hill). I will hie me down, for a drink, to the rill: A wheatear mimics the whinchat's call, And a cuckoo cries from the Woods of Wath As a heron soars over the verdant strath, And an ousel pipes from the grey stone wall. I drink in a dream-- The water flows from a Fairy Stream. For the smell of the ling my heart is a-yearn, And the sharp, sweet tang of a moorland burn. The lingtit waited anent a gate Where foxgloves held their midsummer fête, Then on she sped o'er the feathery green Of the bracken fronds, flying beneath and between, Till she reached a dyke where the bents and moors Stretched out to the sky in a rolling sea Of wave upon wavelet of purpling glee, O'er a land where the wistful lapwing lures. I sought to rest On the moorland's soft, sweet, heathery breast, When out of the bilberries, spick and clean, A small man stepped, in a coat of green. He bowed to the earth, with an old-world grace, Then lifted his eyes to my sun-tanned face: "_So you are the Mortal who drank from our rill, A cordial welcome to Bilberry Hill!_" He peered again, and he watched mine eyes, Then turning, he whistled the lapwing's note. For a moment the melody seemed to float O'er the heather; and then with increased surprise I saw a troop Of little green men around me group. They all bowed low, "I thought you had fled The Yorkshire Uplands, green men!" I said. They smiled at each other. Their leader broke The hush of the heather, and thus he spoke: "_Ling-men! her eyes are the eyes of the fells, Grey as the clouds and blue as the bells Of the harebell. See! how they flash and play As the rivulet does 'neath the rowan and birk; 'Tis a glance in which there's loving a-lurk; A glance that only is born on the brae. Ling-men! I am sure A changeling is she, and belongs to the moor. Her way she lost as a weeny bairn. Men found her, and town-ways they made her learn. Capture her heart so she cannot roam Far away from her grouse-loved home, Weave from the cottony grasses a chain That will pull at her heart with a wild, dear pain; Fashion a gyve from the wings of the lark, Manacles make from the bumble-bees' croon, To keep her a captive from June to June, To render her ours in the light, in the dark!_" They wove a spell Which encircled me round from fell to fell. O! it bound my heart for ever and aye, To the lands where the Bilberry Ling-men play. DALLOWGILL MOOR. MY HERBARY I know a little garden very old, High-walled, with wandering paths of greenest box; Beyond the doorway lies the rolling wold, The open moorland, and the Brimham Rocks. Here find a home all nigh-forgotten herbs; The sage and rosemary nod side by side; A giant lavender no pruning curbs, With us each year the honesties abide. Under a hawthorn, ruby-gemmed in May, A bank of marjorams lie at their ease; Here, lad's-love sigh their fragrant hearts away, Whilst rippling lieds of water never cease. Beside the cherry-tree the balsams flower, The rue and mint bloom out a life-time meek; A pleasant place it is at sunrise hour, When sportful finches wing in hide-and-seek. And where the aged, moss-grown sundial lies, The peacock pert unfolds his wheel-rim tail, Showing a hundred jewelled Argus eyes: With harsh, shrill cry he bids the day "All hail." More is he fitted for the fountained sward Than for my herbary of butterflies; No! I proclaim the lovelier throstle, Lord, The only one my simples recognise. PATELEY BRIDGE, NIDDERDALE. RUSHES Rushes by the river Rear their heads of brown; In the wind they quiver With a warning frown. "Do you want them, Fairest? At thy feet they lie; They were guarding, Rarest,-- Sentinels!--They die." Wild things are not willing To be captive ta'en: "Cutting's almost killing," Is their sad refrain. "Rushes in their beauty Greenly-proud should stand: Guarding is their duty-- River from the land." DARLEY, NIDDERDALE. SATAN* AND I To-day there is no one as happy as I, Who am free of the hills, of the dales, of the sky, As I ride o'er the moors while the lapwings cry. I ride thro' the whin, watch the rabbits run, Then slowly I turn to bask in the sun-- Then gallop away o'er the crest, like fun. And Satan, you fiend, with your knowing ways And tricks, that you dream of for days and days, And mem'ries of maddening hours of the chase; Do you feel the liberty of the wind, That wakes the fern-land with kisses kind, And seeks with caresses our lips to find? To-day, for us both to be out is joy, Tho' I am a girl with the soul of a boy, And you are a horse, whom the spurs annoy. To just be alive is a blessing rare, In a world of beauty, endlessly fair; For Satan and I, we have no care. ALMSCLIFFE CRAG, WHARFEDALE. * The name of my horse. TO THE WIND Strong, powerful Sweetheart-Wind, In tireless love-storm surging; Great, bold, tempestuous Wind, Ever thy passion urging. Hold me close in thine arms, O! strengthening ecstasy: Wild, sweet, capturing arms-- Love! I am yearning for thee. Eyes, hair, bosom caress, My rowan-red lips now kiss; Life-giving, wilful caress, O! marvellous moorland bliss. Great, strong lover o' mine, I long for thy grand embrace; Fierce, brave lover o' mine, I yield to thee my heart's grace. GREENHOW HILL. SAADI AND THE ROSE O summer, with thy magic gift of flowers And soft bird voices, musicking the breeze, While yet thy roses stir the lazy air My soul wings back thro' centuries, as hours. It journeys till it 'lights within a court Where roses riot o'er veined-marble walls, Where peacocks strut along the broad white steps, Or over broideries by fair hands wrought. Within the palace, divanned, rests a king, Who watches listlessly the fountain's jet; And at his feet the poet Saadi stands And hears intent th' captured bulbuls sing. A slave with soul on freedom bent he stands, His eyes ablaze with restless ecstasy, While all around him breathes magnificence Of power imperial over many lands. Within his slender hand he holds a rose; Raising his head, he murmurs, "_Mighty King! Do good unto thy servant while thou canst: Thou may'st not always mitigate his woes._ "_Like to this fleeting glory, carmined deep, The season of thy power is transient: Do good, whilst yet thou canst--'before thine eyes Close in thy last, forgetting, silent sleep._" O blood-red rose! Thy petals bring to me The sunlit beauty of the Persian Court, The voice of Saadi, pleading with the king His freedom granted on thy crimson plea. A ROSE-GARDEN IN AIREDALE. THE DIFFERENCE When the factories all are silenced, And night brings her balm of sleep, What are your last dear waking thoughts Ere you drift into slumber deep? Why, Darling Mine! they are all of work, As your mind reviews the day: Of the men you meet, of progress made, Of struggles to make your way. But I--when I nestle among the sheets, Ere sleep my tired eyes woo, Just count and repeat the loving words That have fall'n to-day from you! AIREDALE. SONG OF THE PRIMROSES Listen to the infant breeze, Clutching at the nippled trees, Where our yellow flowers are blowing, Where the rivulet is flowing. Over all the blue-cupped sky Silver brooding clouds swim by; See! The firstling swallow flying, Later, owlets will be crying. Come and mark the painter sun Daub the earth with golden fun; Hear the larches' fingers snapping, As if goblin hands were clapping. Smell the rain-sweet, thymy earth, Feel the wonder of rebirth! Far away a cuckoo's calling, Notes that sound like twin bells falling. Then a clearer voice replies To his echo ere it dies, And the blackbirds' voices mingle With th' Eistedfodd in the dingle. Gold-green poplars slowly wave O'er the Winter's mossy grave; Ferns are pointing curly fingers Where the dead year's bracken lingers. We have seen a hedgehog hide Prickle-less to greet his bride; Watched the baby otter shiver Ere he plunged into the river. We are critics of the bees, Watch how they despoil and seize From each cowslip saffron bounty; Uncaught robbers of the county! All the keenings of the bat, Whimperings of the water-rat; All the hopes of sister flowers Come to us by gossip showers. Tortoise-shelled butterflies, On their dew-pearl'd wingful sighs, Bear the news of elfin squabbles; "Wounded Oberon still hobbles." We are darlings of the Spring, All her secrets she doth bring, Runes of magic she discloses To her confidant-Primroses. ENVOI We shall feel her joy-winged sigh, When she hears the Summer's cry: We shall droop and die of grieving, When our lovely Spring is leaving. LITTONDALE. LILIES When I am old, so very old That all my own have passed away, And I await Life's evening-gold, A little figure, lone and grey; I'll keep a garden, green and bright, Then I'll forget approaching night. A garden dear--with quaint-cut yews-- Bound by a hedge of bronzing beech, And just before them I shall choose The great white lilies that beseech, With upturned faces, pure and staid, Love from the little Mother Maid. And close beside the lichened wall, Lilies, aflame like scarlet fire, Shall watch the little swallows fall From out their nestlet in the byre; And where the path strays to the stream, The golden ones shall dying dream. Then where the garden greets the wood, A host of lily-bells shall ring Their message clear that "all is good Where God reigns over everything." My garden-beauty, all shall see, Is mirrored from Eternity. A GARDEN IN AIREDALE. THE PEAR-TREE A rain of petals the pear-trees give, As a pearly toll for the right to live. Fragile petals that gently fall, Like tears down the face of the old grey wall. Around the bole, where the grasses grow, Is a circle white as of melting snow. An enchanted circle, flower-entwined, Where hyacinth fingers the grasses bind. The youngling thrushes soon learn how To alight and shake the flowers from each bough. The swallows tell their babes such tales! That the tree is a ship with flower-white sails, Anchored to Earth in the harbour of May; But one moonless night she will sail away, And a prim green tree will take the place Of the phantom ship with its sails of lace. Then in autumn the Orchardist Time will come, And bear the fruit away to his home. And later on he will heave a sigh, That the little white tree some day must die. So I write this verse to the little Pear-tree, That both be remembered--it and me. COXWOLD. BEGGAR'S GOLD I Around me sounded effort manifold, As creaking cranes swung ponderously slow, At intervals I heard the hiss of steam, The rhythmic beating of an iron's blow: I thought,--this energy will sometime be Transmuted into that which all men crave, The magic metal, Gold, great Titan Gold, Whom men make monarch when he should be slave. And as I mused, above the jarring clang, I heard a faint sweet sound of flutterings, A tender movement, musical and low, As of a fledgeling trying its young wings. A gentle zephyr blew the casement wide, A woman glided past the tapestry, With russet golden hair, all gowned in gold. She looked about her hesitatingly; I heard her voice as if thro' beechen boughs, Caressive as a moor-born singing burn, And thro' it ran the lisping of the pines, The lovely lilt of some gold-dying fern. II (She sang): "Ye seek the gold of the city; Ye cheat, ye brag, ye lie; In quest of its sordid yellow Ye hunger until ye die. I offer ye gold for the having: The mint of October's glow, To warm your souls with its wonder, Your souls, in their greed-bound snow. Gold of the hedges I offer, Marvellous gold of the ghyll, Rowan-red gold from the forest, Take from me, ye who will. Gold ye need for your bodies, O men of the smoke-chained town. But know, that my gold's for the asking, Gold for a Beggar's Crown." III She silently sped As a star at morn In the saffron track, Of the day, dew-born, Leaving a longing Intensely strong To own for myself The gold of the song. The city I'll leave With footstep bold, To seek for myself The Beggar's Gold. IV I woke and found a leaf upon the floor, And two more golden leaves outside the door. AIREDALE. ON EARLY RISING THE LOVER: Why not rise with dawn, my Lady? Why miss these sweet hours? Come with me: the ghyll is shady, Carpeted with flowers; Why miss these sweet hours? Now thou liest a-bed, my jewel, How canst thou still sleep? To encase thyself is cruel-- Beauty thus to keep. How canst thou still sleep? HIS LADY: At this hour, my simple lover, I prefer to rest Than to watch the tireless plover Rise from dewy nest; I prefer to rest. Beauty such as mine, my lover, (This I know is right) Even thou wilt soon discover Is more meet for night (This I know is right). THE SONG-MAKER: In the daytime chirp the thrushes; But the nightingale Waits until the moonlit hushes To pour forth her tale; Wiser nightingale! JEWELS O! Gold I lack; I am a man Who cannot give as others can; No costly gems of value rare Are mine to give, my Lady Fair! Yet would I give, and of my best, So delve the kingdom of mine eyes: What say'st thou to a rope of pearls Strung from the cirro-clouded skies? A sunlit beck, just after rain, Should from its ripples lend a chain Of sparkling diamonds, very meet To grace thy wrist, my Lady Sweet. A peaty tarn, lost 'mong the hills, Of beryl tint should make a ring; The moors should yield a coronet Of amethyst, from summer ling. * * * * * _Rubies?_ Already thou hast two! They are the gems for which I sue. RIBBLESDALE. BARGAINING There are many, many forests lying north, south, east, and west, There are many, many rivers moving slowly to the sea, But there's a wood of budding beech that claims the heart of me, And there's a little singing beck that falls from heathered crest. O! I would give the universe to own that singing stream, And watch the stars a-hiding from the rosy-fingered morn, While cuckoos wake the fellside, and daffodils are born-- O! any one can have the world, so I may keep my stream-- Yet would I barter beechen wood and little singing beck If I could fold my arms once more around my sweetheart's neck. NIDDERDALE. SONG OF GOOD-BYE The ship is speeding fast from out the bay, Instead of thine, I feel a kiss of spray; My face is lashed by salt winds from the sea, My eyes are wet with parting now from thee. O Husband Sweetheart! send to me a thought-- Some loving word, perchance my lips have taught! The evening fades to purple, darkly blue, The air is chill, a few white stars creep through The steely buckler of the northern sky; One lonely sound recurs--a sew-mew's cry. O Husband Sweetheart! send thy heart to me Across this tireless, surging, tossing sea! To-night we're severed, many miles apart: I wonder, canst thou rest, my Dearest Heart? In Court of Dreams perhaps we'll briefly meet And kiss upon the Borderland of Sleep. O Husband Sweetheart! say for me a prayer-- God give you peace, and have you in His care! OFF THE YORKSHIRE COAST. KING YESTERDAY You and King Yesterday both have fled To the Land-of-the-beautiful-days-that-are-dead. How full of bird music the dewy-fair Morn When Yesterday, King of the Past, was born; How rosy with roses the passionate noon When you and King Yesterday ruled sweet June; How royal with splendour the crimsoning west As Yesterday bravely grew old with zest; And eve was a glamour of emerald light When Yesterday greeted the world "Good-night." Oh! You and King Yesterday gently wean My thoughts to the Country-it-might-have-been. KISSING Thou canst not kiss without consent, For know, dear Thief, a kiss is lent; And if thou takest one to-day, With interest must thou repay: One now, next week I'll count in fives,-- Thou'lt owe some scores in Paradise! TANFIELD, WENSLEYDALE. PHILOSOPHY Some tell me "_Life is a weariful thing, That Sorrow remains, while joy takes wing._" But Sorrow and I already have met: His face is wan and his lips are set; He cometh and goeth on silent feet, Yet between his visits are moments sweet, Moments that come like a blackbird's dart, When Happiness holds me close to his heart; When I sense the rapture of swinging skies And know the thrill of the spring's surprise, As I lie on the mothering Earth's deep breast And clasp my tremulous bosom, lest Some unknown loveliness I might miss, Or forgetful be of the West Wind's kiss. Like the blackbird's notes in the early hours Which fall like a peal of silver flowers, Joy rings his bells in my waiting ears, And Sorrow departs to his silent meres. "_And if he returns?_"--my soul will sing Remembering Joy who has taken wing! RILSTONE FELL. A THRUSH'S SONG (To My First Love, Daddy) A thrush's call Has chanced to fall Into my heart Where dwell apart Dear memories Of summer skies, Of heartsome days, Of flower-fair ways, Of kisses shy With people high. What did I ken Of lovers then, Of lover-laws, Of lover-saws? The sweet, sweet earth Was giving birth To lovely things With songs and wings; And yonder thrush On yonder bush Brings home to me The little years of memory. A FEBRUARY DAY (_There is a country saying that spring has not come until you can set your foot on seven daisies at once_) "_O! How do you know When spring has come? Still falls the snow And the birds are dumb._" The grass will wear A greener tone, The thrush will dare To carol alone. The silver rain Will warmly fall, The woods will gain The blackbird's call. But the way to tell, And the only way, Is to find a dell Where the breezes play, And seek and seek Where the daisy-bloom Shows white and meek Like a baby moon. And when your foot treads With tender fear On seven white heads,-- Then spring is here. COXWOLD. LAUS DEO (For My Little God-son) God Darling! Listen to my song, The one I sing the whole day long, Of thanks to Thee for every good, Whether at home, in field, or wood. I thank Thee for the lovely spring, And for Thy little birds that sing; I thank Thee for the summer's sun, When 'mong the roses I can run. I thank Thee for the sickle time, When corn is ripe, and apples prime. I thank Thee for the deep white snow, When I tobogganing can go. I thank Thee for the bright sweet day, For hours of love and work and play; I thank Thee for the deep blue night When I and flower-buds fold up tight. NIDDERDALE. "PAST-TEN-O'CLOCK-LAND" "_It was Moonlight Land and Past-ten-o'clock Land and we were in it and of it._"--KENNETH GRAHAM. There's a lovely land that is all your own, If your years but number ten, Where the cherryblossom's ever in flower, And found in "Past-ten-o'clock Glen." There's a river with musical water-falls, You paddle as long as you please, And the daisies don't die as you pick them, When found on "Past-ten-o'clock Leas." And the rivulet leads to a harbour, Full of the quaintest of ships, One wish will transport you to China, Or other "Past-ten-o'clock Trips." Away in dim mountains of amber, Which drop sheer down to the waves, Fierce brigands, be-weaponed and ear-ringed, Live in "Past-ten-o'clock Caves." O! the folk understand you and love you, You never can do any wrong-- You can shoot the cat with a catapult, Or shout the "Past-ten-o'clock Song." You can play you are really an otter, And get as wet as you like; You can lie in wait as a Redskin does, In a deep "Past-ten-o'clock Dyke." It's a lovely land that is all your own, If you're only ten years old, But when you are more, you are apt to forget "Past-Ten-o'clock-Dreams of Gold!" BARDEN FELL, WHARFEDALE. TO MEMORY Mem'ry, sweet witch! you brought him to my door. I heard you knock, and saw your fingers ope The rosy gateway of a lingering hope, And I beheld his dear face as of yore. You held him by the hand I oft caressed, And seemed so small a sprite by his tall side, As in his leathern coat you tried to hide, The same old coat my cheek so often pressed. Then searchingly his deep blue eyes found mine, As if to plead against forgetfulness, With all the old-time loving kindliness: And then you led him back without one sign. Sweet little Mem'ry, lead him back once more, And, knocking, bring him in, and close the door. A WAR PRAYER FOR A LITTLE BOY Morning The day is just beginning, But all the long night through, The sailor-men were watching Out in the dark night blue. Dear God! when my turn comes, May my watch be as true. Evening The long, still night is coming, But whilst I've been at play, The soldier-men were fighting Thro' all the live-long day. Dear God! when my turn comes, Please keep me brave as they. ROBIN HOOD'S BAY. STAR-SCANDAL One summer eve, my own dear love and I Sat arm-entwined beneath a rowan-tree. A little wind flew past us with a sigh, And all the velvet leaves waved merrily. Then, as mine eyes escaped his ardent glance, I saw a star peep o'er the purple hill And climb up to the topmost branch and dance, And wink at its reflection in the rill. "_Come, kiss me once, O timorous-hearted Love. Full many thousand kisses dost thou owe. Prithee but one, thy pretty love to prove; No one in all the world shall ever know._" No one? That spying star but told a poet, And in a song he let the whole world know it. THE FIRST OF JULY 1916 For the Mothers, Wives, and Sweethearts of the 15th West Yorks ("Leeds Pals") I 'Tis passing wonderful that they, The little boys of yesterday, Should suddenly become such men That England rings with praise of them. But tho' their names are writ in blood --Deepening crimson flood on flood-- Their impositions writ awry And copybooks are hardly dry; And Sweetheart Life had scarcely kissed The boy to man, when the blue mist Of twilight lifted; and the dawn Announced that rosy day was born. As pink-curled clouds lit up the sky A little gentle breeze whisked by Caressing all the poppy-heads-- Rippling fields of budding reds-- Splashes of yellow sunned the earth Where mustard meadows flowered mirth; And cornflowers blue ran out to meet The blue around God's Mercy-seat. O! all the world and all the sky Made it a sacrifice to die. II 'Tis passing wonderful that they, The little boys of yesterday, Who cuddled to dear Mother-hearts With darling rosy-fingered arts, Did cheer with strong expectancy The shattering artillery; And smilingly went o'er the top Unflinchingly without a stop Into the poppied "No Man's Land." Wave after wave, band after band, Through the terror of bursting shells, Through the noise of a thousand hells, Through th' unmanning groans of pain, Through the blood of the splendid slain Lying under a blue-cupped sky, As wave after wave swept bravely by. From flowers of blue to the Endless Blue Hundreds of souls are passing thro', And the poppies weep o'er the red-spilled lives: O! at home are the mothers, the waiting wives. III 'Tis passing wonderful that they, The little boys of yesterday Who played with us, who teased us too, Should such tremendous actions do. No praise, no honour is too high For those who gave so cheerfully: Gave up the wonder of the spring, Gave up the wealth that summers bring, Gave up the gold of autumn's store, Leaving us richer than before. Unflinching bravery of soul! Ring out your splendid deathless toll, Ring down the years untiringly In the hearts of the children-yet-to-be. The carillon of your ideals You'll hear again in their sweet peals; God grant that we may squarely fight For all you held to be upright. LEEDS, _July 1st, 1917_. "THE IDEAL MAN" He should be strong--as strong as Thor of old; And faults of strength 'twere better he possessed Than quavering mind or any lack of zest When the time needs a right arm coolly bold. Truth should to him be what the unpent song Is to the soaring lark; with kindly thought For everything that cold Misfortune's sought; With earnest faith to fight a cause proved wrong. A heart that finds the best in every man; Impatient he should be at all delay Or if not giv'n at once his own sweet way-- (But then a fault or two is Nature's plan), Yet I would wish his chiefest fault should be A wilfulness to see no fault in me! SEMER WATER. TO THE COMING SPRING Hope and Spring! You are sisters! In my woodlands The primroses are peeping With pale, sweet golden eyes, In spite of Winter's weeping. In my woodlands A thrush has just swung, dipping, In search of his spring voice; The trees stand dripping, dripping. In my woodlands Harsh Winter coldly shivers; The windflower, white adventurer, With hope of springtime quivers. Soon my woodlands, Bearing bannerets of Spring, Will be every moment musical With birds that, mating, sing. Hope and Spring! You are sisters! Oh, Spring! Spring! Since the Autumn died in glory, How I have yearned for your coming Thro' the cloistral fog-bound days, Your beauty seemed a story That would never be told again. Spring! of the pearly cloud-skies Soft-curled as a baby's hand, Turquoise as children's eyes, Of rainbow-tinctured days And twittering song of the eaves! Spring! You desired vision, The wind in your primrose hair, Your eyes, too, weepingly ready, Your face, an anemone fair; Your train, a burgeoning pattern Be-sprent with woodland flowers, Blackthorn, daffies, bluebells, Marking the flight of our hours. Spring! Tho' it still is Winter, In your mystic sleep you smile, Yet the primroses and the thrush on wing Know that even in sleep you sing; You wondrous, envassaling, longed-for Maid! Oh! If Death came now I should be afraid: I have longed for you so the dark months thro', That I must see the pulsing glory of you; And your little hand-maidens in their turn-- For each at their 'pointed times I yearn. Virginal snowdrop, Firstling of Spring! Crocus, herald of purple and gold, Wistful windflowers, Celandined stars, Every one to my heart I fold. Snow-soft blackthorn, You wild, fair sweet, The scent of you brings A flutter of wings; And, almond blossom, You stole at dawn The pale dream vest Of the infant morn. Of a pool of blue I dream-- Hyacinths, waving in ripples of blue. There is nothing so fair the whole world thro' As when quivering sun and quivering wind Jocundly, joyously, leapingly find A young green wood in a lazuli dream. O Spring, if I lay on my dying bed I should wait to die, till your glory had fled, I could not go ere the cuckoo had cried His impudent call to the countryside: Not till the swallows had loyally come To their nesting place, in my liefest home, And then I should wait for the blackbird's note To leap from his melody-stirring throat. Ah! And to feel the April rain Pattering on my face again. God grant that I do not die in the Spring, When my whole soul rebels to live and sing; As we all must die, so let me die When the grey November fogs are nigh; Not for a longer space of heaven Would I forfeit one day, nay, one single hour, One sweet bird-cry, or one haunting flower, Of my beautiful, longed-for, fleeting Spring. Hope and Spring! You are sisters! 'Tis Winter still, But you stir in sleep Tho' the cold gusts blow And the bare trees weep. But the early primrose And flitting thrush Have watched you smile And have seen you blush. And tho' it is long Ere yet you rise, And the blue of your glance Reflect in the skies; My heart is awake And ready to sing The moment you beckon, Sweet, glorious Spring! Hope and Spring! You are sisters! PATELEY BRIDGE, NIDDERDALE, QUESTION O Seats of ancient learning, Philosophers and Sages! A child has put a question, which I cannot find in pages Of any tome in any land: and so the answer's missed. "_Where do all the kisses go, after they are kissed?_" THE DALES OF ARCADY FIRST DAY Hearken! The South Wind's voice. My lover returns, and the valleys rejoice. The bees fly upward to watch his flight, The butterflies quiver with glad delight, As he teasingly touches their jewelled wings. O! at his bidding the whitethroat swings In thrillant blue. A thrush's call Blends with a blackbird's madrigal. I steadily gazed at my silent pen, Attempting to keep from my straying ken An Eden of woods, of bosoming hills, Of verdant hedges, of wandering rills. How can one work When a Lover amid the flowers will lurk? He tip-toes in thro' the window-door, And whisks my papers on to the floor; With flower-steeped hands he caresses my hair, And whispers alluringly, "_Fair, most Fair, Slip your slender hand in mine, my Sweeting, Hear! the skylarks cleave the blue with greeting, Hear the blackcap on the thorn at even Trill truths that echo to the highest heaven, Leave your world of carking care, time-haunted, For a country ever spring-enchaunted._" He leads me on to the dewy grass, Where maiden primroses troop and pass; With a gleesome kiss in his arms he swings Me up 'twixt his eagle-wide rainbow wings: Over a willowy coppice he goes Flicking the hedges of milk-white sloes, Over the blazon of heralding gorse, Deftly he steers his ethereal course Over anemone hillocks, o'er leas, Hyacinth-dimpled, o'er buttercupped leas, Over the ings where forget-me-not eyes Borrow the blue of azureal skies; Over the meadow-flats, higher and higher, Sweeping the strings of the cloud-strung lyre. The lilt of the planets is in mine ear, Crystal dropping on crystal clear: "O Wind, my Lover, My mortal eyes must you surely cover: Such beauty will make me beauty-blind, Protect mine eyes, O my Lover Wind." Then, as I lost my indrawn breath, He swirled me down to the earth beneath, Down thro' the depths of a forest of pine, On to a carpet of celandine. The goldcrests twittered, the squirrels chased, While the lofty pines, brown arms enlaced, Lisped a dryad-taught melody, sung by the sea. Known in the valleys of Arcady. For a little space did my Lover sleep, While the gold-mailed sun with me did keep A radiant watch; but when Eventide In saffron-rose wrapped the woodland side, He started up, and he kissed my neck, Then, bidding me rise at his instant beck, We passed where the sovran oak-trees nod, Where never a human foot has trod, Where birches sway in slenderest grace, That never have seen a mortal's face; Where rivulets hasten in sweet surprise, A wonder beneath my wond'ring eyes; A lakelet trembled beneath my glance, The lily-white elfins ceased their dance; A cherry-tree flung confetti down, And framed for my head a loving crown. Soft-toned bells Called to each other across the fells. While music played on a reeded flute Stilled the air, and the birds were mute. "O leaf-loving Zephyr, whence cometh the mirth Of this melody? Owns my mothering Earth A piper who pipes so alluringly Of beauty that is, of beauty to be? Onward! o'er thousands of blushet-shy daisies, To find this piper of beautiful phrases." 'Mong flocks of goats, and of leaping lambs, The piper sat. Two fierce-horned rams Made a fleecy cushion whereon he sat, And a sleeping ewe made a creamy mat For his hoofed feet. His music ceased. Green were his eyes, and they seemed well pleased As they lit on our forms: "_O! Pan, great Pan! This mortal thy kingdom of beauty would span, And she would learn of the singing seasons' Wonderful featness; of all the reasons. The hill and the wood and the rippling rill The air with different melodies fill; Where bonnibel April latest was sent, When May filled the world with her wonderment! Who teaches the cuckoo his twin-bell call? The opening notes of a festival To jubilate the reign of the summer Beauteous, queenliest, rosy-robed comer. O Pan! I bring A mortal whose soul is afire to sing._" Pan smiled--a smile like a twisted oak-- Then beckoned to me, while the forest spoke, "Evoë, great Pan," sang the lark on high, "Evoë, great Pan," from the uttermost sky; I drew near and stood beside his knee: He handed his reeded flute to me, And kept his eyes, of a forest green, On my trembling hands. O! well, I ween, He knew that my amateur hands were weak, For the spirit of me was meek, so meek, And his green eyes glimmered with rising glee. My masterful Lover whispered to me, "_Put your lips to the flute with mine, Heedless of self-hood, in song be divine._" And placing near mine his golden-sweet mouth, A rondeau he sang of the forest's youth. Pan spoke at last: "Child! wander and learn The lilt of the bird and the song of the burn: And when thou hast learned from the burn and the bird Thou'lt find me again" (the forest heart stirred). "Hail! child from the plaintful Kingdom of Man." The mountain-tops shouted, "Evoë, great Pan!" The rivers sang deeply, "Evoë, great Pan!" And whisperingly I, "Evoë, great Pan!" SECOND DAY The rose-trees show but a tuft of green Where a stern, cold pruning-knife has been, But they promise a summer of fragrant wealth: How the small buds come to the light by stealth Like pixies shy; yet a pruning knife Leads every browny-bare branch to life. Slowly I passed thro' the rustic gate, Where wine-red roses will hold June fête; The wind stole out from the blossoming row Of the cherry-trees, and he whispered low: "_Are you content to be bound by a wall, E'en tho' it boundeth things beautiful? Tho' cherry and apple bloom over it fall, Always it is, and it hath been, a wall. 'Tis true that thro' it there is a wicket, But what can it know of the wild grown thicket That grows where its pathway may never wander: Out of this garden--the blue land yonder?_" And a cuckoo called; and the echo ran, "Evoë, Evoë, Evoë, great Pan!" Then my Lover lifted me up in his arms, And swiftly arose. How the grey-roofed farms Receded into the cup-like earth! And I chanted a canzone of Springtime and Birth, Which called o'er the sea to the firstling swallow, Who flew beside us o'er height and hollow, Till others came from their home of the Sun, And the farm-folk cried, "Dear Summer's begun." Hundreds and thousands followed our flight-- ALL ENGLAND WILL HAVE A SWALLOW TO-NIGHT. By the old elm's portal of Arcady My Lover alighted and whispered to me, "O lily of laughter! O sister of flowers! Wander alone in Arcadian bowers, And I will return when the sun goes down, And wing you home to your grey, grey town. I kiss your little white hands and feet: Farewell!" And he rose, on wings so fleet Over the nests in the cradling larch, Over the bow of the rainbow's arch. Where conifers grow in fine profusion, And birches quiver in sweet confusion, Where hawthorn waits with a danseuse grace To burst on the scene with her milk-white face, And pirouette near some stately spruce, Scattering around him pearly dews, Where rabbits scamper thro' grasses lush, And a pheasant's screech breaks the noon-day hush, I journeyed on, till the sun began His westering course. "Evoë, great Pan! Never a note of your pipings to-day Has guided my steps thro' the sylvan way. O! where must I seek in this Paradise?" "Evoë, Evoë," a linnet sighs, "Seek where the sisterly marshes are, Where the marigold twinkles, a golden star, Where willow and alder hide the river, Where timid reed-warblers tremble and shiver." The sky showed pink thro' the branches grey, And then I heard, as if far away, A tremulous song, a music of fears That was strung together by trills of tears, A quivering star glowed, curtained by leaves, And the hullets called from some distant eaves. I found Pan crouched by the river's edge, His hoofed feet hid by the rushy sedge, And I listened his plaint. "O great god Pan, You sing with the broken heart of a man! Your song is of Syrinx, who, æons ago, Escaped from your loving. Alas! that you know The music of love, and the music of lack, And you mourn for the hours that cannot come back,-- But I would learn of merrier things: The melody murmurs of fluttering wings, The secrets that fill the nightingaled glades, The music that stirs in the leaf-colonnades." He piped for a minute, then, turning to me, With a wry, queer smile, said: "In Arcady No song goes forth to the listening earth That comes not thro' travail and tears to birth: The river weeps as it leaves the fell, And the note cries out as it mourns the bell; The bird that praises the young, fair dawn, Sings of his loss on the twilit lawn, And those that hymn of the coming spring Lament for her too, when she taketh wing. The song of songs is of Death and of Love-- I sing of Syrinx, my own ... lost ... love." He piped again, and the blue mists frail Swayed in the dusk to the tender wail, And I dreamed--till I felt on my damp, moist hair, My Love's cool hand, and his whisper, "_Fair_," Then I felt his arms, and I knew the skies, Whilst over the mountains I saw Dawn arise, And another sweet day its course began, While the hidden stars sang, "Evoë, great Pan!" And the lark in the blue, "Evoë, great Pan!" And wistfully I, "Evoë, great Pan!" A WAR-TIME GRACE Dear God, your rain and shining sun Have all their lovely duties done: The rain makes grow the golden wheat And so provides the bread we eat. The cow gives us the milk we drink Because she loves your sun, I think. Please, grant that other children may Have milk and bread enough this day. NIDDERDALE. QUEEN MAB'S AWAKENING SCENE: _The Meeting of the Waters, in Bolton Woods, Wharfedale_. QUEEN MAB _lies sleepily in a mossy hollow, guarded by a quivering frond of last year's bracken. After a little yawn she discontentedly gazes at_ THE THRUSH _who is singing continuously, whilst balancing himself on a twig of the leafless hawthorn above her._ QUEEN MAB (_almost peevishly for a Queen_): Thou saucy bird, to wake me from my slumber, The spring still tarries, and I would not wake To live thro' cloud-spun days, thro' endless nights; To watch the weeping rain, until I too Would mix my tears with hers. To see the hills Bow their nude forms beneath the lashing hail, To hear the strong trees groan. I will not wake. THE THRUSH (_practising trills between each line and minor arpeggios after each verse_): Queen Mab! Queen Mab! Listen my lay! A windflower leapt In the hedge to-day. One of thy dimples Lent its mirth To lessen the gloom Of the snow-tired earth. A white-faced flower's In the hedge to-day, Queen Mab! Queen Mab! Listen my lay! QUEEN MAB (_impetuously_): Please, hush thy noisy song a little while. Maybe a windflower shows her shy white face, But I have seen anemones in snow, Hiding their eyes (false messengers of Spring), Justly ashamed of their own perfidy. Therefore, sing softly. QUEEN MAB _curls herself up among her emerald cushions, closes her azure eyes, and sleeps for several days_. THE THRUSH (_his voice a degree sweeter and surer_): Queen Mab! Queen Mab! Awake! Awake! A primrose blooms In the woodland brake. From thy sleepy lips Has tumbled a smile Which lies a-blossoming Near the stile. A primrose blooms In the woodland brake! Queen Mab! Queen Mab! Awake! Awake! _A blue tit from a neighbourly silver birch softly mimics the trills after the last line._ QUEEN MAB (_half opening her eyes_): O tiresome bird, one primrose does not bring The warm sweet days for which I yearning wait. Know, I have seen the hillside amber-pied With primroses, and yet a fierce gale swept Adown the dale. Primroses are brave, But, tho' they blossom, leave me to my dreams. _Once more she nestles among the jade-green moss and sleeps for a week._ THE THRUSH (_louder and clearer_): Queen Mab! Queen Mab! From thy faerie dream Has sped a laugh Like a sunny gleam Which springs to earth A daffy-down-dill That merrily flouts At the purling rill, Thy laugh has sped O'er the hillside grey: Queen Mab! Queen Mab! Listen my lay! _The cuckoo calls wistfully from down-dale, but_ QUEEN MAB _does not hear him._ QUEEN MAB (_stretching her small white arms and yawning dreamily_): Methinks the air feels warmer, and the sky Seems bluer, yet mine eyes are loath to ope. I will not wake at once: How the birds sing! I did not think the world held so much song. That note's a blackbird's; that's a finch's call; A wren has whispered secrets to his mate; Two doves are cooing where green curtains hang, Half shyly, lest their love-songs should be heard; Yet, 'tis not spring until the cuckoo cries. _The cuckoo's voice is heard nearer, coming from Bolton Abbey, and a second voice answers,_ Cuckoo! Cuckoo! From Barden Fell. THE THRUSH (_his voice jubilantly strong_): Queen Mab! Queen Mab! Thy hyacinth eyes Have filled the coppice With azure sighs. My loved little queen Of windflower feet, Of daffodil-laughter So primrose-sweet! The rippling wood Is a bluey lake. Queen Mab! Queen Mab! Awake! Awake! QUEEN MAB (_wide awake now, springs from her couch and curtsies to the World, north, south, east, and west, then raises her arms to the Sun_): Gold Sun, I greet thee; do not hide thy face Too soon behind the wistful little hills. Thou art my lover, faithless, fickle, fair, And leav'st me all too soon; my kingdom's naught Without thy splendid presence; stay awhile. Old World, old wrinkled granddame, thee I greet; Thy loving smile renews thy youth once more. For months I slept upon thy broad brown breast; I thank thee, granddame, for so good a rest. Ye birds that whistle, hares that limping run, And little soft-eared rabbits, velvet shod, Great wayward mortals, with unseeing eyes, I greet you one and all, for Spring has come. Laugh with the sun, muse with the silver showers; Laugh and make merry, Spring is all too fleet, And soon will dance away on flower-loved feet. _Exit_ QUEEN MAB _in search of her court of butterflies. Above the bird-music is heard the insistent cry of the cuckoo, till the fells re-echo with his calling._ BOLTON WOODS, WHARFEDALE. Printed by Hazell, Watson & Viney, Ld., London and Aylesbury. End of Project Gutenberg's The Dales of Arcady, by Dorothy Una Ratcliffe *** END OF THIS PROJECT GUTENBERG EBOOK THE DALES OF ARCADY *** ***** This file should be named 37086-8.txt or 37086-8.zip ***** This and all associated files of various formats will be found in: https://www.gutenberg.org/3/7/0/8/37086/ Produced by Al Haines Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at https://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: https://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: https://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.